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    High Octane Rivalry

    Rush delivers thrilling story but humdrum race scenes

    Alex Bentley
    Sep 27, 2013 | 12:00 am
    Rush delivers thrilling story but humdrum race scenes
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    The not-so-secret secret behind most sports movies is that the vast majority of them are ultimately not really about sports. The sports aspect of the film is usually just a conduit to a deeper story about friendship, family, commitment or whatever else the filmmakers want to explore.

    But the sports component has to be compelling for the deeper story to truly take hold. In that respect, director Ron Howard may be facing an uphill battle with American audiences with his new film, Rush, which chronicles the fierce rivalry of two Formula 1 race car drivers in the 1970s.

    Chris Hemsworth is perfectly cast as cocky race driver James Hunt and embraces the role with gusto.

    On one side is James Hunt (Chris Hemsworth), a brash and cocky Englishman who uses those qualities — and good looks — to charm everyone in his path, especially women.

    On the other is Niki Lauda (Daniel Brühl), a reserved and determined Austrian whose interests lie solely in becoming the best Formula 1 driver in the world.

    Their rivalry plays out mostly over the course of the 1976 season, which finds them locked in a tight race for the top spot on the circuit over the course of numerous races in multiple countries. They do so knowing that the line between great driving and possible death is razor thin in their increasingly dangerous sport.

    Howard does his level best to give the audience a feel for the intensity of the sport, putting cameras in the cars and sometimes even the helmets of the two rivals. Even with all the tricks at his disposal, though, there’s only so much he can do to make their duel seem rousing. Individual moments have their thrills, to be sure, but the season-long back-and-forth is difficult to make exciting, no matter much how you gussy it up.

    Naturally, it’s both men’s approach to life, which also plays out in their respective romantic relationships, that gives the film its real depth. The fact that the two are so different off the track, yet equally as successful on it, provides for a variety of fun and interesting situations. Still, with everything else going on, it’s hard to say that we truly get to know either one of them.

    Hemsworth is perfectly cast as Hunt; not only does he have the long-haired look down, thanks to his multiple stints as Thor, but he also embraces the role with gusto. Brühl is also excellent, although in his case he’s both aided and hurt by a distracting set of false teeth that gives him a great ratty look and a horrendous speaking style.

    The actual racing in Rush will probably only delight those who already had a predilection toward the sport. But the contentious relationship between Hunt and Lauda, and the performances of Hemsworth and Brühl, make the film worth seeing even if you’ve never watched a race in your life.

    The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.

    Chris Hemsworth and Daniel Bruhl in Rush
    Photo by Jaap Buitendijk Universal Pictures
    The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.
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    Critics' choice

    DFW film critics name One Battle After Another best movie of 2025

    Alex Bentley
    Dec 17, 2025 | 9:32 am
    Leonardo DiCaprio in One Battle After Another
    Photo courtesy of Warner Bros. Pictures
    Leonardo DiCaprio in One Battle After Another.

    The Dallas-Fort Worth Film Critics Association has voted Paul Thomas Anderson's action thriller One Battle After Another the best film of 2025, according to the results of its 32nd annual critics’ poll released on Wednesday, December 17.

    The top award was one of five wins for the film in the poll, including Leonardo DiCaprio as Best Actor, Teyana Taylor as Best Supporting Actress, and Anderson for both Best Director and Best Screenplay.

    After One Battle After Another, the rest of the top 10 films in the poll were, in order, Sinners, Marty Supreme, Hamnet, Sentimental Value, Train Dreams, Frankenstein, Jay Kelly, Bugonia, and It Was Just an Accident.

    In addition to DiCaprio and Taylor, other acting awards included Rose Byrne as Best Actress for If I Had Legs, I'd Kick You and Stellan Skarsgård as Best Supporting Actor for Sentimental Value.

    The two other behind-the-scenes awards both went to Sinners, including Best Cinematography for Autumn Durald Arkapaw and Best Score for Ludwig Göransson.

    Sentimental Value also took home the award for Best Foreign Language Film, while Netflix got double wins with The Perfect Neighbor for Best Documentary and KPop Demon Hunters for Best Animated Film.

    The Russell Smith Award, given annually by the DFWFCA to the best low-budget or cutting-edge independent film, went to It Was Just an Accident.

    The Dallas-Fort Worth Film Critics Association consists of 26 broadcast, print, and online journalists from throughout North Texas. For more information, visit dfwcritics.com.
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    Author Alex Bentley is a member of the Dallas-Fort Worth Film Critics Association.

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