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    Movie Review

    Richard Linklater proves plotless prowess yet again with Everybody Wants Some!!

    Alex Bentley
    Apr 8, 2016 | 12:00 am
    Richard Linklater proves plotless prowess yet again with Everybody Wants Some!!
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    The one thing that has always separated writer/director Richard Linklater from his fellow filmmakers is his ability to make small, seemingly inconsequential moments feel important. Many of his movies — Dazed and Confused, the Before… series, Boyhood — deal in the day-to-day minutiae of their characters, with big events either absent or happening off-screen.

    He’s back in that vein again with Everybody Wants Some!!, a “spiritual sequel” to Dazed and Confused set in 1980 as the members of a college baseball team reassemble in the days before classes start for a new year. The focus is mostly on Jake (Blake Jenner), an incoming freshman pitcher, but the film is so chock-full of colorful characters that almost everyone gets a chance to shine.

    In true Linklater fashion, almost nothing of import actually happens. The players, which share two off-campus houses, immediately bond over their shared love of baseball, alcohol, and women, and not necessarily in that order. They go to a variety of clubs, host parties, and generally act like college kids enjoying their first taste of freedom away from home.

    Even though the film is almost nonstop drinking, partying, and chasing girls, it feels much more interesting than your average college-set movie. That’s mostly because Linklater takes the time to let his characters talk, turning them into three-dimensional people instead of your standard archetypes. Many of the characters exhibit clichéd behavior, but because we get to know them, they’re never reduced to just their quirks.

    The film is also packed wall-to-wall with songs from 1978-1980, so much so that you could almost consider it a musical. Some, such as “My Sharona,” have been greatly overused in other movies, but given the time period, feel more authentic here. “Rapper’s Delight” is given a showcase by having members of the team sing along to it, and it’s a moment that’s both cheesy and joy-inducing, since few could resist doing the same so soon after the song’s release.

    In fact, the movie as a whole is a complete pleasure from beginning to end. It never matters that there’s no real story; Linklater includes so many fun moments that they add up to a whole that’s way more fascinating than your typical plot-driven movie.

    Like Dazed, the cast consists of actors with few known credits to their name. In addition to Jenner (who's known mainly for showing up at the tail end of Glee), standouts include Glen Powell as Finnegan, the wizened member of the team; Tyler Hoechlin as the cocky and ultra-competitive McReynolds; and J. Quinton Johnson, one of the team’s few black players.

    Everybody Wants Some!! will likely not get the same type of praise as Boyhood, but it’s equally impressive in its ability to create a fully realized world and interesting characters. Linklater is a master of plotless movies, and film fans are all the richer for it.

    Blake Jenner and Glen Powell in Everybody Wants Some!!

    Blake Jenner and Glen Powell in Everybody Wants Some!!
    Photo by Van Redin
    Blake Jenner and Glen Powell in Everybody Wants Some!!
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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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