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She's Got Moxie

Texas author's 'Moxie' powers Amy Poehler's edgy new Netflix film

Johnston Farrow
Johnston Farrow
Feb 8, 2021 | 3:23 pm

Texas author Jennifer Mathieu is raising a glass after the trailer for the Netflix movie based on her young adult novel, Moxie, was released and shared around the world in myriad media outlets last week.

The film stars and is directed by comedy legend Amy Poehler. The former Saturday Night Live and Parks and Recreation star’s production company, Paper Kite, optioned the rights to Moxie in 2018, and it will premiere on the streaming giant on March 3.

“It’s been surreal,” says Mathieu, who lives in Houston and teaches English at Bellaire High School. “I don’t think I’ll ever get used to it. One of the nice things about all this is that friends, my college roommate, and people I went to high school with are sharing it on social media and saying nice things. So, it’s been really fun and a way to connect with people.”

While many books are adapted for screen by streaming services, not all star an Emmy Award-winning actress in Poehler and an Academy Award winning actress in Marcia Gay Harden, not to mention a who’s-who in upcoming young Hollywood talent in Hadley Robinson (Little Women, Utopia) and Patrick Schwarznegger (son of Arnold).

Moxie follows protagonist Vivian Carter who becomes inspired by her mother’s riot grrrl-inspired, feminist past to create an anonymous zine that speaks out against the sexist culture at her high school. The zine is the catalyst for a feminist movement on campus, drawing the ire of administrators and the young men whose toxic masculinity is being called out.

Despite the recent glut of teen movies across platforms, Moxie is drawing favorable comparisons to some of the best of the genre, including 2019's Booksmart and classic Mean Girls.

The story is somewhat personal to Mathieu. She is a unabashed feminist who wrote zines herself as a teenager. She loved riot grrrl bands of the '90s, such as Sleater-Kinney and Bikini Kill, known for promoting female equality through art and music. Walking the walk, Mathieu is also the proud sponsor of the Feminist Club at Bellaire High School, a campus she says is much more accepting and supportive of all voices than the fictional high school setting of her novel.

"That's why I wrote Moxie," she says. "I love riot grrrl, I love feminism and stories that center on how hard it is to be a teenager. It's just been a great experience from start to finish."

While not directly involved with the filmmaking process, Mathieu did discuss the adaptation with screenwriter Tamara Chestna. She also had the opportunity to fly to California before the pandemic started to visit the set, where she met with Poehler and some of the cast, including Robinson, who plays the main character, Vivian.

"Amy Poehler came out and I was just so uncool," Mathieu remembers. "I immediately asked, 'Can I have a picture with you?' I was going to be on set for the whole day. But I was like, I need a picture with you now! That moment was probably a top 10 in my life."

When she got to see a screener of the movie, she watched it with her husband, and then watched it three more times.

“I 100 percent, freaking loved it,” she recalls. “I mean, I knew Amy Poehler was going to do a good job, but you always hear stories of authors like Stephen King didn’t like The Shining, but I knew that wasn’t going to be me. I knew I was going to love it because I love everything that Amy Poehler does, but I don’t think I was prepared to love it as much as I did.”

Unlike King’s well-documented criticism of adaptations of his work, the film version of Moxie stayed true to the book with a few changes and wrinkles that work for the screen. The feminist spirit of the novel is fully intact, which comes through in the trailer.

“The big elements and scenes that were really important to me, that I loved writing are all still in there, but [Poehler’s] also added her own spin on it,” Mathieu says. “She’s changed some of the storyline, and the principal is now played by a woman, which I thought was an interesting choice, played by Marcia Gay Harden. But the way she put it all together works so beautifully, and I think it’s the best kind of film adaptation — it honors the book but it’s its own special creation.”

Unfortunately, due to the pandemic, Mathieu will miss out on walking the red carpet at an official premiere, but she’s quite content to celebrate at home with her husband and 10-year-old boy.

"Of course I would have loved to gone, but as someone who is pretty introverted, there's a part of me that's 'phew,' I don't know how I would have handled being at a big event like that," she says. "But I know there will be virtual watch parties and my publisher is putting together a Moxie movie in a box to send out to to reporters to build buzz. There's also going to be a movie tie-in version of the book."

Next up for Mathieu is the release of her sixth novel, Bad Girls Never Say Die, which contains echoes of Moxie about a gang of girls in Houston set in 1964. A tentative date has been set for the fall. Until then, the author is content to enjoy the ride around the Netflix film, continue to teach, and write in her spare time.

“When I saw the list of everywhere the trailer had been, I was so pumped to know it had that wide of a reach,” Mathieu says. “I’m super excited — I really am just like a high school teacher. I’m a mom, I live in Westbury, I’m 44 years old, it’s kind of overwhelming sometimes. But in a great way.”

"Moxie" author Jennifer Mathieu (right) freaking out like the rest of us would with Amy Poehler on set.

Jennifer_Mathieu_Amy_Poehler
Courtesy Jennifer Mathieu
"Moxie" author Jennifer Mathieu (right) freaking out like the rest of us would with Amy Poehler on set.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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