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    Movie Review

    Space adventure Lightyear fits in with emotional roots of Pixar

    Alex Bentley
    Jun 15, 2022 | 10:55 am
    Buzz Lightyear in Lightyear.play icon
    Buzz Lightyear in Lightyear.
    Photo courtesy of Disney/Pixar

    Throughout its nearly 30-year history, Pixar has put out some classics, some good-but-not-great movies, and a couple of outright clunkers. But their track record overall has proven to be as reliable as any animation studio out there, so it’s best to doubt them at your own peril, even when they’re making a movie as head-scratching on the surface as Lightyear.

    When the movie, which has the logline of “The story of Buzz Lightyear and his adventures to infinity and beyond,” was announced, it brought to mind a bunch of questions. Isn’t Buzz Lightyear just a toy? Why is Tim Allen, the longtime voice of Buzz, being replaced by former Captain America Chris Evans? Why try to milk more money out of the Toy Story franchise, which had miraculously already had four close-to-perfect movies?

    The first is answered right away as they retcon history in a title card, explaining that the movie we’re about to watch was, in the world of Toy Story, released in 1995, meaning the Buzz in those movies was a toy related to the film. That’s a little wonky — animation like this certainly didn’t exist in 1995 — but it’s acceptable enough if you’re willing to go along with it.

    The film throws us headlong into an adventure in which Space Rangers Buzz Lightyear (Evans) and Alisha Hawthorne (Uzo Aduba) are exploring a planet that they soon realize is inhospitable thanks to a bunch of alien vines. A botched escape attempt strands them and their crew on the planet, and Buzz and Alisha must use the planet’s abundant resources to make a hyperspace fuel cell that will allow them to leave.

    Buzz, being a daring test pilot, volunteers to test out their various experiments, but each attempt brings an unexpected development. Buzz eventually teams up with a ragtag group of Rangers-in-training, including Izzy (Keke Palmer), Mo (Taiki Waititi), and Darby (Dale Soules). They, along with a support robot cat named Sox (Peter Sohn) Buzz picks up along the way, help him in his mission, as well as defending their encampment from the threat of Emperor Zurg (James Brolin) and his robot soldiers.

    Any new Pixar story is best experienced as unspoiled as possible, and there’s a lot that happens in between the lines of the above synopsis. Directed by Angus MacLane and written by MacLane and Jason Headley, the film does what Pixar does best, Trojan Horse-ing in an emotional story under the guise of a high-flying space adventure. The friendship between Buzz and Alisha is especially affecting, as they establish early and often a high level of respect and heart between the two of them.

    There’s a load of excitement in the film, most notably Buzz’s repeated trips into hyperspace, which feature edge-of-your-seat maneuvers and speed that’ll push you back in your seat. But it’s the humor of the film that truly keeps the film moving, from the unbearable cuteness of Sox to the wacky hijinks of Buzz’s unlikely crew.

    While Buzz uses the occasional familiar catchphrase and object, the filmmakers are remarkably restrained in harkening back to things we love from Toy Story. Even more interesting, the sole romantic relationship in the film belongs not to Buzz but to a female character, who’s married to another woman. The screentime devoted to their relationship is relatively small, but the import of including it is much larger than however long it appears.

    The voice talent is fantastic across the board. While it’s hard to say that anyone besides Evans and Waititi is recognizable, they are each essential in creating their respective characters. In fact, two of the standouts, Soules and Sohn, aren’t well-known at all, instead drawing in the viewer with their distinctive voices and impeccable timing.

    Against all odds, Lightyear is another unequivocal triumph for Pixar. And since Buzz is capable of going on many more space adventures, don’t be surprised if they keep going to infinity and beyond for years to come.

    ---

    Lightyear opens in theaters on June 17.

    Buzz Lighyear (Chris Evans) in Lightyear.

    Buzz Lightyear in Lightyear
    Photo courtesy of Disney/Pixar
    Buzz Lighyear (Chris Evans) in Lightyear.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

    ---

    Power Ballad is now playing in theaters.

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