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    Music Review

    Doug goes on the record: Review of Pete Yorn and Scarlett Johansson EP

    Doug McGrath
    Jun 4, 2018 | 9:00 am
    Pete Yorn, Scarlett Johansson
    Pete is on the left, Scarlett's on the right.
    Photo courtesy of Capitol

    Editor's note: Doug McGrath is a music contributor with four decades of experience as a member of the Dallas music community. This week, he reviews a new EP from Pete Yorn and Scarlett Johansson.

    Band name: Pete Yorn and Scarlett Johansson
    Album: Apart EP, released June 1 (Capitol Records)
    Rating: 2.5 out of 4
    One line: Singer-songwriter and actress collaborate on a second release.

    Review: This may come as a surprise to those who know my musical tastes, but I'm actually a big fan of Pete Yorn. I feel like he's underrated but his records are well crafted, and although he's a singer-songwriter, he and his touring and recording guitarists are talented and never boring.

    He's also not afraid to try new things, like his collaboration with actress Scarlett Johansson.

    He and "Scar," as he calls her, have known each other for more than 15 years and have collaborated previously. Yorn reached out to her in 2006 after being inspired by a collaboration between French artist Serge Gainsbourg and French actress Brigitte Bardot, who teamed up in 1968 on an album Bonnie and Clyde.

    Yorn admits that prior to recording with Johansson, he didn't even know whether she could sing. Nonetheless, the two recorded an album of nine songs called Break Up.

    Separate interests got in the way before the two could release the record. Yorn released his 2006 album Nightcrawler and went on tour; Johansson made other musical excursions, including an appearance with The Jesus and Mary Chain at Coachella in 2007. She also released an album of Tom Waits covers, Anywhere I Lay My Head, in 2008.

    It wasn't until 2009 that they finally released Break Up. It peaked at #41 on the Billboard 200 — not as big as Yorn's 2003 release, Day I Forgot (which reached #18), but more than 20 spots higher than either of his subsequent two records. Clearly, they were on to something.

    Nearly a decade later, they return with this new EP, which picks up where their previous album left off, detailing the aftermath of a break-up: missed opportunities, thinking about the past, finding hope.

    Relationships are familiar territory for Yorn. On early hits such as 2003's "Long Way Down," he showcases his skill at penning good relationship one-liners like "I don't want you, so why should I compete with other guys?"

    But on that material there's no female foil. Once you hear him and Johansson sing together, you appreciate the fact that the combined male and female vocals make the songs more interesting and entertaining than those told from just one voice.

    I'll get right to it: Scarlett Johansson is good on this. If you listen to her as just another performer, and not someone famous, her voice sounds good next to Yorn's. She has a wide vocal range and a sound that puts you at ease. She la-la-las beautifully but can also hit deeper notes than you might expect.

    The vocals are very front and center. Normally, I might not like that. But it's effective enough to hook even a non-lyrics guy like myself, and I didn't miss the heavier musical component normally present on a Pete Yorn record. Getting lost in a story is one of the redeeming qualities of Apart, and one that Johansson's presence seems to have added.

    Her character sets the scene on the first track, "Iguana Bird," with the lyrics, "Do you like how you're living your life, away from me?" What plays out over the rest of the EP is a series of answers to that question.

    She starts the second song, "Bad Dreams," as well, with a vocal style that has almost a twangy accent. She and Yorn trade half-verses about the sleepless worry of their messy lives, and harmonize together, "We will always have bad dreams."

    On this song, and on most of the EP, Yorn's vocals are a little quieter than Johansson's, making her the lead in many of the choruses. Her voice has a sweet lullaby quality, while Yorn plays a warm, lower-register supporting role.

    The third track, "Movies," is an introspective and moody song, dominated by an element generally absent from Yorn's other studio material: keyboards. In this slower, airy piece, the two sing about going to the movies, harmonizing on a simple refrain: "I don't want to run without you."

    On "Cigarillo," Yorn leads the song, and he does mention the cigarillo, in case you're wondering: "I tried to call you out at night, a cigarillo in your eyes." Relationship tension on this one is external, as he laments how "everyone just cut you off, told me you're not good enough."

    The EP closes on the bouncy and addictive "Tomorrow," a reworked song from Yorn's 2016 album, Arranging Time. The characters seem to be back together and mildly optimistic: "Hand on your heart, tomorrow is another day. Hand on your hope, tomorrow we will get away." In interviews, Johansson says she liked this song and wanted to sing it. Her smoky voice fits right in, dominating the effortless-sounding harmonies on the chorus.

    It's too bad Apart only has five songs; I'd like to hear a full LP, and would like to see them tour together. But I'll make sure I see the next Pete Yorn tour, with or without "Scar."

    reviewsmusic
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    Movie Review

    Zendaya and Robert Pattinson face pre-marriage jitters in The Drama

    Alex Bentley
    Apr 2, 2026 | 12:50 pm
    Robert Pattinson and Zendaya in The Drama
    Photo courtesy of A24
    Robert Pattinson and Zendaya in The Drama.

    Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.

    Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.

    A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.

    Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.

    Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.

    Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.

    Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.

    The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.

    ---

    The Drama opens in theaters on April 3.

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