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Sweets News

Candytopia queen shares secrets about new exhibit opening in Dallas

Teresa Gubbins
Apr 4, 2019 | 11:33 am
Candytopia
Candy + utopia = Candytopia.
Photo courtesy of Candytopia

The candy-themed pop-up called Candytopia is about to make its Dallas debut, and you can bet your cowboy hat it's going to come loaded with Texas stereotypes.

The installation will open on April 5 in the former TreeHouse space at 8021 Walnut Hill Ln. at The Hill, the mixed-use retail and restaurant development at Walnut Hill Lane and US 75.

Candytopia was born in 2018 in Santa Monica, followed by runs in San Francisco, New York, Atlanta, and Minneapolis. The marshmallowy mini-theme park features more than a dozen rooms with larger-than-life interactive art installations and sensory experiences.

According to Jackie Sorkin, global candy artist/Candytopia co-founder — which her PR people emphasize is her full title — the Dallas installation will reprise some of the most popular attractions from past locations, along with new elements inspired by local culture and landmarks unique to the city.

"We'll have Western flair, sports team love, and of course, we had to tackle some big Texas icons, too," Sorkin says.

In other words, something on the Dallas Cowboys, something on the State Fair of Texas, and something with cowboy boots.

The installation has numerous rooms and "experiences," along with bowls of samples to take such as candy bracelets and Pixie Stix. There are vibrant sculptures made entirely of candy, plus colorful, interactive tableaus that provide backdrops for photo opps galore.

Environments include everything from the confetti room, featuring flying unicorn pigs that "fart" confetti, to a "marshmallow pit" made of faux marshmallows — basically a pool of "marshmallows" you jump into and submerge yourself.

While the candy aspect gives it a kiddy vibe, there's artistry that targets adults, with candy paintings of the Mona Lisa, Van Gogh's The Starry Night, and pop cultural touchstones such as Prince and a portrait of Gene Wilder as Willy Wonka.

Candytopia chose Dallas because of its location in the South, Sorkin says.

"We want to spread candy love across the USA and are doing so quickly," she says. "We love the South and are currently experiencing such a fabulous run with our Atlanta location in Buckhead. Texas just seemed like the right fit for our next stop. We know everything is bigger here, and we are BIG dreamers with wildly sweet new creations made just for the Dallas audience."

Sorkin says she's always been into sweets. "I was obsessed with Willy Wonka as a kid and watched the movie every day after school," she says. "I loved candy, chocolate, treats, and sweets. This is truly my dream job now."

They use hundreds of different types of candy throughout Candytopia. "We source it from all over the United States as well as internationally," she says. "We utilize incredible candy confectioners from around the globe."

And the lifespan of sugar survives from one city to the next.

"We like to think of ourselves as the new traveling circus," she says. "We break down and pack up over a dozen semi-trucks and move to our next secret location."

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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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