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    Majors as Minor Character

    Bombshell Audrey Landers returns and Linda Gray gets a major romance on Dallas

    Elaine Liner
    Mar 26, 2013 | 12:54 am

    This season of Dallas on TNT keeps jumping into the Wayback Machine. Destination: late 1980s Dallas, with a side trip this week to 1970s Six Million Dollar Man.

    We’ve already seen brief returns to Southfork by J.R. and Bobby’s alcoholic brother, Gary Ewing; Gary’s wife, Valene; and J.R.’s long-ago squeeze Mandy Winger. This week we got Cliff Barnes’ old girlfriend Afton Cooper, played again by the golden-haired 1970s bombshell Audrey Landers.

    And, by golly, there was Lee Majors as new character Ken Richards, who’s canoodling with Sue Ellen (Linda Gray) for the five remaining episodes this season.

    By golly, there was Lee Majors as new character Ken Richards, who’s canoodling with Sue Ellen for the five remaining episodes.

    Last week’s installment ended with most of the Ewings, plus pregnant-with-twins Pamela Rebecca Barnes (Julie Gonzalo), standing atop a Ewing Energies oil platform in the Gulf of Mexico just as it exploded into flames from a bomb set on the orders of Pamela's daddy, Cliff (Ken Kercheval). This week’s “Guilt & Innocence” episode, written by Robert Rovner and directed by Jesse Bochco, jumped directly to the hospital, where everyone but Pamela was in good shape after being rescued.

    Pamela and her fetuses were in cardiac distress. The episode ended with the babies’ heart rates flat-lining as their genetic father, Christopher Ewing (Jesse Metcalf), and Pamela’s fiancé, J.R.’s adopted son Christopher (Josh Henderson), looked on in horror.

    More dirt and deets in episode 10:

    Getting a leg up: Judith Ryland, the scary harridan played by Judith Light, didn’t die in last week’s cliffhanger tumble down the staircase in her spooky mansion. She ended up with a broken leg and scraggly hair, which gave her twisted son Harris (Mitch Pileggi, who looks the same age as Light, which is so wrong it’s right) a chance to boost her morphine dose just enough to shut her up.

    He then dispatched her to a mysterious “rehab facility” so he can take over her money. Hope this isn’t the end of Light’s tenure on Dallas. Her Gothic performance makes great contrast to so much of the whispery, weepy simpering by the other actors. (We’re talking to you, Brenda Strong.)

    Don’t hold your breath waiting for Victoria Principal: The actress has said she won’t return to Dallas. Ever. But the writers this season keep bringing her character, Pamela Barnes Ewing (she was Cliff’s sister and Bobby’s first wife in the original series), into the storyline.

    This week Bobby (Patrick Duffy) got a report from investigators who had tracked Pam’s whereabouts to Abu Dhabi, where her trail went cold after 1989 (much like Ms. Principal’s acting career). Why are they looking for Pam at all? Son Christopher wants to find her.

    Tech talk: Lots of palaver about “over-pressured methane in the flow pipes” this week. That’s what Christopher worried could have caused the oil rig catastrophe. He doesn’t yet know it was an explosive device planted by his fiancée’s brother, Drew Ramos (Kuno Becker), working for Cliff Barnes.

    Smooch-fu: Harris Ryland’s daughter Emma (Emma Bell) has hopped into bed with three guys in the Ewing/Barnes universe. Now she’s mackin’ on a fourth, handsome demolitionist Drew Ramos. That kind of behavior is a ticking time bomb.

    Who’s related to whom: Always confusing in this crowd. Family tree-wise, it seems that John Ross and Pamela Rebecca Barnes were almost brother and sister. Now they’re engaged to be married. She’s pregnant (or was until the explosion) with his cousin Christopher’s twins.

    Castinig backstory: Lee Majors told Access Hollywood that he was offered a recurring role on Dallas this season because of his friendship with his longtime Malibu neighbor Larry Hagman. Majors last heard from Hagman just a week before the actor died last Thanksgiving, letting Majors know he’d urged the producers to hire him.

    Two lives, one soap: Both Judith Light and Audrey Landers are former stars of the long-running ABC daytime drama One Life to Live.

    Best Sue Ellen moment this week: All of them. If Linda Gray doesn’t get an Emmy nomination for her consistently brilliant work as Sue Ellen this season, it’ll feel like over-pressured methane in the flow pipes for a lot of her fans.

    ---

    New episodes of Dallas air at 8 pm Mondays on cable’s TNT, with frequent reruns.

    Linda Gray as Sue Ellen on TNT's Dallas.

    Photo courtesy of TNT
    Linda Gray as Sue Ellen on TNT's Dallas.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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