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Fun and games

Dallas-Fort Worth stars of hit YouTube reality show chase their big-screen dreams

Brett Weiss
Mar 26, 2019 | 3:39 pm
Game Chasers, Billy Chaser, Jay Hunter
Billy Chaser and Jay Hunter in a rare moment when they're not at a flea market or garage sale.
Photo courtesy of The Game Chasers

Billy Chaser and Jay Hunter travel all over Texas and beyond from their homes in Dallas-Fort Worth, searching for electronic artifacts housed in plastic — and people can't get enough of their quests. Chaser and Hunter host The Game Chasers, a comedy/reality YouTube show that has grown so popular, it now has a shot at the big screen.

“It’s like American Pickers, but for video games,” Chaser says of the show, which has almost 125,000 subscribers.

A typical episode finds the wise-cracking duo, clad in jeans and T-shirts, hitting-up garage sales, flea markets, and thrift stores, digging through boxes of Nintendo games, Sega controllers, and dusty old Atari systems.

While filming The Game Chasers, they’ve acquired a lot of interesting stuff, including a rare, rental-only Nintendo NES cartridge called "The Flintstones: Surprise at Dinosaur Peak" for just $5 (it’s worth about $1,000). And they sometimes find tubs of games they need for their collections for pennies on the dollar from sellers who are just happy to get rid of the stuff.

But it’s not all fun and games.

“Since we keep it 100 percent real, sometimes we go out and find nothing,” says Chaser, who usually rides shotgun while Hunter drives from location to location, accompanied by a cameraman who looks like he stepped out of a Cheech and Chong movie.

“The pressure to produce something like this is a challenge because we can’t control if a flea market is going to have vendors that carry games,” he says. “A show like American Pickers has producers and other people who scout locations for them, but with The Games Chasers, it’s just us, and we have no control over what we’re going to find.”

Even when pickings are slim, the jokes keep flying. Chaser, who lives in Fort Worth, and Hunter, who calls Arlington home, have a camaraderie and sense of one-upmanship that is endearing to their many fans. With their back-and-forth banter, it’s obvious the two have been friends for many years.

“We met at Blockbuster Video in 1999,” Chaser says. “We worked together at a store in Grand Prairie. We liked movies, but we were more into gaming. We’d work our shift then go to each other’s homes and play video games.”

Chaser quit Blockbuster after less than a year, but he kept in touch with his former co-worker. They would watch TV, collect and play video games, and just hang out. One evening, Chaser hit upon an idea that would change their lives forever.

“We were watching an episode of American Pickers, and they went to this place that had a bunch of junk, but in the corner they had a Vectrex [a relatively scarce tabletop video game system with its own monitor] just sitting there,” he says. “They never mentioned it, they never touched on it, they never talked about it, and I’m sitting there like, ‘Dude, there’s a Vectrex in there, why aren’t you picking that up? C’mon, man!’ It drove me crazy, so I’m like, ‘Dude, let’s just do this with video games.’”

Hunter was immediately receptive to Chaser’s idea, and The Game Chasers filmed their first episode in 2011.

Big-screen dreams
The show is now in its eighth season, but they have bigger plans for the near future. They are translating their show to the big screen in the form of a motion picture, funded in part by a Kickstarter campaign that, at last check, had almost 1,000 backers and had reached about 90 percent of its goal. There's a script and a creative team hard at work on it.

The film, which they hope will be released next year, will have the Game Chasers’ trademark irreverence, but Chaser says they will “movie it up” to make it something much different.

“Think of it as a fictionalized retelling of The Game Chasers in a prequel kind of way,” Chaser says. “It’s kind of how the Game Chasers came to be, but scripted and fictional. It will be a road trip comedy, but with heart and soul. It’s basically Jay and I tracking down the original Nintendo NES console that we played as kids and how we use that to reconnect with our youth.”

Chaser assures fans that the film will have a much bigger budget than the YouTube show.

“It won’t be just us taking the camera out and shooting the movie ourselves,” he says. “We’re hiring a professional film crew, a cinematographer, and a visual effects artist who works on The Walking Dead and The Orville. We’ve also got our eyes on a Hollywood actor.”

Retropalooza events
In addition to filming The Game Chasers YouTube series and working on their movie, Chaser and Hunter host an annual video game trade show at the Arlington Convention Center called Retropalooza, now in its sixth year.

Gamers will have to wait until October for Retropalooza, but for the first time they are putting on a smaller version called the Retropalooza Swap Meet, where attendees can buy, sell, and trade old video games and toys. It will take place from 10 am-5 pm March 30 at the Elzie Odom Athletic Center, 1601 NE Green Oaks Blvd. in Arlington. The entry fee is $5, with kids 12 and under getting in free.

Chaser and Hunter themselves will be at the Retropalooza Swap Meet, and they’ll be happy to answer questions, sign autographs, and pose for pictures.

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Movie Review

Teenage Sex and Death at Camp Miasma gives horror a surreal twist

Alex Bentley
Aug 14, 2026 | 1:30 pm
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma
Photo courtesy of MUBI
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

The horror genre really ramped up in the 1970s and ‘80s, bringing with it a new subgenre - the slasher - that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death - a transgender person who has an air conditioning vent as a head/mask - may not just be a character created for the movies.

Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference - Norma Desmond from Sunset Boulevard - to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

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Teenage Sex and Death at Camp Miasma is now playing in select theaters

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