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Get in the Game

Dallas women's football team tackles new strategy on and off the field

Munira Syeda
May 16, 2018 | 4:13 pm
Dallas Elite women's football
The Dallas Elite took on the Houston Power on May 6.
Photo courtesy of Dallas Elite

Growing up in a strict military household in San Diego, Devon Goldsmith’s father didn’t let her watch football on television. Now at age 34, she's on the gridiron several times a week as a linebacker and running back for the Dallas Texas Elite women’s football team.

Dallas Elite, formed in 2014, is part of the nine-year-old national Women’s Football Alliance. It's one of 65 teams competing around the country this season, from April through the championship game in July in Atlanta.

Dallas Elite took home that championship trophy in 2017, beating Boston Renegades, 31-21. But then, faced with ownership struggles last fall, the team split up.

In February, new leadership got the team on the field again. Now owner Maria Spencer, along with new co-owners LynMarie Liberty-Ellington and Mike Ellington, are rebuilding the organization and spreading the word that Dallas women's football is alive and well.

They’ve recruited new players, formed partnerships with community organizations, have plans to add a dance team to help cheer on the games, and are using the hashtag #beElite to shine a spotlight on a sport that has struggled for attention.

Home games are played at the massive Prestonwood Christian Academy campus in Plano, and tickets are just $10 per person ($12 at the door). The team would like to get more than its usual 250 to 350 people in the stands.

“To me, women's football encompasses female empowerment at its fullest," says Liberty-Ellington. "Women get to play a sport they were always told was only for boys, and women's football is probably the only sport that embraces women of all shapes and sizes.”

The Ellingtons have successful track record as previous owners of the Lonestar Mustangs, the Tulsa Eagles, and Little Rock Wildcats. As a former WFA champion herself, Spencer says she wants “to see women’s football reach the masses."

To help reach the masses in Dallas, the team is expanding its community outreach efforts. For instance, it has partnered on a raffle with Lancer Legacy Ranch, a support organization for veterans. Raffle ticket sales will help the ranch secure needed tools for its workshop, while the Elite will get money to help defray travel costs.

Players on Dallas Elite don't earn salaries. In fact, they each paid $500 to be on the team this season, and owners cover many expenses and travel costs. Most players are professionals with day jobs, from a barber and a bodybuilder, to teachers and business women.

Games and the practices are a family affair, with players and coaches often bringing their little ones to practices, which take place two to three times a week.

Goldsmith works as an IT business analyst. She has played football for 15 years, two of them with the Elite, and loves it. The game, she says, isn’t just about running around and taking down the opponent.

“It’s really more than that,” she says. “It’s like protecting your family. It’s a really big deal.”

Lauren Chesley, 33, a disability liaison by day who joined the team last year, says she thinks more awareness of women's football would encourage girls to play the game in middle school and high school.

“Especially with contact sport, a lot of people have a hard time wrapping their minds around women doing it,” she says. “It’s hard for people to understand that you can be beautiful and strong and nice, and be aggressive at the same time.”

But that's what the players on Dallas Elite do when they take the field.

“It’s a lot of fun,” says Chesley. “We play the sport how it’s meant to be played, not modified or anything. It’s straight-up football.”

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The next Dallas Elite game, against the Kansas City Titans, takes place at 7 pm May 19 at Prestonwood Christian Academy.

sports
news/entertainment

Movie Review

Spider-Man: Brand New Day sets a new standard for comic book movies

Alex Bentley
Jul 30, 2026 | 1:02 pm
Tom Holland in Spider-Man: Brand New Day
Photo courtesy of Sony Pictures
Tom Holland in Spider-Man: Brand New Day.

Ever since Spider-Man became part of the Marvel Cinematic Universe, the character’s stand-alone movies have been notable for maintaining their own vision despite having to service the larger MCU storyline. The emotionality of the series reached its high point in No Way Home by bringing back two former Spider-Mans - Tobey Maguire and Andrew Garfield - to assist Tom Holland in a multiversal storyline.

The heart displayed in that film is superseded by Spider-Man: Brand New Day, in which Peter Parker (Holland) is now alone in the world following the events of the previous film. For years, he has done his best to stay busy by stopping in-progress crimes and checking in with Detective Jean DeWolff (Liza Colón-Zayas), but the twin traumas of losing Aunt May (Marisa Tomei) and forcing girlfriend MJ (Zendaya) and best friend Ned (Jacob Batolon) to forget him still weigh heavily on him.

Almost simultaneously, Peter starts experiencing a change in his physiology and is challenged by a new threat who has a power he does not know how to defeat. As he struggles with both of those things, he asks for help from a variety of sources, including Professor Bruce Banner (Mark Ruffalo), Frank Castle, aka The Punisher (Jon Bernthal), and - despite not knowing who he is - MJ and Ned, who are now roommates in New York following their college years at MIT.

Directed by Dustin Daniel Cretton and written by Chris McKenna and Erik Sommers (who have written each of the Holland Spider-Man films), the movie has a near-perfect blend of comic book spectacle and small-scale intimacy. Spider-Man’s ability to swing through New York’s urban landscape with ease provides plenty of opportunities for great action sequences, but the character’s focus on keeping the streets safe and finding a way back to his friends makes the story still feel manageable.

This is aided by the decision to not go overboard with the MCU connections. Bruce Banner/Hulk and a member of the New Avengers show up, but in relatively small roles. The Punisher makes the leap from TV to the movies, and the interaction between him and Spider-Man feels organic. So too does the super-secret villain, whose impact is felt well before they ever show up on screen thanks to a power that is as mysterious as it is effective.

While the action is abundant in the film, the filmmakers lean on emotion much more than most other comic book movies. Peter’s journey back to a semblance of a normal life is well-earned, with his reconnection with MJ and Ned slow-walked in an admirably subtle way. And in the final act, when CGI battles typically take over, the interior lives of Peter and other characters play as much a role in what happens as anything they do physically.

Holland, who tends to take criticism for non-Spider-Man roles, remains the ideal actor for the role. His open-heartedness makes him relatable, his athleticism makes him believable, and he crushes the heavier moments. He and Zendaya, who are now married in real life, work tremendously well together, and Batalon is a fun third wheel. Other standouts include Bernthal, Colón-Zayas, Trammell Tillman, and Stranger Things’ Sadie Sink.

From beginning to end, Spider-Man: Brand New Day now owns the title as best movie in the current Spider-Man universe. By maintaining connections to past movies, solidly incorporating new characters, and pointing to the future without making it the whole story, it demonstrates a model for how comic book movies should be done.

---

Spider-Man: Brand New Day opens in theaters on July 31.

movies film
news/entertainment

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