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Out and Proud

The Out List director on gay rights and Dallas sheriff Lupe Valdez

Alex Bentley
Jun 12, 2013 | 12:08 pm
The Out List director on gay rights and Dallas sheriff Lupe Valdez
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The number of out-and-proud gay people in the United States has proliferated in the 21st century, so it's no longer a surprise when a prominent person comes out of the closet or a television show features a gay character.

But, as the fight over same-sex marriage proves, those in the lesbian, gay, bisexual and transgender community still don't enjoy the same civil rights as heterosexuals.

That's part of the reason why director Timothy Greenfield-Sanders made The Out List, an HBO documentary about the diverse gay community in America. Dallas County sheriff Lupe Valdez is one of the stars of the film and the reason for a private screening at Angelika Film Center Dallas on June 13.

Black Tie Dinner is hosting the exclusive Dallas screening, which includes a discussion with Valdez, Greenfield-Sanders, and producers Catherine Pino and Ingrid Duran.

The film features interviews with a broad cross-section of people from the LGBT community, including celebrities such as Neil Patrick Harris, athlete Wade Davis and unknowns like teacher Wazina Zondon.

This is not Greenfield-Sanders' first attempt at tackling a minority group's opinions on their place in the world. He's previously made three different versions of The Black List and two volumes of The Latino List. Plans for The Women List and possibly The Boomer List (about the baby boomers generation) are in the works.

We recently chatted with Greenfield-Sanders to discuss the film, gay rights and why he chose Valdez.

CultureMap: How did you decide whom to approach and ultimately use in the final version?

Greenfield-Sanders: The hardest thing is to pick 16 people that really give a cross-section of this community. You try and have a balance of men and women, bisexual, transgender to deal with. You try to have a range of professions; you don’t want everyone to be a famous movie star. To find people who are relatively less known, like Lupe Valdez, who is wonderful, or Twiggy Pucci Garcon. Around 15 or 16 is an hour. It gives you just enough time to have three to four minutes with each person.

CM: How tough is it to make sure everyone in the LGBT community is satisfied with a piece like this?

GS: It’s impossible; I’m never going to satisfy everyone. But I think it’s a beautiful film that addresses many of the most important issues around right now.

CM: Who would you have liked to be in the film that you either couldn’t get or didn’t make the cut for some reason?

GS: We really wanted Ricky Martin, and he wanted to do it, but he was on Broadway and couldn’t give us the time. By the time he was available, we had finished the film. It would’ve been good because it’s another Latino voice, it’s kind of a fascinating story and he’s very well-liked.

CM: Of obvious interest here in Dallas is your inclusion of sheriff Lupe Valdez. What specifically made you want to interview her?

GS: So many things. First of all, she’s an amazing person; we loved meeting her. The struggle that she has gone through — it’s an incredible life story. I think she’s come to terms with who she is as a woman and a lesbian and a Latina. She’s just an incredible, exciting person.

CM: How close do you think we are until a film like this becomes unnecessary?

GS: It’s kind of what [writer/director] Dustin Lance Black said. I’m paraphrasing, but he said, "I can’t wait for the day when we don’t need to be fighting for our rights anymore." And I think that’s everyone’s wish, that equality is so important that [we] get to a day that we can worry about other things.

At this point, a film like this is still very important. Like Neil Patrick Harris said, a lot of people don’t know as many gay people as we do in New York or on the West Coast, so living in Middle America, you meet gay people on television. Television has been very valuable in that sense, because it’s made people understand other people.

CM: I was glad you included R. Clarke Cooper, the Log Cabin Republican, because it’s not a perspective people hear all the time.

GS: Personally, I think it’s kind of a Stockholm Syndrome, to be in an organization that really doesn’t like you, that works against you; it’s kind of amazing to me. It was interesting to meet him and to kind of understand, from his perspective, that he feels closer to Republicans politically, with the exception of their attitudes on gays.

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The Out List premieres June 27 on HBO.

Dallas County Sheriff Lupe Valdez was one of 16 people interviewed for the documentary The Out List.

Dallas County Sheriff Lupe Valdez
Portrait © Timothy Greenfield-Sanders HBO
Dallas County Sheriff Lupe Valdez was one of 16 people interviewed for the documentary The Out List.
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Movie Review

Teenage Sex and Death at Camp Miasma gives horror a surreal twist

Alex Bentley
Aug 14, 2026 | 1:30 pm
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma
Photo courtesy of MUBI
Hannah Einbinder and Gillian Anderson in Teenage Sex and Death at Camp Miasma.

The horror genre really ramped up in the 1970s and ‘80s, bringing with it a new subgenre - the slasher - that gave audiences new visuals of gore, but also a reliance on sexism and homophobia that would come to define the era. The new film Teenage Sex and Death at Camp Miasma wrestles with that legacy in ways that are funny, thought-provoking, and downright strange.

Kris (Hannah Einbinder) is a queer filmmaker who has been hired to reboot the moldy IP that is the Camp Miasma franchise, one that was fresh in the 1970s but which numerous shlocky sequels have rendered irrelevant. In an attempt to get to know the property better, Kris has scored a meeting with the reclusive Billy (Gillian Anderson), the star of the original film who has shunned the public eye for decades.

Turns out that Billy lives deep in the woods at Camp Rivoli, which served as the location for the first film. As Kris tries to get to know Billy and convince her to be a part of the new film, she starts to fall under Billy’s spell and the lore of the franchise as a whole. That includes believing that the movie’s villain, Little Death - a transgender person who has an air conditioning vent as a head/mask - may not just be a character created for the movies.

Written and directed by Jane Schoenbrun (I Saw the TV Glow), the film at first feels like it’s going to go the straight-up comedy route, with comic explosions of blood, a strange fascination with candy brands, and a production design that does nothing to hide that the two main actors are on a movie set with painted backdrops. This is backed up by Kris’ phone conversations with her girlfriend, Mari (Jasmine Savoy Brown) and her agent (Sarah Sherman), as well as numerous other details.

But the film starts to go down the surreal route the longer Kris stays at the camp with Billy, especially when they sit down to watch the original Camp Miasma. An extended sequence shows a good amount of that film-within-the-film, demonstrating why Kris and Billy have a love/hate relationship with the property. For Kris, though, the lines between the film and the real world start to blur, and Schoenbrun uses a variety of out-there elements to drive the point home.

The final act of the film can barely be described as Kris goes deeper down the rabbit hole, with Schoenbrun using her film to comment on the horror genre as a whole, its treatment of women and LGBT people, the movie industry, and more. All the while the “camp” of Camp Miasma maintains a presence, with candy wrappers showing up everywhere and the tongue-in-cheek references to Little Death (the French term La petite mort, which means “the little death,” is a euphemism for orgasm).

Einbinder, an Emmy winner for Hacks, is the perfect person to inhabit her role. Her established real-life and fictional personas color everything she does in the film, with her enthusiasm and curiosity shining through. Anderson leans heavily into another reference - Norma Desmond from Sunset Boulevard - to create a character that is as mysterious as she is alluring. Supporting actors like Brown, Sherman, Patrick Fischler, Dylan Baker, and Eva Victor keep the movie at the right pitch all the way through.

While other films have made fun of horror movie tropes before, Teenage Sex and Death at Camp Miasma finds a wholly unique way of doing so. It’s a funny and daring trip into the psyches of two women who may be victims of their own obsessions, and of the movies that made them that way.

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Teenage Sex and Death at Camp Miasma is now playing in select theaters

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