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High Octane Rivalry

Rush delivers thrilling story but humdrum race scenes

Alex Bentley
Sep 27, 2013 | 12:00 am
Rush delivers thrilling story but humdrum race scenes
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The not-so-secret secret behind most sports movies is that the vast majority of them are ultimately not really about sports. The sports aspect of the film is usually just a conduit to a deeper story about friendship, family, commitment or whatever else the filmmakers want to explore.

But the sports component has to be compelling for the deeper story to truly take hold. In that respect, director Ron Howard may be facing an uphill battle with American audiences with his new film, Rush, which chronicles the fierce rivalry of two Formula 1 race car drivers in the 1970s.

Chris Hemsworth is perfectly cast as cocky race driver James Hunt and embraces the role with gusto.

On one side is James Hunt (Chris Hemsworth), a brash and cocky Englishman who uses those qualities — and good looks — to charm everyone in his path, especially women.

On the other is Niki Lauda (Daniel Brühl), a reserved and determined Austrian whose interests lie solely in becoming the best Formula 1 driver in the world.

Their rivalry plays out mostly over the course of the 1976 season, which finds them locked in a tight race for the top spot on the circuit over the course of numerous races in multiple countries. They do so knowing that the line between great driving and possible death is razor thin in their increasingly dangerous sport.

Howard does his level best to give the audience a feel for the intensity of the sport, putting cameras in the cars and sometimes even the helmets of the two rivals. Even with all the tricks at his disposal, though, there’s only so much he can do to make their duel seem rousing. Individual moments have their thrills, to be sure, but the season-long back-and-forth is difficult to make exciting, no matter much how you gussy it up.

Naturally, it’s both men’s approach to life, which also plays out in their respective romantic relationships, that gives the film its real depth. The fact that the two are so different off the track, yet equally as successful on it, provides for a variety of fun and interesting situations. Still, with everything else going on, it’s hard to say that we truly get to know either one of them.

Hemsworth is perfectly cast as Hunt; not only does he have the long-haired look down, thanks to his multiple stints as Thor, but he also embraces the role with gusto. Brühl is also excellent, although in his case he’s both aided and hurt by a distracting set of false teeth that gives him a great ratty look and a horrendous speaking style.

The actual racing in Rush will probably only delight those who already had a predilection toward the sport. But the contentious relationship between Hunt and Lauda, and the performances of Hemsworth and Brühl, make the film worth seeing even if you’ve never watched a race in your life.

The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.

Chris Hemsworth and Daniel Bruhl in Rush
Photo by Jaap Buitendijk Universal Pictures
The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.
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Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

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