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Movie Review

Jungle Book movie thrills through marvelous animation

Alex Bentley
Apr 15, 2016 | 12:00 am
Jungle Book movie thrills through marvelous animation
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Be honest: It’s difficult to remember anything of substance about Disney’s 1967 version of The Jungle Book. Sure, you probably know the characters Mowgli and Baloo, and the song “The Bear Necessities,” but the film is less memorable than others by Disney.

This allows Disney to do whatever it wants with a live action update of the film, which plays into people’s nostalgia without the risk of offending purists.

Of course, calling the film “live action” is only a half-truth. Yes, Mowgli (Neel Sethi) is played by an actual boy, and he interacts with all sorts of real-life settings, but his animal co-stars are all animated, although much more realistically than perhaps anything you’ve seen before. In fact, were it not for their talking, you might swear the animals were real.

The story is a compelling one, as Mowgli, who was raised by wolf Raksha (Lupita Nyong’o) and her pack after a tragedy befell his father, runs afoul of the tiger Shere Khan (Idris Elba), who has good reason to distrust all humans. Forced to go on the run, Mowgli falls in with the bear Baloo (Bill Murray), leading to a series of adventures.

It takes virtually no time at all to get into the rhythm of the film, which is directed by Jon Favreau. It’s easy to believe all of the animals are real, especially because Sethi does an impressive job of acting against essentially nothing. And the action sequences, most notably Mowgli nimbly running across, through, and around tall trees, are rousing throughout.

The voice talent is a mixed bag. Nyong’o, Elba, and Sir Ben Kingsley as Bagheera the panther are seamless in their performances, allowing their characters to shine. On the other hand, it’s impossible not to picture Murray, Scarlett Johansson (Kaa), and Christopher Walken (King Louie) when you hear their distinctive voices. I normally say big-name actors add little of value to voice performances, but in this case, those three, through no real fault of their own, detract from what could have been memorable characters.

But no matter. The film, filled with heart, humor, and thrills, is strong enough as a whole to withstand what are ultimately minor distractions.

Neel Sethi in The Jungle Book.

Scene from The Jungle Book
Photo courtesy of Walt Disney Pictures
Neel Sethi in The Jungle Book.
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Movie Review

A collision of humor and dark history make an impact in Wild Horse Nine

Alex Bentley
Nov 5, 2026 | 10:58 am
Sam Rockwell and John Malkovich in Wild Horse Nine
Photo courtesy of Searchlight Pictures
Sam Rockwell and John Malkovich in Wild Horse Nine.

It’s difficult to nail English writer/director Martin McDonagh down when it comes to his interests. Prior to his new film, he has set films in Bruges, Belgium; Los Angeles; the fictional small town of Ebbing, Missouri, and a remote island in Ireland, with stories that deal with crime, grief, lifelong friendships, and a kidnapped Shih Tzu. What all his films have in common though, is comedy that is mined through absurdity, something that is on full display in Wild Horse Nine.

Chris (John Malkovich) and Lee (Sam Rockwell) are CIA agents in 1973, currently stationed in Chile, with a mission that Lee tries to hide but Chris broadcasts willingly. Their assignment is to undermine support for the newly-elected socialist president, Salvador Allende, but the film is not really about that. Instead, it follows the duo on a break from work as they decide to take a side trip to Rapa Nui (aka Easter Island) so that Chris can fulfill his dream of seeing “the big heads.”

Once they’re there, Chris and Lee bicker over various things, including Chris being too open with two younger women, Monica (Mariana di Girolamo) and Alicia (Ailín Salas); who gets control over their rental car; the long-distance interference of CIA station chief MJ (Steve Buscemi); and more. All the while, a mostly unspoken agreement between Chris and Lee colors every decision they make, including why they came to Rapa Nui in the first place.

McDonagh has full control over the narrative of the film from minute one, establishing the tone through the super-quick banter between Chris and Lee that points to the strong bond the two share. A later revelation deepens the meaning of the story without taking away from the humor that comes from Chris and Lee sniping at each other. Despite the two characters not getting much of an introduction, they become a very memorable movie twosome as the film goes along.

A good working knowledge of 20th century world history is helpful, as McDonagh drops in subtle and not-so-subtle hints about the CIA’s involvement in certain notable events (including the JFK assassination, which takes on larger importance as the story goes on). Using real history like the impending coup d'état in Chile as a backdrop for the fictional story grounds the film, allowing the characters to engage in sometimes farcical elements without ever seeming like unserious people. It’s also a sly commentary on current events, with the U.S. continuing to insert itself into other countries’ affairs.

The impact of the film is immeasurably improved by the fact that they filmed on location in Chile and Rapa Nui. Having Chris and Lee visit the “big heads” (aka moai) while referencing them in their dialogue is both awe-inspiring and hilarious. There’s just something about the characters being able to get up close and personal with the ancient sculptures that makes the film feel more important than if they had employed CGI to put them there.

Malkovich is a two-time Oscar nominee with a storied career, but this performance ranks as one his best. With a face that unashamedly shows his 73 years and pitch perfect line deliveries, he nails every scene that he’s in. Rockwell complements him extremely well, giving a performance that fits in with his previous work but rarely on such a high level. Buscemi is also a pleasure to watch, popping up to steal small moments just like he did in the recent The Only Living Pickpocket in New York.

Save for a few action scenes, Wild Horse Nine is mostly filled with characters talking, but the level of the conversations and the comical moments that McDonagh has created contain cannot be understated. With a tour-de-force performance by Malkovich, a real world setting, and a funny twist on history, it’s one of the best movies of the year.

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Wild Horse Nine opens in theaters on November 6.

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