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Weekend Event Planner

These are the 7 best things to do in Dallas this weekend

Alex Bentley
Aug 27, 2020 | 6:00 am

While the majority of events around Dallas have either been postponed or canceled, there are a few that have popped up to offer the masses some entertainment while still adhering to the social distancing necessary during the coronavirus pandemic.

Below are the best ways to spend your free time this weekend. While they're not all outside of the house, they all promise to provide a nice distraction from the everyday life.

Thursday, August 27

Rooftop Cinema Club: The Drive-In at The Central
Dallas is getting another drive-in movie option this week thanks to Rooftop Cinema Club. Taking place at The Central in East Dallas, the drive-in will project movies onto a 52-foot screen with skyline views as the backdrop, with audio broadcast through the FM transmitter radio in cars. Moviegoers are welcome to bring their own food, but food and beverage are also being offered through a contactless system. Opening weekend movies include Selena, Dazed and Confused, Dirty Dancing, Friday, Jurassic Park, Nightmare on Elm Street, The Little Mermaid, and Pulp Fiction.

Friday, August 28

Twilight at the Tin Star
Twilight at the Tin Star, taking place at Tin Star Theater in Trinity Groves, is an immersive art event that guests can experience from the safety of their vehicle in an in-the-round, drive-in theater setting. The performance features music by Danny Goldman and MAKE trio, and percussionist Austin Allen. Bruce Wood Dance will perform a site-specific work created by choreographer Gregory Dolbashian under the canopy of TETRA, an illuminated structural art piece by Colin Hendee.

Improv Arlington presents Lavell Crawford
Audiences are becoming increasingly familiar with Lavell Crawford’s giant-sized talent from his numerous television appearances. Crawford gained national exposure on NBC’s hit reality series Last Comic Standing, leading to his own half-hour standup special on Comedy Central. Crawford is best known for his recurring role on AMC’s Emmy Award-winning Breaking Bad. He'll perform five times through Sunday at Improv Arlington.

Improv Addison presents Terry Fator
Terry Fator is perhaps the first entertainer to combine the art of ventriloquism with singing celebrity impressions. His puppets, including Cowboy Walter, Emma Taylor, and Winston the Impersonating Turtle, effortlessly perform the singing styles of an eclectic group of stars, including Tony Bennett, Elvis, Maroon 5, Garth Brooks, Nat King and Natalie Cole, Roy Orbison, Etta James, and more. He'll perform five times through Sunday at Improv Addison.

Saturday, August 29

Legacy Hall presents End of Summer Luau
Legacy Hall in Plano will present a safe and socially distant tropical getaway with an End of Summer Luau. The festive evening will feature a traditional Hawaiian pig roast, hula dancers, a fire performer, tiki cocktails, a limbo competition, and a performance by Summer of ’69, a Bryan Adams tribute band. Food is not included in the overall ticket cost; the pig roast is $18 when pre-purchased with an event ticket, or $22 at the door.

CarBaret: Pee Wee's Big Adventure + Mr. Rid + Lily Taylor
CarBaret, the pop-up drive-in theater/performance space at Brizo in Richardson will present a 35th anniversary screening of Tim Burton's cult classic, Pee Wee's Big Adventure. Prior to the screening, DJ Mr. Rid will present music and selected short films, and Lily Taylor featuring Black Taffy will play live music. Guests can order food from a drive-in menu that will be delivered to cars or chairs, featuring beer bratwurst, grilled kebabs, veggie tacos, and more. Guests can stay in their cars, on top of their cars, or in folding chairs near their cars.

Sunday, August 30

Dallas Museum of Art exhibition openings
The Dallas Museum of Art will open two new exhibitions on Sunday: Love is the Message, The Message is Death, Arthur Jafa’s renowned film that juxtaposes representations of Black artists, scholars, athletes, and politicians with depictions of events ranging from faith-based transcendence to police brutality; and "Contemporary Art + Design," which presents recently acquired paintings, installations, jewelry, furnishings, and design objects made by artists from 11 countries that show new directions for the growth of the DMA's collection. Both exhibitions will remain on display through March 7.

Arthur Jafa's Love is the Message, The Message is Death will open at the Dallas Museum of Art on August 30.

Arthur Jafa: Love is the Message, The Message is Death
Photo by Cathy Carver
Arthur Jafa's Love is the Message, The Message is Death will open at the Dallas Museum of Art on August 30.
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Movie Review

Humans are scarier than zombies in 28 Years Later: The Bone Temple

Alex Bentley
Jan 15, 2026 | 1:51 pm
Ralph Fiennes in 28 Years Later: The Bone Temple
Photo by Miya Mizuno
Ralph Fiennes in 28 Years Later: The Bone Temple.

It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds - and with the help of some morphine - Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

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28 Years Later: The Bone Temple opens in theaters on January 16.

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