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    Movie Review

    Lucy and Desi dives deep into work and lives of Lucille Ball and Desi Arnaz

    Alex Bentley
    Mar 3, 2022 | 1:13 pm
    Lucille Ball and Desi Arnaz in Lucy and Desiplay icon
    Lucille Ball and Desi Arnaz in Lucy and Desi.
    Photo courtesy of Amazon Studios

    For a show that’s been off the air for over 60 years, I Love Lucy is sure getting a lot of attention these days. First came Aaron Sorkin’s Being the Ricardos, a film that nabbed both Nicole Kidman and Javier Bardem Oscar nominations for their portrayals of Lucille Ball and Desi Arnaz, respectively. And now comes the documentary Lucy and Desi, which dives deep into the working and personal relationship of the famous couple.

    Directed by Amy Poehler, the film uses a variety of methods to illuminate their stories, including personal audio tapes and videos, classic footage and behind-the-scenes from I Love Lucy, interviews, and more. Among the bold-faced names who weigh in with their thoughts are fellow comedy legend Carol Burnett and Bette Midler, both of whom worked with Ball early in their careers and consider her a mentor.

    Burnett, Midler, daughter Lucie Arnaz Luckinbill, and leaders of the National Comedy Center extol the virtues of Ball, calling her a genius who might actually be underrated. The risks that Ball took, like making herself ugly for the sake of a laugh, were things that women just didn’t do in her day and age.

    Ball’s transition from a Hollywood glamour girl, which remains an underexposed part of her career, to a woman who took charge of her own destiny is one of the more fascinating parts of the film. And it’s all the more remarkable considering the ingrained sexism that she faced as a woman in a male-dominated world.

    Arnaz faced his own set of challenges as a Cuban immigrant, but seemed to overcome them with a sheer force of will. Using his musical skills and exuberant personality, he made it from a 16-year-old refugee in Miami in 1934 to being a supporting player in the 1940 film Too Many Girls, starring none other than Ball. Less than six months after they met on set, they were married.

    But, as the film demonstrates, theirs was marriage that was fraught from the start. Arnaz, perhaps daunted by Ball’s large celebrity, spent the bulk of their first nine years of marriage away from her, first in a stint in the Army and then traveling the country with his band. In fact, Luckinbill posits that the creation of I Love Lucy was more than just a chance for the couple to work together; it was an attempt to bring them closer as a family, one that ultimately failed despite the success of the show.

    The documentary’s coverage of the I Love Lucy years will be familiar for anyone even half-versed in the show’s history, from Ball becoming the first woman to appear pregnant on television to the Communism “scandal” surrounding Ball that Sorkin made a big focus of his film. One interesting note is that Luckinbill corroborates a scene in Being the Ricardos that had FBI director J. Edgar Hoover personally clearing Ball’s name, a scene that had been the subject of much derision.

    The other legacy of Ball and Arnaz is Desilu Productions, which was founded in 1950 for their show but wound up becoming the biggest independent TV studio in the world at the time, helping bring such shows as Star Trek, Mission: Impossible, The Andy Griffith Show, and The Dick Van Dyke Show to the world. Ironically, though, the success of the studio made both of them unhappy, with Arnaz undone by his own ambitious drive.

    Lucy and Desi attempts to play both sides of the fence, valorizing the skills and romance of Ball and Arnaz while also acknowledging the very complicated nature of their relationship. If nothing else, it’s a compelling look at the unique place the couple holds in the history of television in the 20th century.

    ---

    Lucy and Desi premieres on Amazon Prime Video on March 4.

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    Club News

    Venerable Dallas music venue Poor David's Pub welcomes new owner

    Teresa Gubbins
    Jul 22, 2026 | 3:22 pm
    poor david's pub
    Poor David's Pub
    Renovations underway at Poor David's Pub

    A revered live music venue in Dallas has changed hands: Poor David's Pub, which founder David Card first opened in 1977, has been taken over by Card's daughter, Amelia Card, following her father's retirement.

    According to a release, the venue at 1313 Botham Jean Blvd. is currently undergoing renovations that include updates to the interior and exterior, as well as upgraded technology, and will reopen in August.

    Rather than reinventing the historic listening room, Amelia's vision is to preserve club traditions while introducing new ways for Dallas to experience Poor David's through recurring community events, songwriter programming and opportunities to discover emerging artists.

    History
    David Card got into the bar business with an Oak Lawn bar called Bo's Place, before opening Poor David's Pub originally at 2900 McKinney Ave. before relocating to 1924 Greenville Ave. in 1983. He moved to the current location — then called Lamar Street — in August 2004.

    Over the years, the pub hosted generations of singer-songwriters and touring musicians, while becoming known for its intimate atmosphere, exceptional acoustics, and loyal community of music fans. Favorite acts included Guy Clark, Lyle Lovett, Nanci Griffith, Townes Van Zandt, and The Chicks, who all performed at the venue early in their careers.

    Amelia Card grew up at the club, she says in a statement.

    "I've been part of Poor David's Pub since I was born," she says. "I've worked the door, bartended, waited tables, emceed shows, and performed on the stage myself. This place has always been my home. Taking over after my dad is both incredibly exciting and incredibly intimidating, but more than anything, it's an honor to continue something that means so much to Dallas."

    A singer-songwriter herself, Amelia brings a diverse background spanning hospitality, live performance, commercial production, entrepreneurship, and social work.

    Dixie Chicks at Poor David's Pub The Chicks — then called the Dixie Chicks — at Poor David's Pub.Poor David's Pub

    Updates
    Renovations include refreshed stage design and lighting, new digital sound mixing system, green room improvements, expanded bar capabilities and beverage offerings, technology upgrades, and preservation, digitization and reinstallation of the venue's historic photo collection.

    "We're giving Poor David's a facelift, not a makeover," Amelia says. "We want first-time visitors to immediately feel the history when they walk through the doors while making sure artists and audiences have an even better experience. We never want to lose what makes this place special."

    While honoring the venue's singer-songwriter roots, her long-term vision is to expand Poor David's as a gathering place with community programming, artist meetups, and experiences that encourage people to gather around live music beyond a traditional concert night.

    "People come together, experience something meaningful and leave connected not only to the music but to each other. That's the kind of space I want Poor David's to continue being," Amelia says.

    New programming
    That will include a Happy Hour Wednesday-Friday from 4:30-6:30 pm featuring archival live recordings from historic Poor David's Pub performances, giving guests an opportunity to revisit memorable concerts.

    They'll also host performances and community events — beginning with a "Songwriters Sunday" on Sunday, August 16 with food trucks and a schedule that includes networking from 5-6 pm, singer-songwriter song swap from 6-7 pm (hosted by musicians Katharine Patterson and Remy Reilly), and open mic from 7-9 pm.

    "The future of live music depends on people showing up," Card said. "Come to shows. Buy tickets. Support artists. Independent venues only exist because communities decide they're worth preserving. My goal for this next chapter is simple: keep the doors open, stay true to our roots and make sure Poor David's is here for another 50 years."

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