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    Coronavirus Comeback

    Pools make a splash in the newest list of attractions reopening in Dallas-Fort Worth

    Stephanie Allmon Merry
    Jun 16, 2020 | 4:32 pm
    Texas Pool in Plano
    The Texas Pool in Plano has reopened with reduced capacity.
    Texas Pool/Facebook

    Households that are choosing to get out and about have plenty of options now around Dallas-Fort Worth. Even though the coronavirus pandemic is not over, restrictions on entertainment hot spots have loosened enough that they're ready to open their doors to smaller crowds, with many safety protocols in place. Here are the latest pools, museums, theaters, and other amusements that are back in business. (Previous reopenings are here.)

    WhoaZone at Grapevine Lake (formerly Altitude H20) reopened for the summer on Saturday, June 13. Guests can enjoy an on-water obstacle course, beachside chairs and umbrellas for relaxing, fun land-based games, private birthday parties, and more. Guests must be at least 7 years old, at least 45 inches tall, and capable swimmers. For more information and tickets, check the website.

    Dallas Heritage Village reopened to visitors on Monday, June 15. The museum has adjusted summer hours of 9 am-2 pm daily (plus 6-9 pm Thursdays), and a reduced admission of $8 for adults and free for children. For safety reasons, the buildings on site are closed, but the walkable grounds are open. Social distancing is enforced, hand sanitizer stations are located throughout the property, and there's a contactless ticket booth. More information at the website.

    Southfork Ranch in Parker, the famous home of the Ewing family on TV's Dallas, resumed public tours on Tuesday, June 16. In addition, trail rides and private lessons have resumed. Staff is screened each day and social distancing is required to protect public health. For more information and tickets, visit the website.

    The Texas Pool in Plano reopened to the public on Tuesday, June 16. Hours are 11 am-8 pm Tuesday-Friday, 10 am-8 pm Saturday, and 12-6 pm Sunday. Capacity is limited to 50 percent, but reservations are not required and there's no mandatory time limit. Enhanced safety measures include providing soap and sanitizer to staff and guests; staff will wear masks, but they are not required for guests. Members have first priority while capacity is limited. For information about memberships and more, visit the website.

    Billy Bob's Texas will begin reopening in phases, starting Thursday, June 18. The Fort Worth honky-tonk will open for daytime admission ($3) — including the Honky Tonk Kitchen, retail store, pool tables and games, bar, and ticket office — June 18-21. House bands will return to the Honky Tonk Stage, June 22-28. Free line dance lessons will return, along with larger scale concerts, beginning June 29. To read about the COVID-19 safety measures, purchase tickets, and more, check the website.

    Jubilee Theatre in Fort Worth becomes the first DFW theater to resume performances when How I Got Over opens Friday, June 19. The company had previously postponed the production, a musical review by Nate Jacobs that celebrates the life of Mahalia Jackson and other gospel greats. With Gov. Abbott's permission to reopen with limited audience capacity, Jubilee is now presenting the show from June 19-July 19 — with opening night landing on the theater's 39th anniversary. More information in this story.

    Urban Air Adventure Park reopens all DFW locations on Saturday, June 20. New safety protocols include hand sanitizing stations throughout, temperature of all guests and employees taken upon entry, employees wearing masks, limited capacities, and social distancing measures. Guests are not required to wear masks or gloves, but they are available for purchase. Ahead of reopening, Urban Air is offering a free day for all essential workers and families on Friday, June 19. Also, tickets purchased before June 20 will be 50 percent off. For more information and tickets, visit the website.

    Jack Carter Park Pool in Plano will be open to the public June 29-August 9, then weekends only until Labor Day (September 7). Reservations are required and may be made up to two days in advance. Each three-hour block of time is limited to 250 guests; each reservation made is limited to six passes and one shift per day. For details on summer hours, memberships, and more, visit the website.

    Meadows Museum (including gift shop) on the SMU campus will reopen to the public July 7 at reduced capacity but with regular hours. Healthcare workers, first responders, and other essential workers will receive free admission throughout the month of July. Timed tickets will be available for purchase through the museum's website beginning July 1. Social distancing will be enforced, staff will wear masks, and guests are encouraged to wear face coverings (both cloth and disposable masks will be available for a small donation). To see what's on view through the summer, check the museum website.

    Four major Fort Worth museums are reopening soon. First out of the gate will be the Amon Carter Museum of American Art, which will officially open on Friday, June 19, following member-only days, June 16-18. The Kimbell Art Museum will be next up on June 20, following two members-only days. The National Cowgirl Museum and Hall of Fame will open on June 24, with a members-only day on June 23. Finally, the Modern Art Museum will open on July 1. Find out more about their safety protocols, exhibitions, and more in this story.

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    news/entertainment

    Movie Review

    Great acting and directing drive The Christophers to artistic heights

    Alex Bentley
    Apr 17, 2026 | 1:59 pm
    Michaela Coel and Ian McKellen in The Christophers
    Photo by Claudette Barius
    Michaela Coel and Ian McKellen in The Christophers.

    Director Steven Soderbergh is one of those filmmakers who — aside from the Ocean’s series — never seems to make the same kind of movie twice. He is somehow able to adapt his abilities to all sorts of different stories, making each of them as compelling as any other. His latest masterclass is in the London-set film, The Christophers.

    Lori Butler (Michaela Coel), who restores art for a living, is approached by brother and sister Sallie and Barnaby Sklar (Jessica Gunning and James Corden) with a scheme. They want her to become the new assistant for their aging father, Julian (Ian McKellen), a famous artist known for a series called “The Christophers,” in order to gain access to unfinished paintings from the series and complete them herself.

    Lori accepts the deal despite having some uneasy feelings about Julian, with whom she had a bad interaction years ago. Julian is just as wary, both because he knows of his children’s interest in the unfinished works, and because he would prefer to be left in peace. Although the trepidation on both sides continues for the bulk of the story, a grudging respect arises between two artists who know skill when they see it.

    Directed by Soderbergh and written by Ed Solomon, who last collaborated on No Sudden Move, the film is astonishing in its ability to be compelling with such a small story. Much of the film is spent inside Julian’s multi-story home as Julian and Lori have low-level confrontations about a variety of things, including the meaning of his art, her abilities, the fate of the remaining “Christophers,” and more. Each conversation brings out more detail about their worldviews and their thoughts about their lot in life.

    Much of the success of the film lies in the performances of McKellen and Coel. The 86-year-old McKellen has not lost his ability to astonish with the spoken word, and the monologues he delivers are engrossing even when they’re about mundane things. Coel, best known for the 2020 HBO show I May Destroy You, is a great foil for McKellen, never backing down from his challenges and giving her own unique takes on her lines.

    While the film can be enjoyable for non-art lovers, those who appreciate the vagaries of the art world will have a lot to chew on. Soderbergh and Solomon debate a lot of aspects of art, including whether it’s possible to separate the art from the person making it, why some art is valued more than others, the ethics of forgery, and more. Because the film is about a fictional artist, it gives the filmmakers a bit more freedom in their criticisms.

    Aside from McKellen and Coel, Gunning (Baby Reindeer) and Corden are the only other two people who get significant screen time in the film. Both of them are, let’s say, acquired tastes, and each gives an elevated performance that matches the energy of their respective characters. Tilly Botsford makes a nice impression in a small role as Julian’s masseuse.

    Soderbergh’s last three films — Presence, Black Bag, and now The Christophers — have nothing in common other than the expert filmmaker helming all of them. When you can make a ghost story, a spy film, and a small film about artists equally interesting, you know you’re doing something right.

    ---

    The Christophers is now playing in theaters.

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    news/entertainment

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