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Out and Proud

The Out List director on gay rights and Dallas sheriff Lupe Valdez

Alex Bentley
Jun 12, 2013 | 12:08 pm
The Out List director on gay rights and Dallas sheriff Lupe Valdez
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The number of out-and-proud gay people in the United States has proliferated in the 21st century, so it's no longer a surprise when a prominent person comes out of the closet or a television show features a gay character.

But, as the fight over same-sex marriage proves, those in the lesbian, gay, bisexual and transgender community still don't enjoy the same civil rights as heterosexuals.

That's part of the reason why director Timothy Greenfield-Sanders made The Out List, an HBO documentary about the diverse gay community in America. Dallas County sheriff Lupe Valdez is one of the stars of the film and the reason for a private screening at Angelika Film Center Dallas on June 13.

Black Tie Dinner is hosting the exclusive Dallas screening, which includes a discussion with Valdez, Greenfield-Sanders, and producers Catherine Pino and Ingrid Duran.

The film features interviews with a broad cross-section of people from the LGBT community, including celebrities such as Neil Patrick Harris, athlete Wade Davis and unknowns like teacher Wazina Zondon.

This is not Greenfield-Sanders' first attempt at tackling a minority group's opinions on their place in the world. He's previously made three different versions of The Black List and two volumes of The Latino List. Plans for The Women List and possibly The Boomer List (about the baby boomers generation) are in the works.

We recently chatted with Greenfield-Sanders to discuss the film, gay rights and why he chose Valdez.

CultureMap: How did you decide whom to approach and ultimately use in the final version?

Greenfield-Sanders: The hardest thing is to pick 16 people that really give a cross-section of this community. You try and have a balance of men and women, bisexual, transgender to deal with. You try to have a range of professions; you don’t want everyone to be a famous movie star. To find people who are relatively less known, like Lupe Valdez, who is wonderful, or Twiggy Pucci Garcon. Around 15 or 16 is an hour. It gives you just enough time to have three to four minutes with each person.

CM: How tough is it to make sure everyone in the LGBT community is satisfied with a piece like this?

GS: It’s impossible; I’m never going to satisfy everyone. But I think it’s a beautiful film that addresses many of the most important issues around right now.

CM: Who would you have liked to be in the film that you either couldn’t get or didn’t make the cut for some reason?

GS: We really wanted Ricky Martin, and he wanted to do it, but he was on Broadway and couldn’t give us the time. By the time he was available, we had finished the film. It would’ve been good because it’s another Latino voice, it’s kind of a fascinating story and he’s very well-liked.

CM: Of obvious interest here in Dallas is your inclusion of sheriff Lupe Valdez. What specifically made you want to interview her?

GS: So many things. First of all, she’s an amazing person; we loved meeting her. The struggle that she has gone through — it’s an incredible life story. I think she’s come to terms with who she is as a woman and a lesbian and a Latina. She’s just an incredible, exciting person.

CM: How close do you think we are until a film like this becomes unnecessary?

GS: It’s kind of what [writer/director] Dustin Lance Black said. I’m paraphrasing, but he said, "I can’t wait for the day when we don’t need to be fighting for our rights anymore." And I think that’s everyone’s wish, that equality is so important that [we] get to a day that we can worry about other things.

At this point, a film like this is still very important. Like Neil Patrick Harris said, a lot of people don’t know as many gay people as we do in New York or on the West Coast, so living in Middle America, you meet gay people on television. Television has been very valuable in that sense, because it’s made people understand other people.

CM: I was glad you included R. Clarke Cooper, the Log Cabin Republican, because it’s not a perspective people hear all the time.

GS: Personally, I think it’s kind of a Stockholm Syndrome, to be in an organization that really doesn’t like you, that works against you; it’s kind of amazing to me. It was interesting to meet him and to kind of understand, from his perspective, that he feels closer to Republicans politically, with the exception of their attitudes on gays.

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The Out List premieres June 27 on HBO.

Dallas County Sheriff Lupe Valdez was one of 16 people interviewed for the documentary The Out List.

Dallas County Sheriff Lupe Valdez
Portrait © Timothy Greenfield-Sanders HBO
Dallas County Sheriff Lupe Valdez was one of 16 people interviewed for the documentary The Out List.
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news/entertainment

Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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