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Movie Review

Visceral mother! is an insane metaphorical ride

Alex Bentley
Sep 14, 2017 | 4:15 pm
Visceral mother! is an insane metaphorical ride
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There are times when you can go to the movies, turn off your brain, and simply enjoy whatever is presented on the screen as what it is. mother!, despite being one of the most insane spectacles in recent film memory, is not one of those films.

You must pay attention to every second of the film because there literally is not one moment that isn’t represented by metaphor. The logline of the film is “A couple’s relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence,” but that simple statement does little to prepare you for the craziness it hides.

Jennifer Lawrence and Javier Bardem play that couple, who live in an idyllic house in the middle of the country. The uninvited guests are Ed Harris, a doctor, and his wife, played by Michelle Pfeiffer. Right from the start, Lawrence is tormented constantly. It begins slowly, with Bardem overruling her reasonable objection to allowing two strangers to stay in their house.

But things escalate quickly, with Pfeiffer, especially, proving to be the house guest from hell, pushing Lawrence around at every turn. When Lawrence turns to Bardem for support, she receives the equivalent of a shrug, making her feel even more isolated. After the guests’ two sons show up and start a heated argument in the house, that’s when things really go off the rails.

If you wonder why I’m referring to the characters by the actors’ names, that’s because none of them have real names. The film is heavy with Biblical references, and once you start understanding whom each character represents, the ideas that writer/director Darren Aronofsky tries to impart make a little more sense. A little.

But even if you’re able to comprehend the film’s metaphors, you’ll still be stunned by the swiftness in which events go from zero to outrageous. Many more people than just the initial houseguests make their way to the house, and each of them treats Lawrence with the same respect she’s gotten up to that point — which is to say, none.

It’s clear that Aronofsky has a dim view of the worth of humanity, as few, if any, of the people in the film have any redeeming qualities. They wantonly destroy things, run roughshod over Lawrence, and generally cause chaos. Aronofsky is far from the first to proffer an opinion on the destructive nature of humans, but the extent he goes to to express his disdain is impressive.

Lawrence is put through the wringer by the film, and it’s to her credit that she’s able to modulate her reactions as well as she does. The level of frustration brought on by the other characters indicates how fine a job the other actors — most notably Bardem, Harris, and Pfeiffer — do, as well.

mother! is a visceral, wild movie that may confound you as much as it entertains you. Aronofosky’s vision may not be for everyone, but it’s a hell of a ride.

Javier Bardem and Jennifer Lawrence in mother!.

Javier Bardem and Jennifer Lawrence in mother!
Photo courtesy of Paramount Pictures
Javier Bardem and Jennifer Lawrence in mother!.
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Marquee event

Dallas' historic Forest Theater sets grand return after $75M revival

Alex Bentley
Sep 1, 2026 | 4:32 pm
​Forest Theater at nighttime
Courtesy of HKS Architects
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The 77-year-old Forest Theater in South Dallas will officially reopen its doors this fall after extensive renovations.

On Sunday, November 1 the theater will host a celebration dubbed the Grand Return to welcome the community back through its doors at 1918 Martin Luther King Jr. Blvd., a release says.

The theater, which opened in 1949 but has not hosted an event in nearly 20 years, will mark its a new chapter with live entertainment, musical guests, a Vendor Village, food trucks, and opportunities to experience the restored venue.

The evening will culminate in the ceremonial relighting of the Theater's iconic tower and marquee for the first time in more than 50 years.

In its prime, the Forest Theater was one of Dallas' premier live entertainment destinations, hosting legendary performers like Prince, B.B. King, Gladys Knight, Ike & Tina Turner, Wilson Pickett, and Dallas native Erykah Badu.

The theater closed in 2008 and was expected to be demolished in 2015, when Preservation Dallas advocated for recognition of its historical value as a landmark.

The property was gifted to nonprofit Forest Forward in 2017 and has since become one of their main initiatives in a mission toward preserving history and bringing neighborhood revitalization to South Dallas.

They initiated a restoration to the tune of $75 million in 2024, starting with expanding the building to a 66,000-square-foot space. The fundraising campaign included an $8 million grant from the City of Dallas.

The expanded theater campus will now include a 1,000-person concert hall, 200-seat black box theater, 13,000 square foot creative education lab, recording and podcast studios, rooftop gathering space, artist classrooms, and community meeting areas.

Officials hope that the restored Forest Theater will serve as the cultural anchor of a broader neighborhood revitalization strategy, connecting arts and culture with investments in education, housing, and economic mobility.

"The Grand Return is more than a celebration - it's a homecoming," said Elizabeth Wattley, CEO of Forest Forward, in a statement. "For generations, the Forest Theater was a place where South Dallas gathered, celebrated, and saw itself reflected. On November 1, after more than 50 years, we will light the tower again and invite the entire city through these doors to experience what comes next."

The Grand Return will run from 5:30-9 pm November 1. Advance registration is required to attend the event; those interested can register at Eventbrite.com. Each guest must register individually to reserve their place at the celebration.

Registration is pay-what-you-can, with add-ons available as part of the theater's Light the Tower campaign for those would like to invest in its future.

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