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    Movie Review

    Speed and brawn collide in fun but uninspired Sonic the Hedgehog 2

    Alex Bentley
    Apr 6, 2022 | 10:37 am
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.play icon
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
    Photo courtesy of Paramount Pictures

    There are some properties where a rabid fandom can be expected, including any Marvel or DC movie, Star Wars, and the like. But you wouldn’t necessarily expect the same level of enthusiasm for a character from a videogame franchise, even one that has existed across multiple consoles for almost the past 30 years.

    And yet the response from the crowd at this critic’s screening to Sonic and other characters from the game in Sonic the Hedgehog 2 prove that Sega Sammy Studios and Paramount Pictures were right to bring the franchise to the big screen in 2020. The first film wound up making over $350 million worldwide, and it might have been more if the pandemic hadn’t hit a month later.

    Sonic (voiced by Ben Schwartz) is back to his usual antics after banishing the evil Dr. Robotnik (Jim Carrey) to a mushroom planet at the end of the last movie. Still living with Tom (James Marsden) and Maddie (Tika Sumpter) in Montana, Sonic has taken to thwarting criminals in far-off places like Seattle, quickly returning home after a night’s work. His crime-fighting ways are put on pause, however, when Dr. Robotnik figures out a way to return to Earth with the help of an echidna named Knuckles (voiced by Idris Elba).

    They’re on the hunt for the Master Emerald, a legendary jewel that brings great power to whomever possesses it. Naturally, Sonic must try to stop them, and this time he has help from Tails (Colleen O’Shaughnessy), a fox from Sonic’s planet who can fly using her dual tail. Their adventures take them around the world, from Montana to Siberia to Hawaii, with a few surprises thrown in along the way.

    Made once again by director Jeff Fowler and writers Pat Casey, Josh Miller, and newcomer John Whittington, the film is a nice mix between stuff aimed at kids, parts that adults will appreciate, and elements to get the fans cheering. The inclusion of two more animated characters – and Carrey, who’s essentially an animated character – brings a lot more silliness into play, although they still keep the eye-rolling jokes to a minimum.

    Tom and Maddie travel to Hawaii – via one of Sonic’s rings, natch – for the wedding of Maddie’s sister, Rachel (Natasha Rothwell), and even though the subplot is in service to Sonic’s story, they still throw in a couple more mature aspects to keep things interesting for parents. But the film’s final act is really for the superfans who know all about the Master Emerald and what it can do; the residual excitement from certain moments is infectious, even if you’re not exactly sure why they’re so thrilled.

    The filmmakers don’t try to reinvent the wheel for the second film, something that both helps and hurts them. They utilize a couple more slo-mo scenes where Sonic is moving at regular speed while everything else essentially stands still. There are only two ways in which you can only depict how fast he is, so it’s hard to fault them for going back to the well with that joke. But the lack of any new innovation for this film is a bad sign for the continued success of the series.

    All of the actors returning from the first film repeat their fun performances, indicating that they were cast well. Elba is a nice choice for the brawny Knuckles, although it’s even better that they cast O’Shaughnessy as Tails, since she’s voiced the character in video games and on TV since 2014.

    It’s rare that a movie based on a video game gets more than one bite at the apple, and even rarer that they turn out as well as the Sonic films have. Here’s hoping that as the series continues – and the end credits confirm that it will – the filmmakers keep all factions of the audience in mind to keep things equally entertaining.

    ---

    Sonic the Hedgehog 2 opens in theaters on April 8.

    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.

    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2
    Photo courtesy of Paramount Pictures
    Knuckles (Idris Elba) and Sonic (Ben Schwartz) in Sonic the Hedgehog 2.
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    Movie Review

    Glen Powell bumps off rich family in How to Make a Killing

    Alex Bentley
    Feb 19, 2026 | 12:45 pm
    Glen Powell in How to Make a Killing
    Photo courtesy of A24
    Glen Powell in How to Make a Killing.

    Becoming a star in Hollywood and maintaining that stardom are two very difficult things to achieve, but Glen Powell has been adept at doing so over the past few years. A key supporting role in Top Gun: Maverick led to lead parts in films like Hit Man, Anyone But You, Twisters, and The Running Man. Powell is looking to keep his star power shining in the new dark comedy/thriller, How to Make a Killing.

    He plays Beckett, an outcast member of the ultra-wealthy Redfellow clan. Struggling to get by in a menial job in New York City while still living in New Jersey, Beckett’s only smidgen of hope is that he remains an heir to the vast Redfellow fortune. The only trick? Every other remaining family member must die before he’ll see a dime of that money. When even that menial job goes away, Beckett indulges the fantasy of bumping off his familial competition.

    Among those standing in his way are cousins Taylor (Raff Law), a finance bro, Noah (Zach Woods), a pretentious artist, and Steven (Topher Grace), a celebrity pastor; Uncle Warren (Bill Camp) and Aunt Cassandra (Bianca Amato); and grandfather Whitelaw (Ed Harris). Complicating matters, however, are an old childhood friend, Julia (Margaret Qualley), who starts asking more of Beckett than he can give; and new flame Ruth (Jessica Henwick), who happens to be dating Noah when he meets her.

    Written and directed by John Patton Ford (Emily the Criminal), the film is a tale of two halves. Narrated by Beckett in the form of telling his story to a prison chaplain, the story plays with audience expectations on multiple occasions. As Beckett ramps up to detailing exactly how he got started down the road toward being a serial killer, the film has a fun-if-macabre vibe.

    Under normal circumstances Beckett would be someone to despise, but since he’s an underprivileged person who’s taking aim at people who (mostly) don’t seem to appreciate their good luck, it feels okay to cheer for him. This follows a recent trend in “eat the rich” films, one that’s been influenced by a turn against real-life billionaires. Ford plays heavily into the theme and it works for a good portion of the film.

    However, things get a little murky in the second half of the movie. A few of the planned killings get less attention than others, making their - pardon the pun - execution less interesting/fun than the others. Also, Ford does a poor job of indicating just how much weight should be put on Beckett’s relationship with Julia, someone with whom he only has occasional interactions for the bulk of the film.

    It’s difficult to know the exact right way to showcase Powell, but this film doesn’t seem to be the best fit. Whether it’s the odd hairstyle/wig he’s given, or the varying degrees of confidence his character shows, his performance is up and down. Qualley’s acting style is over-the-top, and she needed to dial it down in this particular role. Henwick and Camp are the grounding forces in the film, keeping the story somewhat tethered to reality while almost everyone else makes a meal of their scenes.

    How to Make a Killing is serviceable entertainment that gives viewers a decent number of laughs and thrills. But Ford can’t find a way to make the story work all the way through, and a so-so performance by Powell keeps the film from rising above its mediocre station.

    ---

    How to Make a Killing opens in theaters on February 20.

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