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    Inert Alien Invasion

    Even a cocky Tom Cruise can't push Edge of Tomorrow out of neutral

    Alex Bentley
    Jun 6, 2014 | 10:35 am
    Even a cocky Tom Cruise can't push Edge of Tomorrow out of neutral
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    When we first encounter Tom Cruise in Edge of Tomorrow, he, as Major William Cage, is at his smarmy best, shilling to TV news shows on behalf of a global military alliance created to combat an alien invasion. No one quite does cocky the way that Cruise does, which is one reason he’s still able to pull off being an action hero at age 52.

    A whole movie of that is a bit much, though, so Cage is fortunately unwittingly thrown to the front lines of the war, something he, as a PR expert, is utterly incapable of handling. Sure enough, he gets killed minutes into a planned invasion, but not before one alien he manages to kill sprays him with its blood.

    That blood turns out to magical, as it gives him the ability to live the same day over and over again, something he eventually learns to utilize to his advantage.

    ​ The issue is that the film, by virtue of its constant repetition, makes it difficult to build up any kind of emotional investment in the outcome.

    He joins forces with war hero Rita Vrtaski (Emily Blunt), who experienced the same thing previously before losing the ability, and the two of them do their damnedest to manipulate both time and the war.

    The obvious comparison for this film is Groundhog Day, and just as in that movie, it’s the trial and error period in which Cage tries to figure things out that’s the most entertaining.

    However, instead of simply living out the day and waking up again, Cage must be killed to restart. The inventive ways in which they off him, especially those involving Vrtaski, make the first third of the film as much a comedy as an action movie.

    It’s when the film settles down into the business of solving the central problem, i.e. killing the alien invaders, that it loses a bit of steam. This is through no fault of the interplay between Cruise and Blunt, who make a surprisingly solid team.

    The issue is that the film, by virtue of its constant repetition, makes it difficult to build up any kind of emotional investment in the outcome. The story implies that Cage regenerates thousands, if not millions, of times, making it a case of when, not if, he will succeed.

    In other words, the only obstacle is time itself, not the actual aliens that they’re fighting. For all the impact they make on the film, the aliens might as well be invisible. While the film still has its fair share of great action sequences, it’s really only the film’s climax in which the aliens play any significant part at all.

    The film deserves credit for mostly staying away from romantically pairing Cruise and Blunt, which was a nice break from conventional action movie plots. Brendan Gleeson and Bill Paxton do good work in supporting roles, but hardly anyone else makes an impression.

    Edge of Tomorrow proves that Cruise still hasn’t lost his touch when it comes to action movies, but the inert opponent he’s up against keep the film from being an all-out winner.

    Tom Cruise dons some heavy duty military equipment in Edge of Tomorrow.

    Tom Cruise in Edge of Tomorrow
    Photo by David James
    Tom Cruise dons some heavy duty military equipment in Edge of Tomorrow.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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