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More Bands for the Money

South by So What Festival moves into big time with 3-day music spree

Alex Bentley
Mar 13, 2014 | 12:10 pm

You wouldn't guess it by the name, but the organizers of the South by So What?! Festival, holding its seventh annual edition March 14-16 at QuikTrip Park in Grand Prairie, are actually huge fans of South by Southwest. In fact, their festival wouldn't exist without it.

"South by So What was always based around the bands from South by Southwest," says Mike Ziemer, founder of Third String Productions, which puts on the event. "This guy that I was working with said, 'Man, you should just call your festival South by So What because you’re bringing all the bands that the kids want to see.'"

"We’ve sold tickets in probably every single state in the United States and multiple countries," says Mike Ziemer, founder of Third String Productions, which puts on the event.

The festival is aimed at the 15-25 age range and is similar in theme to Bamboozle or Warped Tour. Essentially, if you're into rock, metal, hardcore or punk music, you'll find something to like at South by So What.

The idea has proven increasingly popular for bands who want to play in Austin but need to make extra money.

"There are not a lot of paid shows down there for bands in this genre," Ziemer says. "For them to be able to come to our festival and have an outlet to make money and still showcase in Austin is really cool for them."

As South by So What has grown, though, it has also needed more space. It started at the Plano Centre in 2008, tried Dr Pepper Arena in Frisco in 2010 and Palladium Ballroom in 2011 before settling into its current home in 2012.

Ziemer says QuikTrip Park offers an ideal setting for the festival.

"We sold out in advance at the Palladium, and that was the turning point of realizing how big our festival had gotten and that the only way to do it was to do it outdoors," Ziemer says.

"It has to be something that you can fit anywhere from 5,000-10,000 people without limiting where they can view the bands from. There’s really nowhere indoors where you can do that."

As the festival gained notoriety, it became easier to attract bigger bands, which ultimately led to the decision to bump up the schedule from one day to three.

"It’s become something where we went from begging and pleading to getting some of these bands at our festival to the agents coming to us and saying, 'Here’s everybody that I have, and we’d really like to get them all in the show,'" Ziemer says.

The quality of the bands they booked was also a factor in spreading out the festival over three days.

"We had bands like Bring Me the Horizon, Taking Back Sunday and The Used, and when you have that many bands at that level, you can’t just pick and choose and have a band like Bring Me the Horizon play at 4 in the afternoon," Ziemer says.

"And then we found out that Between the Buried & Me, The Devil Wears Prada and a bunch of these other hardcore bands were coming around, so we said, 'You know what? Let’s just go all-out and do a three-day festival.' Most destination festivals are three days, anyway."

With the festival getting so large — around 150 bands — the focus went from having a 50-50 split between Texas and national bands to a lineup that would have a broader appeal.

"I really like the majority of the festival being national and international bands, because that’s what brings your out-of-state appeal," Ziemer says. "We’ve sold tickets in probably every single state in the United States and multiple countries, and I think if we did what we’ve always done, 50 percent of the lineup would be bands the rest of the world doesn’t recognize."

In addition to the ones named above, headliners include Asking Alexandria, August Burns Red, Of Mice and Men, Motionless in White, Attila and The Story So Far. Those bands are mostly separated over the three days in order to give fans an equal chance to catch their favorites.

And if for some reason you don't like this year's band roster, know that Ziemer and his co-workers are always looking for feedback on ways to make the festival better.

"We constantly say, 'What bands are you really looking forward to this year? Who’s the new up-and-coming band? What record are you most excited for?,'" Ziemer says.

"It’s definitely a process keeping up with which band is going to be hot or which band is starting to really take off, but it’s definitely worth it when you see your ticket sales going crazy because everyone is really excited."

The South by So What?! Festival, March 14-16 at QuikTrip Park, is celebrating its seventh year and its first as a three-day event.

South by So What?
South by So What?! Facebook
The South by So What?! Festival, March 14-16 at QuikTrip Park, is celebrating its seventh year and its first as a three-day event.
unspecified
news/entertainment

Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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