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    Weekend Event Planner

    These are the 9 best things to do in Dallas this weekend

    Alex Bentley
    Feb 10, 2022 | 6:00 am
    Peters hits the stage at Verizon Theatre in Grand Prairie on February 17.
    Peters hits the stage at Verizon Theatre in Grand Prairie on February 17.
    Photo courtesy of Russell Peters

    This weekend in and around Dallas will be mostly focused on local organizations, including events featuring classical music, theater, art, and ballet. There will also be appearances by two national touring comedians and a pop-up interactive museum in honor of Black History Month.

    Below are the best ways to spend your precious free time this weekend.

    Thursday, February 10

    Dallas Symphony Orchestra presents Pinchas Zukerman
    Normally the Dallas Symphony Orchestra presents one program at the same venue for a few days, but they'll change it up this week while welcoming violinist Pinchas Zukerman. Zukerman and cellist Amanda Forsyth will play with the full orchestra at Meyerson Symphony Center on Thursday, followed by a concert on Friday at Caruth Auditorium at SMU, where the two musicians will be joined by members of the DSO. Finally on Sunday, Zukerman will be joined by members of the Dallas Symphony Orchestra and Meadows School music faculty for another concert at Caruth Auditorium.

    Russell Peters: Act Your Age World Tour
    Canadian comedian Russell Peters holds the distinction of being the first comedian to get a Netflix stand-up special with 2013's Notorious. He's gone on to have another Netflix special and one for Amazon Prime Video, starred in a variety of movies and TV shows, and toured the world. Peters will be at Texas Trust CU Theatre at Grand Prairie as part of his Act Your Age World Tour, in which he gives his hilarious takes on cancel culture, aging, and the current state of the world.

    Friday, February 11

    The BLK Experience Museum
    The BLK Experience Museum is an innovative pop-up museum dedicated to celebrating Black lives and Black excellence. Taking place at Urban Arts Center on weekends through February 27, visitors will be transported into the Black experience at this fully immersive popup art gallery. Guests will be able to step onto the stage of the world-famous Cotton Club, dive into the Black hair mosh pit, journey through the history of Black Dallas, and more.

    Cara Mia Theatre Co. presents Luchadora!
    When an old pink lucha libre mask is discovered, an inspiring journey of cultural identity and family traditions unfolds. In Luchadora!, a young Lupita is about to unmask a big family secret. When she decides to pursue her dreams of becoming a luchadora, she soon finds it difficult keeping her secret from her father. The play, presented by Cara Mia Theatre at Latino Cultural Center through Sunday, is a moving story of a young girl who defies traditional roles of women and breaks personal barriers through her determination.

    Improv Addison present Joel Kim Booster
    Joel Kim Booster is an LA-based comedian and writer who you might have heard as a panelist on NPR's Wait, Wait, Don't Tell Me. He cares deeply about cats, appointment television, various feuds, and other useless stuff. He starred as Jun Ho in NBC’s Sunnyside and has written for Big Mouth, The Other Two, Billy On The Street, and others. He'll perform twice on Friday and twice on Saturday at Improv Addison.

    Avant Chamber Ballet presents "Bach, Brahms, and Bartok"
    Avant Chamber Ballet presents a trilogy of epic ballets with live music. The production will include Brahms Trio, a famous musical trio performed by violinist Lauren Haseltine, pianist Mikhail Berestnev, and horn Kevin Haseltine; George Balanchine's Concerto Barocco, music made visible as two ballerinas each depict one of the instrumental soloists in Bach’s virtuosic double violin concerto; and a world premiere by Katie Puder with music by Bela Bartok. There will be performances on Friday and Saturday at Moody Performance Hall.

    Texas Ballet Theater presents "A Tchaikovsky Evening"
    Texas Ballet Theater presents "A Tchaikovsky Evening," a mixed repertoire production featuring George Balanchine’s iconic Serenade and two world premieres — Star Crossed by Ben Stevenson and Violin Concerto in D by TBT Associate Artistic Director Tim O’Keefe. There will be four performances through Sunday at Wyly Theatre before the production heads to Fort Worth next weekend.

    Saturday, February 12

    Crow Museum of Asian Art presents Jooyoung Choi: "Songs of Resilience From the Tapestry of Faith" opening day
    The Crow Museum of Asian Art of The University of Texas at Dallas will present JooYoung Choi: "Songs of Resilience from the Tapestry of Faith." The exhibit will feature the works of the Houston-based multidisciplinary artist whose paintings, videos, sculptures, animations, music, and installations merge the autobiographical with the fantastical. The exhibition, on display through September 4, marks the third and final offering of the museum’s Texas Asian Women Artists series, which focuses on contemporary issues both in Texas and abroad, giving voice to complex, humanized stories of identity, place, tradition and modernity.

    Teatro Dallas presents 20th International Performance Festival
    Teatro Dallas' 20th International Performance Festival will be broken up into two weekends, starting on Saturday with Pastor’s Paradox, featuring a jazz quartet led by Aruán Ortiz. The production, taking place at Latino Cultural Center, is an original work inspired by the political life and vision of Martin Luther King, Jr. in five movements. Ortiz is a pianist, violist, and composer, and has been an active figure in the progressive jazz and avant garde scene in the US for more than 15 years. A different production, Las Sillas, will take place on February 19 and 20.

    Crow Museum of Asian Art opens Jooyoung Choi: "Songs of Resilience From the Tapestry of Faith" on February 12.

    Jooyoung Choi
    Photo courtesy of Jooyoung Choi
    Crow Museum of Asian Art opens Jooyoung Choi: "Songs of Resilience From the Tapestry of Faith" on February 12.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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    news/entertainment

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