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    Movie Review

    Visceral mother! is an insane metaphorical ride

    Alex Bentley
    Sep 14, 2017 | 4:15 pm
    Visceral mother! is an insane metaphorical ride
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    There are times when you can go to the movies, turn off your brain, and simply enjoy whatever is presented on the screen as what it is. mother!, despite being one of the most insane spectacles in recent film memory, is not one of those films.

    You must pay attention to every second of the film because there literally is not one moment that isn’t represented by metaphor. The logline of the film is “A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence,” but that simple statement does little to prepare you for the craziness it hides.

    Jennifer Lawrence and Javier Bardem play that couple, who live in an idyllic house in the middle of the country. The uninvited guests are Ed Harris, a doctor, and his wife, played by Michelle Pfeiffer. Right from the start, Lawrence is tormented constantly. It begins slowly, with Bardem overruling her reasonable objection to allowing two strangers to stay in their house.

    But things escalate quickly, with Pfeiffer, especially, proving to be the house guest from hell, pushing Lawrence around at every turn. When Lawrence turns to Bardem for support, she receives the equivalent of a shrug, making her feel even more isolated. After the guests’ two sons show up and start a heated argument in the house, that’s when things really go off the rails.

    If you wonder why I’m referring to the characters by the actors’ names, that’s because none of them have real names. The film is heavy with Biblical references, and once you start understanding whom each character represents, the ideas that writer/director Darren Aronofsky tries to impart make a little more sense. A little.

    But even if you’re able to comprehend the film’s metaphors, you’ll still be stunned by the swiftness in which events go from zero to outrageous. Many more people than just the initial houseguests make their way to the house, and each of them treats Lawrence with the same respect she’s gotten up to that point — which is to say, none.

    It’s clear that Aronofsky has a dim view of the worth of humanity, as few, if any, of the people in the film have any redeeming qualities. They wantonly destroy things, run roughshod over Lawrence, and generally cause chaos. Aronofsky is far from the first to proffer an opinion on the destructive nature of humans, but the extent he goes to to express his disdain is impressive.

    Lawrence is put through the wringer by the film, and it’s to her credit that she’s able to modulate her reactions as well as she does. The level of frustration brought on by the other characters indicates how fine a job the other actors — most notably Bardem, Harris, and Pfeiffer — do, as well.

    mother! is a visceral, wild movie that may confound you as much as it entertains you. Aronofosky’s vision may not be for everyone, but it’s a hell of a ride.

    Javier Bardem and Jennifer Lawrence in mother!.

    Javier Bardem and Jennifer Lawrence in mother!
    Photo courtesy of Paramount Pictures
    Javier Bardem and Jennifer Lawrence in mother!.
    movies
    news/entertainment

    Movie Theater News

    Dallas' historic Inwood Theatre extends run with new 3-year lease deal

    Alex Bentley
    Jul 17, 2026 | 1:14 pm
    Inwood Theater
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    Dallas' storied Inwood Theatre will remain open for at least three more years after its operator, Landmark Theatres, reached a short-term lease agreement with its landlord.

    The deal extends the life of the nearly 80-year-old movie theater, at 5458 West Lovers Lane, for three years while leaving its long-term more uncertain.

    The theater's future has been somewhat in flux since February 2024 when it was temporarily locked out for defaulting on its lease payments.

    The lockout was in effect for less than a week before the theater reopened on February 24, 2024.

    Later that year, a judge in New York ordered Cohen Media Group, which owns Landmark Theatres, to auction off its properties after it defaulted on a loan.

    The resulting auction garnered zero bids for Landmark Theatres, and the theater chain has continued operating without incident in the time since.

    Now, as part of the lease extension, Landmark is investing in the guest experience at Inwood Theatre, with several upgrades already underway and expected to be completed by the end of July, according to a release.

    Improvements include the installation of leather reclining seats in the main theater, replacing the existing LoveSac couches, refinishing the theater’s original entryway terrazzo, and replacing poster cases with new LED display cases.

    Additional enhancements are planned over the next two years.

    The Inwood Theatre, which first opened in 1947, is one of the few remaining theaters from the 1940s still in operation today and has long served as a cultural cornerstone in Dallas.

    It is noted for its distinctive Art Deco architecture and curated film programming, which includes a monthly midnight screening of The Rocky Horror Picture Show, which is believed to be the longest-running midnight movie showing in the nation.

    “The Inwood Theatre has been a beloved part of the Dallas community for nearly eight decades and remains one of the neighborhood’s most recognizable and cherished landmarks,” said Corinne Hoffman of L&B Realty Advisors, which owns Inwood Village, in a statement.

    “We value the history and character it brings to Inwood Village. Like many long-standing entertainment venues, continued care and reinvestment help ensure it can keep delivering the experience patrons know and love. We look forward to seeing the impact that the improvements at Inwood Theatre have for generations to come.”

    filminwood theatreinwood villagelandmark theatresmoviesfilm venuemovie theatertheaterpreservation
    news/entertainment
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