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    Movie Review

    Will Smith-led Aladdin conjures enough wonder to justify live-action remake

    Alex Bentley
    May 23, 2019 | 10:42 am
    Will Smith-led Aladdin conjures enough wonder to justify live-action remake
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    Despite the success of a few of the entries, it’s fair to wonder for whom the “live action” remakes of Disney’s animated catalog are being made. Anyone who grew up with the originals has the memories of those films locked in their hearts, and most of the films remain such classics that the kids of today can enjoy them just as much as those who came before them.

    All of which leaves films like the new Aladdin in a quandary. To justify its existence, it has to walk a fine line between honoring the original and offering up something new. The new stuff starts right away, as Genie (Will Smith) opens the film with a completely reworked version of “Arabian Nights,” a song that was famously changed in the original due to an offensive lyric.

    That change sets the tone for the film, which tweaks many things along the way so that it rarely feels like a mere copy of the animated version. Of course, the main story remains the same as “street urchin” Aladdin (Mena Massoud) pursues Princess Jasmine (Naomi Scott) despite their circumstances being designed to keep them apart.

    The big musical moments of the film — “Friend Like Me,” “Prince Ali,” and “A Whole New World” — are nearly as entertaining thanks to keen filmmaking by director Guy Ritchie. Smith is a decent successor to Robin Williams and, with a big assist from CGI, fills up the screen in his two showcases. The romance and wonder displayed in the imagery during the film’s one love song, along with the timelessness of the lyrics, makes it a winner, too.

    As “A Whole New World” was Jasmine’s sole chance to sing in the original, the filmmakers expanded her role with the empowering “Speechless,” which is broken out at two different points of the film. Written by Benji Pasek and Justin Paul (La La Land, The Greatest Showman), it’s sung well by Scott and it certainly does the job of giving Jasmine more agency over her life. However, it’s nowhere near as rousing as the other songs on the soundtrack, and it feels tacked on instead organic to the plot.

    Speaking of less-than-inspiring, Marwan Kenzari’s turn as the evil Jafar just doesn’t do the trick. The original Jafar, voiced by Jonathan Freeman, was as over-the-top as they come. In perhaps an attempt to differentiate himself, Kenzari plays Jafar relatively low-key and winds up being much too subdued to have an impact. It’s only at the end when CGI takes over that he stands out in any way.

    Smith, Scott, and Massoud are the anchors of the cast, and each lives up to the expectations of their respective roles. Smith is a polarizing figure, but he does well, especially in a new and unexpected romantic subplot with Dalia (Nasim Pedrad), Jasmine’s handmaiden. Scott, who co-starred in the 2017 Power Rangers movie and will soon star in the Charlie’s Angels reboot, looks to be the breakout from the group.

    It’s unlikely that the new Aladdin will be the cultural touchstone that the original was, but it has plenty of memorable moments that complement well the iconic ones many of us hold near and dear.

    Naomi Scott and Mena Massoud in Aladdin.

    Naomi Scott and Mena Massoud in Aladdin
    Photo courtesy of Walt Disney Studios
    Naomi Scott and Mena Massoud in Aladdin.
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    Movie Review

    Hugh Jackman channels Neil Diamond in biopic Song Sung Blue

    Alex Bentley
    Dec 24, 2025 | 1:05 pm
    Hugh Jackman and Kate Hudson in Song Sung Blue
    Photo courtesy of Focus Features
    Hugh Jackman and Kate Hudson in Song Sung Blue.

    Neil Diamond - a member of both the Songwriters and Rock and Roll Halls of Fame with 10 No. 1 songs and over 56 million albums sold - is such a music legend that it would be easy to do a straight-up biopic of him. Instead, the new Song Sung Blue - named after Diamond’s 1972 hit song - serves as a shadow Diamond biopic, with his songs showcased through a real-life husband-and-wife tribute act known as Lightning & Thunder.

    Based on the 2008 documentary of the same name, the film focuses on Mike Sardina (Hugh Jackman), who comes up with the idea for a Diamond-centric act when he meets Claire (Kate Hudson). The duo soon grows in popularity locally in Milwaukee, headlining not just restaurants and bars but also some larger venues. As their legend spreads, they even start to get the attention of the media and bigger names outside of Wisconsin.

    Of course, it wouldn’t be a good biopic without a little turbulence, and — without spoiling things — Mike and Claire learn that good times never seemed so good when they face more than their fair share of troubles. The couple endures their ups and downs with the help of their combined family, including children Rachel (Ella Anderson) Angelina (King Princess), and Dana (Hudson Henley), as well as a community of fellow tribute acts.

    Written and directed by Craig Brewer (Dolemite is My Name), the film’s appeal lies mainly in the irrepressible enthusiasm of Mike, a man born to entertain if ever there was one. Neither his long-dormant alcoholism nor health problems nor location in the Upper Midwest can stop Mike from demonstrating his showmanship skills. Of course, it helps that he’s portrayed by Jackman, who - despite getting a little long in the tooth - gives every performance his all.

    What the story can never quite answer, though, is why this particular couple is worth an entire feature film. Sure, they have a somewhat interesting arc, especially when it coincides with a certain early ‘90s grunge band, but otherwise there’s little that separates them from other tribute acts toiling around the country. Brewer struggles to define them outside of their singing lives, and when things get really bad for them, the emotional connection is at a minimum.

    Then there’s the aspect of incorporating Diamond’s music, some of which has endured across the decades more than others. Naturally, “Sweet Caroline” gets a notable showcase, but whither “America” or “Heartlight?” The title song is featured the most often, as Mike uses it to celebrate his yearly “sober birthday,” but it’s not a barnburner. Mike also has an obsession with the relatively obscure "Soolaimón," an odd choice both for him and for the movie to include so much.

    Jackman and Hudson have good chemistry together, and when the film puts them together in singing scenes, their bond becomes infectious. Each of them has naturally melodic voices as well, lending an extra boost to that part of the film. Supporting actors like Anderson, King Princess, Michael Imperioli, and Fisher Stevens complement them well, but Jim Belushi, playing their promoter, gives a hammy performance that seems to be in a completely different movie.

    While it’s unclear who the audience for Song Sung Blue might be other than hardcore Diamond fans, it has just enough crowd-pleasing moments to make for a solid watch. The entertainment factor of the film comes and goes, but Jackman using every ounce of his abilities mostly makes up for any deficiencies.

    ---

    Song Sung Blue opens in theaters on December 25.

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