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    Real Housewives Recap

    Real Housewives of Dallas must be a throwaway for Bravo

    Elaine Liner
    Jun 6, 2016 | 11:40 pm
    Brandi Redmond Real Housewives of Dallas
    Brandi does two things at warp speed in every episode: get drunk and start weeping.
    Photo courtesy of Bravo

    On other, more glamorous Real Housewives shows, the ladies often jet off to Bali or Banff or the Bahamas for a super-glam on-camera vacation. For Real Housewives of Dallas, the Bravo network has seen fit only to schlep the gals down to Lake Travis for two nights. On a bus.

    Away the women roll to a sprawling lake house built by cast member Brandi Redmond’s husband Bryan and pal Stephanie Hollman’s husband Travis. It’s a big, bland pile of bricks with a pool and a lake view, which the cameras don’t ever bother to feature.

    The centerpiece of episode nine of this 10-part series (the finale is next week, followed by a “reunion” special) is a catered birthday dinner for three of the wives. Rambunctious party scenes are a staple of Housewives shows. Remember Teresa Giudice flipping the table and yelling “prostitution whore!” at the multifamily meal on RHONJ? Or Camille Grammer’s psychic pal spilling nasty predictions over that boozy dinner with the RH’s of Beverly Hills?

    Those episodes were full of fireworks. RHOD’s lakeside slumber party merely lights some damp squibs. The title of this week’s hour is “Killing Time in Austin.” It feels as if this version of the series is doing just that, ticking off minutes until it can clear the time slot to make way for the return of the ratings-pulling crazypants shenanigans of the New Jersey franchise.

    Down at Lake Travis, it’s charity-mad LeeAnne Locken in the center ring, as usual. LeeAnne is a gorgeous woman with a heart for good causes and the temperament of a trapped wolverine. This week she’s more than a little miffed that her fellow housewives keep circulating a story about that time she took too many laxatives, had a dram too much alcohol, and didn’t make it to the ladies’ room in time.

    Scatology is the dominant theme of RHOD. You have to wonder what the women did during the filming to tick off the crew and editors of this show so badly that every hour ended up loaded with references to pee and poop. This week they include the moment Brandi urinates into a red plastic cup on the bus trip from Dallas to Austin. Cut right to a commercial for a “bladder support” device.

    Back at the dinner party, Brandi, bless her sodden heart, gets snockered, does a backward somersault over the tabletop, and then tumbles off her chair onto the floor. Brandi does two things at warp speed in every episode: get drunk and start weeping.

    “Brandi and Jesus juice [her nickname for wine] make a lot of decisions together,” observes Brandi’s best friend Stephanie, a pretty blonde who laugh-cackles like an evil sister in Macbeth.

    The plan for the weekend in Austin appears to be to hang out at the pile of bricks for a night, pick at chef-prepared scallops, drink too many fireballs and glasses of Pinot Noir, and then wake up early to enjoy a spa day at Austin’s Four Seasons. And here’s where it’s really clear that Bravo has treated RHOD like a throwaway: After the camera crew has left for the night, a major brouhaha breaks out between LeeAnne and the nearly silent Marie Reyes (the one who wore the twiglet hat a few weeks back).

    No footage of this contretemps makes it to the small screen; just audio clips of LeeAnne shouting at Marie, captured on Cary’s phone. There’s also a secondhand retelling of the argument by Stephanie in her to-the-camera post-production confessional.

    What might have been the high point of the series (or low, depending on how you measure awful behavior among adult women who fancy themselves cultured and privileged), happens off-camera. Viewers only get the tell, but not the show.

    So all that’s left on episode nine is the aftermath of blow-up. LeeAnne again explains her hair-trigger temper with references to her crappy childhood. Marie looks terrified as she tries to explain that she’s not the one who revealed the story of LeeAnne’s loose bowels. Tiffany Hendra, LeeAnne’s constant enabler, begs the others to walk in LeeAnne’s espadrilles and try to understand her.

    Apologies. Hugs. Cary Deuber (the plastic surgeon’s wife) rolls her eyes under perma-arched brows.

