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    Movie Review

    Visceral mother! is an insane metaphorical ride

    Alex Bentley
    Sep 14, 2017 | 4:15 pm
    Visceral mother! is an insane metaphorical ride
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    There are times when you can go to the movies, turn off your brain, and simply enjoy whatever is presented on the screen as what it is. mother!, despite being one of the most insane spectacles in recent film memory, is not one of those films.

    You must pay attention to every second of the film because there literally is not one moment that isn’t represented by metaphor. The logline of the film is “A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence,” but that simple statement does little to prepare you for the craziness it hides.

    Jennifer Lawrence and Javier Bardem play that couple, who live in an idyllic house in the middle of the country. The uninvited guests are Ed Harris, a doctor, and his wife, played by Michelle Pfeiffer. Right from the start, Lawrence is tormented constantly. It begins slowly, with Bardem overruling her reasonable objection to allowing two strangers to stay in their house.

    But things escalate quickly, with Pfeiffer, especially, proving to be the house guest from hell, pushing Lawrence around at every turn. When Lawrence turns to Bardem for support, she receives the equivalent of a shrug, making her feel even more isolated. After the guests’ two sons show up and start a heated argument in the house, that’s when things really go off the rails.

    If you wonder why I’m referring to the characters by the actors’ names, that’s because none of them have real names. The film is heavy with Biblical references, and once you start understanding whom each character represents, the ideas that writer/director Darren Aronofsky tries to impart make a little more sense. A little.

    But even if you’re able to comprehend the film’s metaphors, you’ll still be stunned by the swiftness in which events go from zero to outrageous. Many more people than just the initial houseguests make their way to the house, and each of them treats Lawrence with the same respect she’s gotten up to that point — which is to say, none.

    It’s clear that Aronofsky has a dim view of the worth of humanity, as few, if any, of the people in the film have any redeeming qualities. They wantonly destroy things, run roughshod over Lawrence, and generally cause chaos. Aronofsky is far from the first to proffer an opinion on the destructive nature of humans, but the extent he goes to to express his disdain is impressive.

    Lawrence is put through the wringer by the film, and it’s to her credit that she’s able to modulate her reactions as well as she does. The level of frustration brought on by the other characters indicates how fine a job the other actors — most notably Bardem, Harris, and Pfeiffer — do, as well.

    mother! is a visceral, wild movie that may confound you as much as it entertains you. Aronofosky’s vision may not be for everyone, but it’s a hell of a ride.

    Javier Bardem and Jennifer Lawrence in mother!.

    Javier Bardem and Jennifer Lawrence in mother!
    Photo courtesy of Paramount Pictures
    Javier Bardem and Jennifer Lawrence in mother!.
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    Soccer Fever

    Dallas radio station The Ticket to expand soccer show during World Cup

    Alex Bentley
    May 12, 2026 | 3:42 pm
    The KickAround hosts Andy Swift and Peter Welpton
    Photo courtesy of Cumulus Media
    The KickAround hosts Andy Swift and Peter Welpton will be working overtime during the 2026 World Cup.

    The long-running radio soccer program The KickAround, which currently airs on Cumulus Media’s Sportsradio 96.7 and 1310 The Ticket every Saturday, will expand to a nightly broadcast during the upcoming 2026 FIFA World Cup.

    According to a release, every night during the quadrennial competition - which runs from June 11 to July 19 - hosts Andy Swift and Peter Welpton will provide recaps of the day’s matches, previews of upcoming fixtures, and real-time analysis of the biggest stories shaping the tournament.

    Coverage will include an enhanced focus on the U.S. Men’s National Team, with select match days featuring live, on-location broadcasts and fan events tied to U.S. games, they say.

    They'll be joined by longtime contributor and European soccer journalist Lars Sivertsen in studio to give the show an international perspective.

    In all, the program will produce 36 shows and 44 hours of original programming throughout the tournament.

    The KickAround started as a daily program during the 2014 World Cup in Brazil. Its success led to it becoming a weekly program later that year, and the show has since returned in expanded daily form for the World Cup every four years.

    With the United States serving as the main host of the 2026 World Cup, and with nine matches being played at AT&T Stadium in Arlington, the program expansion makes more sense than ever.

    "Interest this year is at an all-time high with key tournament games being played in Dallas-Fort Worth," said Jeff Catlin, Program Director, Sportsradio 96.7 and 1310 The Ticket, in a statement. "The KickAround will be a destination for Ticket listeners and both soccer fans and casuals.”

    The KickAround will air weeknights at 7 pm in addition to its regular 2-4 pm Saturday slot and select Sunday broadcasts. Special programming is also planned for the tournament final, including both a pregame preview show and post-match recap.

    For a complete programming schedule and to stream The Ticket, fans can go to theticket.com.

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