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Real Housewives Reunion

Real Housewives of Dallas face off in final round of trash talk and tears

Elaine Liner
Jun 19, 2016 | 11:23 pm
Real Housewives of Dallas reunion
It was confessional time for the Real Housewives of Dallas.
Photo courtesy of Bravo

If you watch them — and you do so stop pretending you don’t — you know that a Real Housewives series isn’t over until Bravo network’s resident host, Andy Cohen, sits down with all the women for a weepy reunion episode. Real Housewives of Dallas ended June 19 with LeeAnne, Tiffany, Stephanie, Brandi, Marie, Cary, and Cary’s plastic surgeon husband Mark facing off for a final round of confessions and insults.

So. Much. Crying.

It got ugly quickly, this dressed-up, well-coiffed game of crones. There were accusations, recriminations, and the revelation of a restraining order taken out by Marie Reyes (looking especially fresh-faced) against charity champion LeeAnne Locken after some rather dire verbal and texted threats from the latter.

We also learned that Brandi Redmond’s husband Bryan, who didn’t want to be part of RHOD in the first place, threatened divorce after she confronted him on camera about his too-frequent business trips and poor communication skills at home. (They’re fine now, she says, and she and the kids sometimes travel with him. They also renewed their vows last September.)

Over 75 minutes, Andy hit on all the major points of discord among the cast members and read emailed questions from viewers, which the ladies sorta-kinda answered. Yes, Cary Deuber called LeeAnne a social climber.

“I’m not a Hunt, I’m not a Cox,” snarled LeeAnne, pronouncing those names carefully (think about it).

“In a galaxy of ridiculous conversations ... I can’t believe I’m asking this question ... did you poop in a bag?" Andy asked LeeAnne.

“It was a basket,” LeeAnne clarified, putting a capper on the crapping story that was a major topic in each of RHOD’s 10 episodes.

Tiffany Hendra was asked if she’d really done porn. No, but she was nekkid in episodes of a mildly R-rated adult drama series on Skinemax, erm, Cinemax. She said she’s now in “Christian counseling.” Perhaps acting lessons would also be helpful.

On a set resembling a hastily built hacienda, and wearing tight, jewel-toned dresses — some one-shouldered, some with strategic cut-outs — the housewives rehashed their clashes. Like the time Tiffany shoved LeeAnne. (She didn’t realize she’d done it until she saw the footage, she said.) And how LeeAnne and Heidi Dillon (not present for the reunion) spread gossip about how Cary met and married Dr. Deuber.

Was he still married when they met? Yes. Did they date while he was married? No, insisted Cary, who cry-talked her way through the timeline of her and Mark’s relationship.

“Did you pick out Cary’s frock today?” Andy asked Mark, who was often shown on RHOD shopping for and dressing his wife in designer Roberto Cavalli’s sparkliest, sexiest dresses and gowns. He “approved” the glittery high-heeled sandals for her reunion appearance, said Mark, the only spouse to appear on the reunion. But for Cary’s 40th birthday he bought her “her first Birkin bag,” he said. (Starting price for those at Hermès is $11,500.)

Andy also asked Mark if he’d ever cross-dressed. “I haven’t gotten there yet,” said the doctor.

Though LeeAnne claims to have entered anger management therapy since filming ended on the series, she sounds as if she has a ways to go toward finding her Zen. “Are you all right, honey? Do you need a tampon?” she said to Dr. Deuber during a tense moment on the reunion show. To quote Stephanie Hollman about another of LeeAnne’s outbursts: classy.

LeeAnne could’ve come out of Real Housewives of Dallas as a real star and a positive symbol of this city’s elite “charity world,” as she always referred to it. It’s probably what she was aiming for when she signed on, and it’s a shame she let her defensive “carny kid” side overpower the part of her who wants to be a socialite do-gooder whom others could admire.

Even Andy Cohen seemed annoyed by LeeAnne’s snapping turtle personality.

“What do you do?” Andy asked her on Sunday night’s show.

“Charity,” LeeAnne answered.

“Is spreading trash about [Cary’s] marriage charity?” said Andy.

Throwing to commercial, he added, “Okay, we’re gonna air this place out.” Ouch.

The most likable Dallas housewives turned out to be Brandi and her bestie Stephanie (who reside, by the way, in Plano and Irving, respectively). Even with their sloppy “Jesus juice” afternoon bitch sessions, which did make for the most entertaining moments on RHOD, these two seem like genuinely nice, remarkably quick-witted young women who care about their families and about each other as friends.

After production ended, Stephanie said Sunday night, she “found my voice” in her previously one-sided marriage. Hubby Travis was a bit too controlling, always leaving her lists of chores to do while he was at work.

Winding up the RHOD reunion, and probably the series, which has not had a second season announced, Andy Cohen said, “We can say goodbye to poop talk.”

No shit, Andy.

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Watch the reunion and previous episodes of Real Housewives of Dallas online.

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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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