Ms. Pac Man will be on the lineup at Free Play Arcade in Richardson.
Free Play
A game arcade with a retro theme and a unique payment approach will open in Richardson in the fall. Called Free Play, it'll offer more than 70 arcade games, most from the 1980s, including titles such as Ms. Pac Man, Defender and Tempest.
As the name suggests, every video will be set to "free play" mode, with patrons paying a single entry price for unlimited play on every game in the arcade.
In addition to the games, the arcade will include a dining area with food and beverages, including a wide selection of local and regional craft beers.
“This will be a huge draw for young professionals and video game fans from all over the area,” says co-founder and president Corey Hyden. “Nothing like this exists in DFW and, for most of the games that will be on our floor, you would have to drive hundreds of miles to find them at another arcade. It will be nostalgia overload."
The arcade is going into a former electronics store at 1730 Belt Line Rd. between Chase Place, a bar, and a Sherwin Williams store.
According to the Richardson blog, some residents complained that it would be selling alcohol, but Hyden said it will be beer and wine for his target audience of people aged 25 to 50.
Hyden and his partner Richard Boland Tregilgas II both graduated from Richardson high schools. Hyden is a litigation attorney based in Richardson; Tregilgas is CEO of imakestuff, inc., a company that develops and builds creations for use on stage and screen.
"It was extremely important to us that we open this retro arcade in Richardson," Hyden says. "The recent boom in young professionals calling Richardson home, along with our strong roots here, made Richardson the obvious choice."
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
