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Miserable Comedy

Tammy's depressing plot manages to make Melissa McCarthy unfunny

Alex Bentley
Jul 2, 2014 | 12:00 am
Tammy's depressing plot manages to make Melissa McCarthy unfunny
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Since her breakout performance in 2011’s Bridesmaids, for which she earned an Oscar nomination, Melissa McCarthy has quickly risen to the level of A-list star. After co-starring in two more high-profile comedies and having supporting turns in two others, she has earned enough clout to make the movie she really wants to make.

So it’s more than a little disappointing that Tammy is so unfunny. Produced and co-written by McCarthy, and directed and co-written by her husband, Ben Falcone, the film mainly consists of one of the most horrific — as in difficult to watch — road trips you’ll ever see.

There are a handful of funny moments in the film, but the uneasy chemistry between Melissa McCarthy and Susan Sarandon throws things out of whack.

In short order, Tammy (McCarthy) gets fired from her fast food job and then finds out that her husband is cheating on her with a neighbor. Desperate to get away, she jumps at an offer from her grandma Pearl (Susan Sarandon), who actually has money and a car, to be her road trip companion.

But little goes right on the trip, mostly because Pearl is an unrepentant alcoholic whose affection for Tammy can ebb or flow depending on how drunk she is. The two of them get into one tight jam after another, saved by Pearl’s dwindling pile of cash or, when that starts to run out, the kindness of friends and strangers they find along the way.

The whole thing ends up being so depressing that it makes you wonder if they were actually trying to make a comedy at all. There’s a difference between situations that are sad, from which laughs can be found, and ones that are downright miserable. The circumstances in which we encounter Tammy definitely fall into the latter category, and there’s little that McCarthy can do to put a cheery face on things.

Not helping matters is the scattershot nature of the story. Because the characters are constantly meeting new people, road trip movies are disconnected by nature. But Tammy feels especially unfocused, as if McCarthy and Falcone were more concerned with giving screen time to actors like Gary Cole, Mark Duplass, Kathy Bates and Sandra Oh than in actually giving them something interesting to do.

Then there’s this: Rightly or wrongly, McCarthy’s weight has been a point of focus for many during her rise to fame. When finally given the chance to write her own material, what does she do? Naturally, she has her character make jokes about her love of junk food on multiple occasions. There are so many other avenues of humor she could have explored; why give her critics easy ammunition like that?

Although there are a handful of funny moments in the film, it’s the uneasy chemistry between McCarthy and Sarandon that throws things out of whack from the get-go. Put aside the fact that Sarandon is much too young to be playing either the mother of Allison Janney or the grandmother of McCarthy — the two of them just never jell, and most of the movie’s faults stem from that.

McCarthy is capable of producing great hilarity with her acting, but if Tammy is any indicator, she needs to leave the writing to other people.

A drunk and a mess make for quite the depressing time in Tammy.

Susan Sarandon and Melissa McCarthy in Tammy
Photo by Saeed Adyani
A drunk and a mess make for quite the depressing time in Tammy.
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Movie Review

The Magic Faraway Tree is a whimsical family lark that fails to take root

Alex Bentley
Aug 21, 2026 | 11:44 am
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree
Photo courtesy of Vertical Entertainment
Andrew Garfield, Delilah Bennett-Cardy, Claire Foy, Phoenix Laroche, and Billie Gadson in The Magic Faraway Tree.

With kids and families always on the hunt for entertainment, it’s typically a safe bet for a movie studio to offer up something new, even if it is a film based on an old property. The Magic Faraway Tree, based on a series of books that started in the 1930s, is a very old property, one that its filmmakers have tried to liven up with a few stars, a lot of whimsy, and a boatload of CGI.

The Thompson family, led by stay-at-home dad Tim (Andrew Garfield) and breadwinner mom Polly (Claire Foy), are forced to move to a rundown country home when Polly gets laid off. The kids - Joe (Phoenix Laroche), Fran (Billie Gadson), and Beth (Delilah Bennett-Cardy) - are used to the perks of city life like wifi and electricity, and each of them rebels in their own way to their new lot in life.

Fran, enticed by a fairy named Silky (Nicola Coughlan), is the first to venture out of the house, making her way to a magic tree that transports her to a world full of strange characters like Moonface (Nonso Anozie), Saucepan Man (Dustin Demri-Burns), Dame Washalot (Jessica Gunning), and more. Her adventures there not only broaden the world she thought she knew, but may be the key to helping her ailing family.

Directed by Ben Gregor and written by Simon Farnaby (Paddington 2, Wonka), the film is a pleasant enough lark, but it fails to fully capture the imagination. The five-member family has a lot going on, from an initially-mute Fran to a domestic situation that raises more questions than it answers. The film tries to incorporate an anti-technology message through Tim’s hatred of a smart refrigerator (voiced by Judi Dench!) and the kids' addictions to devices, but it’s quickly shed in favor of other options.

Once Fran makes it to the Magic Faraway Tree, there’s a nice shift in the storytelling, but it’s unclear what the ultimate goal is. It’s a good idea to have Fran, the youngest of the children, convince her older, more cynical siblings about the virtues of the magic world, but the conflict in the real world doesn’t seem to rise to the level needed for the escape the tree provides.

There also seems to be a missing link in the storytelling for viewers to understand the importance of the fantastical characters. The visuals of seeing Moonface and his crescent moon-shaped hair, a man with a suit full of banging pots, and more are fun for a while, but not enough to carry the whole film. A last-minute revelation feels like it was something that should have been disclosed much earlier to help strengthen the emotions of the story.

A two-time Oscar nominee, Garfield is making his first foray into family movies (if you don’t count playing Spider-Man), and while he does a good job, he doesn’t make the best fit for the semi-goofy role. The same goes for the Emmy-winning Foy, who isn’t given much of anything to do. The movie puts the story on the shoulders of the three child actors, and while each of them acquit themselves well, none of them are so outstanding as to be noteworthy.

With nearly 90-year-old source material, The Magic Faraway Tree needed to be something truly special to stand out in the 21st century movie world. Unfortunately, it features a mostly forgettable story that features some fun visuals, a couple of cute kids, and not much else.

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The Magic Faraway Tree is now playing in theaters.

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