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    Movie Review

    Jungle Book movie thrills through marvelous animation

    Alex Bentley
    Apr 15, 2016 | 12:00 am
    Jungle Book movie thrills through marvelous animation
    play icon

    Be honest: It’s difficult to remember anything of substance about Disney’s 1967 version of The Jungle Book. Sure, you probably know the characters Mowgli and Baloo, and the song “The Bear Necessities,” but the film is less memorable than others by Disney.

    This allows Disney to do whatever it wants with a live action update of the film, which plays into people’s nostalgia without the risk of offending purists.

    Of course, calling the film “live action” is only a half-truth. Yes, Mowgli (Neel Sethi) is played by an actual boy, and he interacts with all sorts of real-life settings, but his animal co-stars are all animated, although much more realistically than perhaps anything you’ve seen before. In fact, were it not for their talking, you might swear the animals were real.

    The story is a compelling one, as Mowgli, who was raised by wolf Raksha (Lupita Nyong’o) and her pack after a tragedy befell his father, runs afoul of the tiger Shere Khan (Idris Elba), who has good reason to distrust all humans. Forced to go on the run, Mowgli falls in with the bear Baloo (Bill Murray), leading to a series of adventures.

    It takes virtually no time at all to get into the rhythm of the film, which is directed by Jon Favreau. It’s easy to believe all of the animals are real, especially because Sethi does an impressive job of acting against essentially nothing. And the action sequences, most notably Mowgli nimbly running across, through, and around tall trees, are rousing throughout.

    The voice talent is a mixed bag. Nyong’o, Elba, and Sir Ben Kingsley as Bagheera the panther are seamless in their performances, allowing their characters to shine. On the other hand, it’s impossible not to picture Murray, Scarlett Johansson (Kaa), and Christopher Walken (King Louie) when you hear their distinctive voices. I normally say big-name actors add little of value to voice performances, but in this case, those three, through no real fault of their own, detract from what could have been memorable characters.

    But no matter. The film, filled with heart, humor, and thrills, is strong enough as a whole to withstand what are ultimately minor distractions.

    Neel Sethi in The Jungle Book.

    Scene from The Jungle Book
    Photo courtesy of Walt Disney Pictures
    Neel Sethi in The Jungle Book.
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    Movie Review

    Reminders of Him blends trauma and romance in slight but effective story

    Alex Bentley
    Mar 12, 2026 | 11:30 am
    Maika Monroe and Tyriq Withers in Reminders of HIm
    Photo by Michelle Faye / Universal Pictures
    Maika Monroe and Tyriq Withers in Reminders of HIm.

    Texas author Colleen Hoover has gone from being a popular writer to a full-on celebrity in the 2020s, with the new film Reminders of Him marking the third adaptation of her books in just 19 months (a fourth, Verity, is scheduled for release in October 2026). All of her books that have been adapted so far - most notably It Ends With Us - are female-led stories that feature elements of romance and trauma, catnip for studios looking to appeal to the underserved demographic of women.

    Leading the way in this film is Kenna Rowan (Maika Monroe), who returns to her hometown of Laramie, Wyoming after spending years in prison for killing her boyfriend, Scotty (Rudy Pankow), in a car accident. That relationship resulted in a daughter, Diem (Zoe Kosovic), whom Kenna gave birth to while imprisoned and is now being raised by her grandparents, Patrick (Bradley Whitford) and Grace (Lauren Graham).

    Yearning to be a part of Diem’s life, Kenna tries to reconnect with Patrick and Grace, only to be rebuffed by Scotty’s best friend, Ledger (Tyriq Withers), a former NFL player who now owns a local bar. In running interference, Ledger starts to become closer to Kenna, discovering that her tragic mistake shouldn’t be the only thing that defines her.

    Directed by Vanessa Caswill and written by Lauren Levine, the film features mostly surface level examinations of its themes and average performances, yet it winds up being effective thanks to a willingness not to rush through its storytelling beats. The filmmakers take the slow and steady approach toward the coupling of Kenna and Ledger, setting up their bond through a series of heart-to-heart conversations that makes any romance feel earned.

    The majority of the focus is on Kenna reclaiming her place in the world, and on Ledger coming to terms with the fact that the person who killed his best friend is not inherently a bad person. The film definitely could have gone deeper in its explorations of grief and anger, but the sheer amount of time it takes in addressing the characters’ doubts and fears turns out to be sufficient for a film that’s not aiming to be considered a dramatic masterpiece.

    It also helps that Caswill and Levine do a solid job of establishing the variety of characters that inhabit the film. Kenna and Ledger don’t always feel like fully-formed people, but they become so through their interactions with each other and the other townspeople. Lady Diana (Monika Myers), a girl with Down syndrome who lives in Kenna’s apartment complex, and Roman (Nicholas Duvernay), Ledger’s co-worker at his bar, help to broaden the appeal of the two leads.

    Monroe has, to this point, been best known for starring roles in horror films like It Follows and Longlegs. While she does somewhat well in this role, her delivery is often more flat than you’d expect for a character going through what she does. Withers thankfully doesn’t remind viewers of his recent bomb Him, demonstrating a crossover appeal that should serve him well in the future. Whitford and Graham don’t get to do much, but their combined experience gives their roles exactly what is needed.

    It may sound like damning with faint praise, but Reminders of Him is a competently made film that knows how to serve its core audience without insulting anyone who may not automatically be all-in for such a story. The filmmakers don’t try to force any of the key moments down the audience’s throat, and that stands out in a genre that’s not always known for its subtlety.

    ---

    Reminders of Him opens in theaters on March 13.

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