    Another tense dinner unfolds at the Austin location of Bob’s Steak & Chop House. LeeAnne drills her death-stare into Cary and Tiffany. Brandi babbles some nonsense about her fear of sharks and then disappears into the restroom. “Worst girls’ trip ever,” snaps Cary.

    Previews of episode 10 feature the Byron Nelson golf tournament, two of the housewives falling into a swimming pool, and a revolting close-up of rabbit feces on the carpet at the Redmond home.

    On this show, even the pets are party poopers.

    ---

    Real Housewives of Dallas airs at 9 pm Mondays on Bravo. You can also watch episodes online.

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    Movie Review

    Ryan Gosling tries to save the universe in Project Hail Mary

    Alex Bentley
    Mar 19, 2026 | 10:00 am
    Ryan Gosling in Project Hail Mary
    Photo by Jonathan Olley
    Ryan Gosling in Project Hail Mary

    The reasons behind the success of 2015’s The Martian, which earned over $630 million worldwide and got nominated for seven Oscars, had as much to do with the novel written by Andy Weir as it did with star Matt Damon and director Ridley Scott. Weir’s commitment to making an entertaining story that was also scientifically accurate proved to be easy to translate into a blockbuster movie.

    The same is true for Weir’s 2021 novel, Project Hail Mary, now a film starring Ryan Gosling. Gosling plays Dr. Ryland Grace, who opens the film waking up from an induced coma, alone on an interstellar spaceship named the Hail Mary. As his foggy mind clears, he - and the audience - learn that he was recruited to help an initiative to save the world after it’s discovered that a mysterious phenomenon is causing the sun to cool down, threatening all life on Earth.

    The film toggles back and forth between Grace’s time on the ship and his whirlwind journey of scientific discovery on Earth, with revelations coming on both sides. On Earth, he mostly deals with Eva Stratt (Sandra Hüller), the unflappable and unstoppable leader of the international coalition dedicated to solving the problem. And in space, orbiting the far-off star known as Tau Ceti, he encounters another being he names Rocky, a five-limbed creature that looks like a boulder which teams up with him to try to save both of their worlds.

    Directed by Phil Lord and Christopher Miller, and written by Drew Goddard (who also wrote The Martian), the film melds multiple genres into an astonishingly great whole. It starts off as a mystery, morphs into science fiction, transitions into actual science, becomes a thriller, adds in plenty of drama, and - for good measure - features plenty of comedy along the way. Shifting tones like this film does is tricky for many filmmakers, but Lord and Miller prove to be masterful at knowing just how much of each to include before it becomes too much.

    One of the biggest keys to the story is the fact that Grace is not a hero in the movie sense of the word. He’s very smart, but he’s also an everyman, teaching middle school science after being shunned from academia. The circumstances of how he ended up on the Hail Mary are doled out in pieces over the course of the film, but it’s clear from the start that Grace’s talents are not the ones found in your typical astronaut. Ironically, it’s him being forced to do heroic stuff that imbues him with an atypical type of bravery.

    The relationship between Grace and Rocky is unique, and Rocky ends up being as endearing an alien that’s been featured in movies despite the fact that he has no face and speaks only in musical tones. The film does a very effective job of putting the audience in Grace’s shoes, having to figure out ways to communicate with Rocky at the same time as he’s trying to figure out how to complete a mission he wasn’t trained to do.

    Gosling is the ideal actor to portray a man like Grace. Essentially alone for much of the film, his innate charm and humorous delivery keep the film from feeling like an extended monologue. The flashback scenes to his time on Earth feature solid performances from people like Hüller (Anatomy of a Fall), Lionel Boyce (The Bear), and more, who fill in the pieces of the story without feeling out of place.

    Project Hail Mary is a crowd-pleaser in all the right ways, delivering plenty of thrilling action and funny moments while also digging deep into science nerd elements. With a movie star like Gosling in the lead and successful filmmakers like Lord, Miller, and Goddard behind the scenes, the film makes an early case for being one of best of the year.

    ---

    Project Hail Mary opens in theaters on March 20.

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