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    She's Got Moxie

    Texas author's 'Moxie' powers Amy Poehler's edgy new Netflix film

    Johnston Farrow
    Johnston Farrow
    Feb 8, 2021 | 3:23 pm

    Texas author Jennifer Mathieu is raising a glass after the trailer for the Netflix movie based on her young adult novel, Moxie, was released and shared around the world in myriad media outlets last week.

    The film stars and is directed by comedy legend Amy Poehler. The former Saturday Night Live and Parks and Recreation star’s production company, Paper Kite, optioned the rights to Moxie in 2018, and it will premiere on the streaming giant on March 3.

    “It’s been surreal,” says Mathieu, who lives in Houston and teaches English at Bellaire High School. “I don’t think I’ll ever get used to it. One of the nice things about all this is that friends, my college roommate, and people I went to high school with are sharing it on social media and saying nice things. So, it’s been really fun and a way to connect with people.”

    While many books are adapted for screen by streaming services, not all star an Emmy Award-winning actress in Poehler and an Academy Award winning actress in Marcia Gay Harden, not to mention a who’s-who in upcoming young Hollywood talent in Hadley Robinson (Little Women, Utopia) and Patrick Schwarznegger (son of Arnold).

    Moxie follows protagonist Vivian Carter who becomes inspired by her mother’s riot grrrl-inspired, feminist past to create an anonymous zine that speaks out against the sexist culture at her high school. The zine is the catalyst for a feminist movement on campus, drawing the ire of administrators and the young men whose toxic masculinity is being called out.

    Despite the recent glut of teen movies across platforms, Moxie is drawing favorable comparisons to some of the best of the genre, including 2019's Booksmart and classic Mean Girls.

    The story is somewhat personal to Mathieu. She is a unabashed feminist who wrote zines herself as a teenager. She loved riot grrrl bands of the '90s, such as Sleater-Kinney and Bikini Kill, known for promoting female equality through art and music. Walking the walk, Mathieu is also the proud sponsor of the Feminist Club at Bellaire High School, a campus she says is much more accepting and supportive of all voices than the fictional high school setting of her novel.

    "That's why I wrote Moxie," she says. "I love riot grrrl, I love feminism and stories that center on how hard it is to be a teenager. It's just been a great experience from start to finish."

    While not directly involved with the filmmaking process, Mathieu did discuss the adaptation with screenwriter Tamara Chestna. She also had the opportunity to fly to California before the pandemic started to visit the set, where she met with Poehler and some of the cast, including Robinson, who plays the main character, Vivian.

    "Amy Poehler came out and I was just so uncool," Mathieu remembers. "I immediately asked, 'Can I have a picture with you?' I was going to be on set for the whole day. But I was like, I need a picture with you now! That moment was probably a top 10 in my life."

    When she got to see a screener of the movie, she watched it with her husband, and then watched it three more times.

    “I 100 percent, freaking loved it,” she recalls. “I mean, I knew Amy Poehler was going to do a good job, but you always hear stories of authors like Stephen King didn’t like The Shining, but I knew that wasn’t going to be me. I knew I was going to love it because I love everything that Amy Poehler does, but I don’t think I was prepared to love it as much as I did.”

    Unlike King’s well-documented criticism of adaptations of his work, the film version of Moxie stayed true to the book with a few changes and wrinkles that work for the screen. The feminist spirit of the novel is fully intact, which comes through in the trailer.

    “The big elements and scenes that were really important to me, that I loved writing are all still in there, but [Poehler’s] also added her own spin on it,” Mathieu says. “She’s changed some of the storyline, and the principal is now played by a woman, which I thought was an interesting choice, played by Marcia Gay Harden. But the way she put it all together works so beautifully, and I think it’s the best kind of film adaptation — it honors the book but it’s its own special creation.”

    Unfortunately, due to the pandemic, Mathieu will miss out on walking the red carpet at an official premiere, but she’s quite content to celebrate at home with her husband and 10-year-old boy.

    "Of course I would have loved to gone, but as someone who is pretty introverted, there's a part of me that's 'phew,' I don't know how I would have handled being at a big event like that," she says. "But I know there will be virtual watch parties and my publisher is putting together a Moxie movie in a box to send out to to reporters to build buzz. There's also going to be a movie tie-in version of the book."

    Next up for Mathieu is the release of her sixth novel, Bad Girls Never Say Die, which contains echoes of Moxie about a gang of girls in Houston set in 1964. A tentative date has been set for the fall. Until then, the author is content to enjoy the ride around the Netflix film, continue to teach, and write in her spare time.

    “When I saw the list of everywhere the trailer had been, I was so pumped to know it had that wide of a reach,” Mathieu says. “I’m super excited — I really am just like a high school teacher. I’m a mom, I live in Westbury, I’m 44 years old, it’s kind of overwhelming sometimes. But in a great way.”

    "Moxie" author Jennifer Mathieu (right) freaking out like the rest of us would with Amy Poehler on set.

    Jennifer_Mathieu_Amy_Poehler
    Courtesy Jennifer Mathieu
    "Moxie" author Jennifer Mathieu (right) freaking out like the rest of us would with Amy Poehler on set.
    bookscomedymoviestv
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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    news/entertainment

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