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Movie Central

5 must-see events at the 2013 Oak Cliff Film Festival

Alex Bentley
Jun 6, 2013 | 12:02 pm

April is usually prime time for movie lovers in the Dallas area, as the month features both the Dallas International Film Festival and the USA Film Festival's main event. But the burgeoning Oak Cliff Film Festival, now in its second year, is expanding not only the calendar for film appreciation, but also the venues in which to appreciate movies.

Most of the screenings for the festival are held in historic theaters — Texas Theatre, Bishop Arts Theatre Center and The Kessler. All three have been rescued from the wrecking ball by preservationists, and they each now host events of one kind or another on a consistent basis.

Because catching every offering is impossible, here are five options to give you a good feel for what the Oak Cliff Film Festival is all about:

Thursday, June 6

Pussy Riot: A Punk Prayer
Drinking Buddies rightly headlines opening night, but make some time for this documentary about Pussy Riot, an all-female punk group in Russia who have run afoul of authorities by performing anti-government songs in forbidden locations. The film will likely open your mind, and it's also the only free event at the festival.

Friday, June 7

Screenings hosted by director David Lowery
Dallas native David Lowery, who's earned all sorts of acclaim for his soon-to-be-released film Ain't Them Bodies Saints, hosts both a retrospective screening of Robert Altman's McCabe & Mrs. Miller and a secret screening. Could the secret screening be a sneak preview of Saints, which won't get released until August? You'll just have to go and find out.

Saturday, June 8

Digital Disruption and Afterlife of the Arthouse
This panel discussion exemplifies the esthetic of the festival. A group of film experts — Lowery, A.A. Dowd from The A.V. Club, Kim Yutani from the Sundance Film Festival, and Jason Reimer, owner of the Texas Theatre, among others — will discuss the future of cinema, fundraising and distribution.

Loves Her Gun
The debate over guns and gun culture is as an ultra-hot topic in the United States right now, so this film from Austin-based writer/director Geoff Marslett couldn't be any more timely. It follows a woman who moves from New York to Austin to try to escape violence, only to end up back in the same spot in gun-happy Texas.

Sunday, June 9

Awards ceremony and beer tasting
You can celebrate the festival's success and/or your ability to sit through a long stretch of movies by toasting the winners of the festival with a few good craft brews at Four Corners Brewing Co. on Sunday.

The historic Texas Theatre hosts most of the screenings for the Oak Cliff Film Festival, as well as the panel discussion Digital Disruption and the Afterlife of the Arthouse on June 8.

Texas Theatre
Photo courtesy of Texas Theatre
The historic Texas Theatre hosts most of the screenings for the Oak Cliff Film Festival, as well as the panel discussion Digital Disruption and the Afterlife of the Arthouse on June 8.
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news/entertainment

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Movie Review

John Turturro takes rare lead in The Only Living Pickpocket in New York

Alex Bentley
Oct 29, 2026 | 10:43 am
John Turturro in The Only Living Pickpocket in New York
Photo courtesy of Sony Pictures Classics
John Turturro in The Only Living Pickpocket in New York.

John Turturro is one of those people who embodies the term “character actor” the best. With over 120 credits in his nearly 50-year career, Turturro has rarely been the star of any of his projects. Instead, filmmakers have mostly used his unique face, New York accent, and inimitable acting style to help support the lead actors, a role for which Turturro seems well-suited.

Now 69, Turturro is taking the reins in The Only Living Pickpocket in New York, playing Harry, a long-in-the-tooth thief who still has skills but not as many opportunities. The plucking of wallets isn’t as lucrative in the mostly-cashless modern society, and Harry has little use for smartphones since he doesn’t know how to use them. However, a rare opportunity presents itself when he happens upon Dylan (Will Price), a young man who seems to be as oblivious as he is rich.

After a clever robbery of Dylan’s vintage car, though, Harry discovers he might be in over his head, especially when he finds a card-shaped USB drive. It's the contents of the drive that soon puts Harry and anyone around him in danger, including his wife, Rosie (Karina Arroyave), who’s suffering from unresponsive wakefulness syndrome; Ben (Steve Buscemi), who helps Harry sell stolen items; and even his estranged daughter Kelly (Tatiana Maslany).

Written and directed by Noah Segan, the film is a low-key thriller made to emulate the tempo of Harry’s life. While one of the plot points puts a degree of urgency into his actions, for the most part Harry is someone for whom slow and steady always wins the race. He is someone who has developed relationships over decades, including with NYPD Detective Warren (Giancarlo Esposito), and it’s those bonds that help him make it through each day.

Even though Harry is a criminal, the film treats him as an overall good guy, especially through the way he takes care of Rosie and the generosity he displays with his (stolen) money. Almost no one has a bad thing to say about him, and so Segan comes up with a couple of ways to give him more depth. His one scene with Kelly does the trick, providing a glimpse into a lesser man who clearly existed at one time.

One of the pleasures of the film for longtime movie fans are the reunions Turturro has with Buscemi (his co-star in The Big Lebowski) and Esposito (his co-star in Do the Right Thing). All three could be all-stars on a team of character actors, with each having made big impressions in all sorts of roles over the past 40 years. Seeing them back together again as very different characters from when they last collaborated underscores the level of talent each of them has.

Turturro ably carries the load in the lead role, but given his acting style and the type of role he’s called to play, his performance is far from showy. The same goes for Buscemi and Esposito, who are there to give great support to the classic supporting actor. When someone does go over-the-top, as Price does in most of his scenes, it stands out in a bad way. Maslany scores a lot of points in her brief appearance.

The Only Living Pickpocket in New York is a quiet film with big rewards despite its small ambitions. The beauty of the story lies in its small details, both character-related and not. Turturro rarely disappoints when he’s not the lead actor, and he demonstrates that he’s equally capable of making a movie great when he’s out front.

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The Only Living Pickpocket in New York opens in theaters on October 30.

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