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Celebrity sighting

Justin Timberlake juggles multiple personalities in super-secret SXSW show

Caitlin M. Ryan
Mar 18, 2013 | 2:49 pm

If you had any doubt about his authenticity and staying power, Justin Timberlake further solidified his position as a consummate performer with a crowd-pleasing show to close SXSW Saturday night.

Timberlake's concert was the finale in Myspace's Secret Show series, and rumors began a week before the star's arrival in Austin. As a co-owner of Myspace, Timberlake's performance served to reignite interest in the social property by requiring anyone who RSVP'd to join (or in many cases, rejoin) the website to gain entrance.

The premise of admission guaranteed the crowd would not be typical SXSW; rather it was packed with revelers declaring "OMG" and "This is, like, the biggest fantasy of my life."

​Ever the entertainer, Timberlake alternated between the guitar and piano and even chugged a beer onstage.

And you know what? Those sentiments proved true as Timberlake opened the show with a guitar-driven performance of "Like I Love You," backed by a roaring 10-piece band called The Tennessee Kids.

In a tuxedo-printed T-shirt, jacket, jeans and fedora, Timberlake, a star since childhood, wowed the packed, small venue on Fifth Street.

Ever the entertainer, Timberlake alternated between the guitar and piano and even chugged a beer onstage. The performance gave lucky attendees a more intimate look at the performer and his sense of humor.

At one point, he joked that he was high and regaled the crowd with a tale of a trip to Amy's Ice Cream earlier in the day. (How did that outing not get blown up on Twitter?) The aside reminded everyone that a superstar is, after all, a humanbeing.

Timberlake juggled two distinct personas throughout the night as he jumped from old hits to new songs. Judging by the instrumentation, the lyrics and the vibe, the "old" Justin Timberlake comes off as harsh, sex-focused and bitter in hits like "Cry Me A River" and "Sexy Back." The new, soul-infused Timberlake, however, is a goon in love with a penchant for the '60s.

"Pusher Love Girl" paints him addicted to a girl, the band swelling up and down, mirroring the emotions of falling in lust. The closing "Sexy Back" was peppered with lewd gestures and expletives. It would seem Sir Timberlake is in a, er, happier place now.

Whichever persona he donned for the moment, Timberlake captivated the crowd — so much so it was often hard to see through the hoard of raised camera phones.

If the new Myspace can be as convincing as Timberlake's performance, we'll all be leaving Facebook in droves.

Timberlake played old hits alongside new songs at his Fifth Street concert.

Austin Photo Set: News_Caitlin_justin Timberlake_sxsw_march 2013_2
Photo by Caitlin Ryan
Timberlake played old hits alongside new songs at his Fifth Street concert.
unspecified
news/entertainment

Critics' choice

DFW film critics name One Battle After Another best movie of 2025

Alex Bentley
Dec 17, 2025 | 9:32 am
Leonardo DiCaprio in One Battle After Another
Photo courtesy of Warner Bros. Pictures
Leonardo DiCaprio in One Battle After Another.

The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
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Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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