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    Movie Review

    Coming 2 America offers fun nostalgia trip but little else

    Alex Bentley
    Mar 5, 2021 | 12:24 pm
    Coming 2 America offers fun nostalgia trip but little else
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    The nostalgia for everything related to the 1980s has been in high gear in recent years, popping up in everything from Netflix’s Stranger Things, Steven Spielberg’s Ready Player One, and reboots of multiple ‘80s properties. Now, on the heels of the return to the Bill & Ted franchise with the original actors, comes the long-awaited sequel to Coming to America, appropriately titled Coming 2 America.

    Thirty-three years after the original, Prince Akeem (Eddie Murphy) of Zamunda is still married to Lisa (Shari Headley), and he now has three daughters, Meeka (Kiki Layne), Omma (Bella Murphy), and Tinashe (Akiley Love), which puts a crimp in the tradition of having a male heir inherit the throne. Akeem’s ailing father, King Jaffe Joffer (James Earl Jones), surprisingly informs him that he conceived a son during his initial trip to America, sending him on a trip back to Queens to find his son and bring him back to his rightful home.

    While the plot involving the son, Lavelle Junson (Jermaine Fowler), starts off promising enough with hilarious introductions of Lavelle’s mom (Leslie Jones) and uncle (Tracy Morgan), things devolve upon the return to Zamunda. Fans of the original film will find some striking similarities in the two films' plots, with Lavelle traveling almost exactly the same road as Akeem, but in reverse.

    Directed by Craig Brewer, who also helmed Murphy’s Dolemite is My Name, and written by Barry W. Blaustein, David Sheffield, and Kenya Barris, the film offers plenty of callbacks to the first film but little of substance for the sequel to stand on its own. Instead of finding an interesting way to involve Akeem’s three daughters, the story falls back on most of the same jokes that it made the first time around.

    That’s not to say that those things aren’t funny, but there’s only so much pleasure to be had out of rehashing McDowell’s/McDonald’s jokes or seeing Murphy and Arsenio Hall pull quadruple duty as multiple characters. They do some things right, though, including giving Jones and Morgan room to roam, a lavish scene that involves cameos by Morgan Freeman, En Vogue, Salt-N-Pepa, and Gladys Knight, and multiple appearances by Trevor Noah as a Zamundan newscaster.

    But those pleasurable moments are few and far between, with most scenes sticking to elements that involve very little effort for either the filmmakers or the audience. On the plot side, it seems like the filmmakers want to have their cake and eat it too, giving lip service to Meeka and her ambitions while still focusing on the antiquated story about Lavelle. Lavelle is shown to be conflicted about his new role, but the approach of the film never sells this aspect.

    Murphy (and, to a lesser degree, Hall) is obviously the main draw, and much like the film as a whole, his presence is enjoyable but not impactful. Akeem is not as over-the-top as some of his other roles, and seeing him as a dad makes him recede even more. The filmmakers missed a real opportunity in not giving Layne, who impressed in both If Beale Street Could Talk and The Old Guard, more to do, as she’s much more dynamic than Fowler.

    Coming 2 America is far from a disaster, but it doesn’t deliver anything more than surface fun for those who still remember and love the original film. Nostalgia has its place, but it needs to be complemented by something new and meaningful, and that part is all but missing here.

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    Coming 2 America is streaming exclusively on Amazon Prime Video.

    Arsenio Hall and Eddie Murphy in Coming 2 America.

    Arsenio Hall and Eddie Murphy in Coming 2 America
      
    Photo by Quantrell D. Colbert/Amazon Studios
    Arsenio Hall and Eddie Murphy in Coming 2 America.
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    Movie Review

    Dark comedy Friendship covers male bonding with copious cringing

    Alex Bentley
    May 16, 2025 | 4:16 pm
    Tim Robinson and Paul Rudd in Friendship
    Photo courtesy of A24
    Tim Robinson and Paul Rudd in Friendship.

    Comedian Tim Robinson has gained a cult following thanks to series like Detroiters and I Think You Should Leave, in which his brand of cringe comedy is on full display. The former Saturday Night Live writer/performer has had a few small movie roles over the years, but he’s now getting his first starring role in the off-kilter Friendship.

    Robinson plays Craig, a mild-mannered suburbanite with a wife, Tami (Kate Mara) and son, Steven (Jack Dylan Grazer). Craig has a boring life that involves little more than going to his middle manager job while wearing the same clothes day after day, anticipating the next Marvel movie, and helping Tami out with her at-home floral business.

    He gets a jolt of energy when Austin (Paul Rudd) moves into the neighborhood. The two men seem to hit it off, with Austin - a weatherman at a local TV channel - even taking Craig on a couple of impromptu adventures. But when Craig commits a couple of faux pas at a group gathering at Austin’s house, their bond starts to fracture.

    Even though the film is written and directed by Andrew DeYoung, it’s clear that Robinson had a big influence on the style of comedy it features. There are no big set pieces with a slew of jokes coming one after another. Instead, the film forces the audience to try to vibe with the very particular type of wavelength it’s giving off, one that could almost be called anti-comedy for the way the laughs come out of left field.

    The 100-minute film is full of random comedic moments, like Steven kissing Tami on the lips, Craig being obsessed with his plain brown clothes, a group sing-along, and more. More often than not, it’s the way Craig reacts to both normal and abnormal situations that gets the laughs. The character is needy and oblivious, two traits that combine to make many of his actions cringeworthy.

    Perhaps most importantly for this type of movie, there are many things in the story that go unexplained or don’t make sense. Seemingly crucial elements are brought up only to fade away just as quickly, while other parts that appeared to be throwaway sections get callbacks later in the film. DeYoung and Robinson are determined to keep the audience on their toes the entire time, never knowing what to expect next.

    Robinson has the perfect face for a story like this, one that’s bland enough to blend into the background but memorable enough to sell the jokes. His demeanor is also excellent, never becoming too expressive, even when he gets angry. With long hair, a mustache, and a certain swagger, Rudd is a great complement to Robinson. Only in a film like this would an everyman like Rudd be considered the suave and cool one.

    There will be some that will see Friendship and come away wondering what the hell they just watched. But anyone who goes in knowing that they’re about to witness a comedy that challenges their sensibilities will likely have a great time.

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    Friendship is now playing in select theaters.

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