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Action Movie Greatness

Tom Cruise is in peak movie-star form in Mission: Impossible - Rogue Nation

Alex Bentley
Jul 31, 2015 | 12:00 am
Tom Cruise is in peak movie-star form in Mission: Impossible - Rogue Nation
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There is something to be said about movie star power in this day and age. Precious few actors have the ability to command the screen based on sheer will, as opposed to having help from all the other sundry aspects that go into making a movie. When one does appear in front of you, it's wise to appreciate the rarity of such a star.

No matter what you may think of Tom Cruise’s personal life — which, at worst, has him participating in Scientology — he remains a movie star of the highest magnitude. Others may have different criteria, but the biggest thing I want out of a person who’s trying to entertain me is for him or her to show me that he or she is giving an all-out effort. The effort that Cruise gives in most of his films, and especially his action movies, is off the charts, something that’s impossible to ignore.

Of course, it helps when he’s doing it in service of a movie that lives up to his talents, and Mission: Impossible – Rogue Nation most certainly does. Back for the fifth time as IMF Agent Ethan Hunt, Cruise is trying to track down a shadowy organization known as The Syndicate, led by the even more shadowy (shadowier?) Lane (Sean Harris).

When CIA director Alan Hunley (Alec Baldwin) cuts off IMF’s funding, Hunt must use all his skills to succeed, including recruiting William Brandt (Jeremy Renner), Benji Dunn (Simon Pegg) and Luther Stickell (Ving Rhames) into helping him. He also runs up against double agent Ilsa Faust (Rebecca Ferguson), who plays both sides of the conflict depending on what suits her needs.

After the greatness that was Brad Bird’s Mission: Impossible – Ghost Protocol, it was difficult to imagine this installment could live up that one. But writer/director Christopher McQuarrie (Edge of Tomorrow) has succeeded by dialing down on the complicated plot elements and ramping up on the action. That doesn’t mean the movie is simple — far from it — but you also don’t need a flow chart to follow along.

Cruise hanging off a plane has been getting the most buzz leading up to the release, but that’s literally the opening sequence of the film, setting in motion an almost non-stop action-fest. Among the highlights are a fight scene in the rafters above an opera performance, a death-defying underwater sequence and a chase scene involving motorcycles. In all of them, it’s plain to see that Cruise did the majority of his own stunts, a fact that does wonders in making the scenes believable even if they stretch the limits of plausibility.

It might seem trite to say this, but it’s impossible to picture anybody but Cruise as the lead in this franchise. Renner was thought to have been the heir apparent when he was brought on in the last film, but the 53-year-old Cruise is as spry, charming and interesting as ever. As long as he’s willing to push the limits and put himself in harm’s way for the series, the producers should let him; the films wouldn’t be half as good without him.

Also great are Pegg, who’s perfected the role of comic relief with an edge; Ferguson, who will find herself in great demand going forward; and Rhames, who needs these movies in order to keep people from forgetting his name.

How much longer Cruise can continue putting in the same effort he does for action movies is up in the air, which is even more reason to value his performance and the resulting film. You’re doing yourself a disservice if you don’t allow yourself the pleasure of experiencing him and the excellent Mission: Impossible – Rogue Nation.

Tom Cruise is in peak movie star form in Mission: Impossible - Rogue Nation.

Tom Cruise in Mission: Impossible - Rogue Nation
Photo courtesy of Bo Bridges
Tom Cruise is in peak movie star form in Mission: Impossible - Rogue Nation.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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