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Movie Review

New Michelle Obama documentary Becoming is no mere memoir rehash

Alex Bentley
May 6, 2020 | 9:18 am
New Michelle Obama documentary Becoming is no mere memoir rehash
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If Michelle Obama had her way, almost no one in the general public would know her name. Thrust into the national spotlight by the candidacy and eventual presidency of her husband, Barack Obama, she had to quickly make peace with her role as the First Lady, and the fact that she was now a role model whether she wanted to be or not.

Some women are up to the task, and some are not, and if the new Netflix documentary Becoming makes anything clear, it’s that Obama was — and continues to be — one of the most well-suited women to ever take on the role. The film, a companion piece to her 2018 memoir of the same name, follows her around the country during her stadium tour in 2019 in support of the book.

The film gives a Cliff’s Notes version of the book, showing Obama as she tells her life story to moderators like Oprah Winfrey, Reese Witherspoon, Tracee Ellis Ross, Stephen Colbert, and Conan O’Brien in front of packed crowds in various cities. Viewers get many of the highlights of her life, including her childhood in Chicago, her college years at Harvard, her meeting Barack, her becoming a mother, and, of course, her eight years in the White House.

But the film is also much more than a mere rehashing of the book. Director Nadia Hallgren and her crew trail Obama as she meets with fans at book signings, joins small groups of students at high schools, and chats behind the scenes with her staff, Secret Service detail, and family members. Hallgren even breaks off from Obama a few times to glimpse the lives of some of the high school girls from the small groups.

The portrait that is painted is one of a woman who is an inspiration to many because of her compassion, her willingness to engage with strangers, and her ability to move with the spoken word. There’s good reason that many in the Democratic Party feel that she would make an ideal vice-presidential candidate for presumptive 2020 nominee Joe Biden, even though running for office is anathema to her.

There are a couple of allusions to the current administration, as well as her conflicts with right wing media and Republicans during her time in the White House, but anyone looking for pointed attacks will have to look elsewhere. As she famously said in her 2016 Democratic National Convention speech, “When they go low, we go high,” although even she admits that stance is sometimes difficult to maintain in the face of what she considers to be baseless criticism.

Becoming is a welcome reminder that Michelle Obama continues to be a force for good in a world where that can sometimes feel like a resource in short supply. The film is a veneration of the former First Lady, but there are relatively few who would not consider her worthy of such praise.

Michelle Obama in Becoming.

Michelle Obama in Becoming
Photo courtesy of Netflix
Michelle Obama in Becoming.
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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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