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Movie Review

New Michelle Obama documentary Becoming is no mere memoir rehash

Alex Bentley
May 6, 2020 | 9:18 am
New Michelle Obama documentary Becoming is no mere memoir rehash
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If Michelle Obama had her way, almost no one in the general public would know her name. Thrust into the national spotlight by the candidacy and eventual presidency of her husband, Barack Obama, she had to quickly make peace with her role as the First Lady, and the fact that she was now a role model whether she wanted to be or not.

Some women are up to the task, and some are not, and if the new Netflix documentary Becoming makes anything clear, it’s that Obama was — and continues to be — one of the most well-suited women to ever take on the role. The film, a companion piece to her 2018 memoir of the same name, follows her around the country during her stadium tour in 2019 in support of the book.

The film gives a Cliff’s Notes version of the book, showing Obama as she tells her life story to moderators like Oprah Winfrey, Reese Witherspoon, Tracee Ellis Ross, Stephen Colbert, and Conan O’Brien in front of packed crowds in various cities. Viewers get many of the highlights of her life, including her childhood in Chicago, her college years at Harvard, her meeting Barack, her becoming a mother, and, of course, her eight years in the White House.

But the film is also much more than a mere rehashing of the book. Director Nadia Hallgren and her crew trail Obama as she meets with fans at book signings, joins small groups of students at high schools, and chats behind the scenes with her staff, Secret Service detail, and family members. Hallgren even breaks off from Obama a few times to glimpse the lives of some of the high school girls from the small groups.

The portrait that is painted is one of a woman who is an inspiration to many because of her compassion, her willingness to engage with strangers, and her ability to move with the spoken word. There’s good reason that many in the Democratic Party feel that she would make an ideal vice-presidential candidate for presumptive 2020 nominee Joe Biden, even though running for office is anathema to her.

There are a couple of allusions to the current administration, as well as her conflicts with right wing media and Republicans during her time in the White House, but anyone looking for pointed attacks will have to look elsewhere. As she famously said in her 2016 Democratic National Convention speech, “When they go low, we go high,” although even she admits that stance is sometimes difficult to maintain in the face of what she considers to be baseless criticism.

Becoming is a welcome reminder that Michelle Obama continues to be a force for good in a world where that can sometimes feel like a resource in short supply. The film is a veneration of the former First Lady, but there are relatively few who would not consider her worthy of such praise.

Michelle Obama in Becoming.

Michelle Obama in Becoming
Photo courtesy of Netflix
Michelle Obama in Becoming.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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