Other country stars have come and gone, but George Strait has essentially defined country music for more than 30 years. Now the Texas native is ending his touring career with a flourish, as he will perform the final show of his The Cowboy Rides Away Tour at AT&T Stadium in Arlington.
The end of Strait's days on the road comes as no surprise; he had previously announced that this will be his last tour, even though he will continue to put out records. But the location of his final concert was in doubt until Monday's announcement at Jerry World.
Strait has already completed one leg of his farewell tour; the second leg, which starts January 9, 2014, in Bossier City, Louisiana, will hit 26 different cities. The actual date for his AT&T Stadium concert is not yet known, although it will most likely be in June 2014, as the final announced date of the tour is May 31 at Gillette Stadium in Foxborough, Massachusetts.
Strait plans to have one big country singer or band open for him at every stop, including Jason Aldean, Eric Church, Sheryl Crow, Ronnie Dunn, Vince Gill, Merle Haggard, Miranda Lambert, Little Big Town, Martina McBride, Lee Ann Womack and Chris Young.
Although plans have not been announced for the final concert, it seems likely that most, if not all, of those stars will pay tribute in one way or another at that show.
Strait is still under contract for five more albums, so a few one-off concerts in the future wouldn't be a shock. The cowboy may be riding away, but staying away is harder than it seems.
The opening scenes of the new drama Dreams are bracing, fictional sequences that call to mind real-life scenarios. In them, a young Mexican man named Fernando (Isaac Hernández) goes through a somewhat harrowing journey from the back of a semi truck in South Texas all the way to San Francisco. It’s a familiar immigrant story that seems to set the stage for a film with something interesting to say.
It turns out, however, that Fernando has not made the long and arduous trek for a job. Instead, it’s to be with Jennifer McCarthy (Jessica Chastain), a rich woman who helps lead a foundation dedicated to multiple things, including funding dance academies. Fernando, a talented dancer, and Jennifer have been in an off-and-on affair for years, with Jennifer wanting to keep their relationship a secret.
Although both are drawn to each other in an inexplicable, lustful way, their bond is tenuous, with each of them dissatisfied for different reasons. Fernando clearly sacrifices much more of himself than Jennifer, who wants for nothing except maybe more affection from her father, Michael (Marshall Bell), and brother, Jake (Rupert Friend).
Writer/director Michel Franco seems to try to inject tension into Fernando and Jennifer’s relationship from the start, an attempt that is only halfway successful. It’s clear from the way they greet each other - not to mention a steamy sex scene shortly thereafter - that they have known each other for a good length of time. Franco is able to get across this familiarity with an economy of scenes, and the intensity of their bond holds for a while.
But as the film progresses and both of them grow disenchanted with their arrangement, Franco starts taking the story in some odd directions. The biggest issue is that it’s never clear at what point in time the story is taking place. Fernando ends up making multiple trips back and forth across the border, with Jennifer doing the same at one point, and Franco’s use of flashbacks muddies the waters, wrong-footing the audience when he should be trying to draw them further into Fernando and Jennifer’s complications.
Revelations in the final act make the story even more confusing, as both main characters start saying and doing harsh things that seem to come out of nowhere. That would be all well and good if Franco actually committed to their changes of heart, but he keeps things wishy-washy for most of the final 15 minutes, resulting in an ending that makes little sense for either character.
Despite the story issues, both Chastain and Hernández give compelling performances. Chastain has been a little under the radar since winning an Oscar for The Eyes of Tammy Faye, but she keeps this character interesting longer than it should have been. Hernández has limited credits and appears to have been cast for his dancing ability, but he goes toe-to-toe with Chastain on more than one occasion and acquits himself well.
Dreams had all of the ideas to explore a more in-depth story about the complicated immigration policies between Mexico and the U.S., or how wealthy people take advantage of those less fortunate. But Franco never finds the right footing, settling instead for a titillating and somewhat mystifying relationship story that feels half-baked.
