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Shows Galore

Strong women and alt artists set new concert dates to rock Dallas stages

Alex Bentley
Feb 11, 2019 | 1:24 pm

Music fans, get out your calendars. Live Nation has announced a slew of new concerts coming to the Dallas area in 2019, including Ice Cube on March 16, Melissa Etheridge on April 23, Ben Platt on May 19, Beck and Cage the Elephant on July 27, and Heart on August 23.

Ice Cube, who's enjoyed a bit of a music career renaissance since the release of the 2015 movie, Straight Outta Compton, will play at South Side Ballroom in support of his 2018 album, Everythang's Corrupt. The album was his ninth solo album and first release in eight years; he also released two albums with N.W.A. Tickets will go on sale on February 15.

Etheridge, who just marked the 30th anniversary of her 1988 self-titled debut album, will play at The Pavilion at Toyota Music Factory in Irving in support of her forthcoming 15th album, The Medicine Show, which will be released on April 12. In a theme that will continue in the Heart concert, Etheridge will be joined by another strong female performer, Liz Phair. Tickets for the date will go on sale on February 15. Etheridge will also be in New Braunfels as part of the tour.

Ben Platt is an actor and singer who will be releasing his debut album, Sing to Me Instead, on March 29. Platt first gained notice when he took on the role of Elder Cunningham in The Book of Mormon, which led to him originating the titular role in Dear Evan Hansen on Broadway, for which he won a Tony Award. The concert, taking place at The Pavilion at Toyota Music Factory, will also feature opening acts Wrabel and Ben Abraham. Tickets go on sale on February 22. Platt will also be in Austin as part of the tour.

Alternative artists Beck and Cage the Elephant will co-headline a concert at Dos Equis Pavilion as part of their The Night Running Tour. Beck has made an impact on moviegoers in recent months, releasing songs in association with both Roma and The Lego Movie 2: The Second Part. Cage the Elephant will release their fifth album, Social Cues, on April 19. Tickets for this concert, which will also feature an opening performance by Spoon, go on sale on February 15. The tour will also go to Austin and Houston.

Finally, the legendary duo of Ann and Nancy Wilson — aka Heart — will bring their female-heavy Love Alive tour to Dos Equis Pavilion. Elle King will be the opening act for the Dallas concert, but other dates will feature such powerhouses as Sheryl Crow, Joan Jett and the Blackhearts, and Brandi Carlile. Tickets for Heart, whose most recent album was 2016's Beautiful Broken, will go on sale February 15. Heart will also be in Houston as part of the tour.

Heart will play at Dos Equis Pavilion with Elle King on August 23.

Heart band
Photo courtesy of Live Nation
Heart will play at Dos Equis Pavilion with Elle King on August 23.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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