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High Octane Rivalry

Rush delivers thrilling story but humdrum race scenes

Alex Bentley
Sep 27, 2013 | 12:00 am
Rush delivers thrilling story but humdrum race scenes
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The not-so-secret secret behind most sports movies is that the vast majority of them are ultimately not really about sports. The sports aspect of the film is usually just a conduit to a deeper story about friendship, family, commitment or whatever else the filmmakers want to explore.

But the sports component has to be compelling for the deeper story to truly take hold. In that respect, director Ron Howard may be facing an uphill battle with American audiences with his new film, Rush, which chronicles the fierce rivalry of two Formula 1 race car drivers in the 1970s.

Chris Hemsworth is perfectly cast as cocky race driver James Hunt and embraces the role with gusto.

On one side is James Hunt (Chris Hemsworth), a brash and cocky Englishman who uses those qualities — and good looks — to charm everyone in his path, especially women.

On the other is Niki Lauda (Daniel Brühl), a reserved and determined Austrian whose interests lie solely in becoming the best Formula 1 driver in the world.

Their rivalry plays out mostly over the course of the 1976 season, which finds them locked in a tight race for the top spot on the circuit over the course of numerous races in multiple countries. They do so knowing that the line between great driving and possible death is razor thin in their increasingly dangerous sport.

Howard does his level best to give the audience a feel for the intensity of the sport, putting cameras in the cars and sometimes even the helmets of the two rivals. Even with all the tricks at his disposal, though, there’s only so much he can do to make their duel seem rousing. Individual moments have their thrills, to be sure, but the season-long back-and-forth is difficult to make exciting, no matter much how you gussy it up.

Naturally, it’s both men’s approach to life, which also plays out in their respective romantic relationships, that gives the film its real depth. The fact that the two are so different off the track, yet equally as successful on it, provides for a variety of fun and interesting situations. Still, with everything else going on, it’s hard to say that we truly get to know either one of them.

Hemsworth is perfectly cast as Hunt; not only does he have the long-haired look down, thanks to his multiple stints as Thor, but he also embraces the role with gusto. Brühl is also excellent, although in his case he’s both aided and hurt by a distracting set of false teeth that gives him a great ratty look and a horrendous speaking style.

The actual racing in Rush will probably only delight those who already had a predilection toward the sport. But the contentious relationship between Hunt and Lauda, and the performances of Hemsworth and Brühl, make the film worth seeing even if you’ve never watched a race in your life.

The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.

Chris Hemsworth and Daniel Bruhl in Rush
Photo by Jaap Buitendijk Universal Pictures
The juxtaposition between the brash James Hunt and the fiery Niki Lauda is at the center of Ron Howard's Rush.
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Movie Review

Horrific filmmaking makes DC villain Clayface less appealing

Alex Bentley
Oct 22, 2026 | 1:01 pm
Tom Rhys Harries and Naomi Ackie in Clayface
Photo by Parisa Taghizadeh
Tom Rhys Harries and Naomi Ackie in Clayface.

The history of DC Comics in movies has been hit-and-miss, especially when it comes to anything not directly involving Batman or Superman. Over the years, films have been headlined by heroes like Catwoman, Green Lantern, Aquaman, Shazam, the Flash, and more, and while some succeeded, none left a lasting mark on moviegoers’ imaginations.

Much like they did with Joker, the powers-that-be behind DC Studios productions are trying to entice viewers with a no-holds-barred story in Clayface. Matt Hagen (Tom Rhys Harries) is an A-list movie actor with both critical and commercial appeal. Unfortunately, a night of celebration for his recent Oscar nomination leads to him sleeping with Theresa (Ruby Sear), the girlfriend of Markos Szabo (David Dencik), a prominent mobster in Gotham City. Markos then enacts revenge by taking a razor to Matt’s face.

Desperate to find a way to look like his old self again, Matt seeks out Dr. Caitlyn Corr (Naomi Ackie), who’s conducting cutting-edge nanotechnology research that can heal any kind of damage. While the solution works on Matt, it also has the side effect of his body doing unintended things, even morphing into those with whom he comes into contact. After initially struggling with his new body, Matt decides to use his powers to enact revenge on those who’ve done him wrong.

Directed by James Watkins (Speak No Evil) and written by Mike Flanagan (The Life of Chuck) and Hossein Amini, the film is only intermittently entertaining as it tries to sell its ridiculous premise. Right from the start, it seems like the filmmakers have been given a limited budget, as everything from the sets to the CGI to the stilted dialogue feels cheap. For a film coming from a major studio, the whole thing comes off as schlocky and undercooked.

Watkins and his team try to make up for that shoddiness by delivering R-rated thrills like nudity and body horror, but those elements can only distract for so long. Much of the film is spent dealing with Matt’s trauma, and the downbeat nature of his body issues combined with very little action makes the movie not very fun to watch. The film also tries to make hay with more than a doctor-patient bond between Caitlyn — who has a boyfriend on the police force — and Matt, but like the most of the film, it never connects.

It’s not until the final third of the movie that the filmmakers land on the tone they should have been using the whole time. Matt’s ability to transform himself, while illogical and confounding, provides multiple over-the-top, funny moments and some legitimately creative kills. Instead of taking forever to set up Matt/Clayface’s origin story, Watkins and his team should have just cut to the chase and let him loose to see what the character could truly do.

This is the first big role for Welsh actor Harries, and while he’s not exactly magnetic, he proves himself worthy of the lead role. Ackie is also fine, but after several years of trying to advance up the Hollywood ladder, she may be running out of time to show she’s a star. The supporting cast has a couple of familiar faces, but it’s mostly lesser-known actors who do nothing to indicate they deserve bigger showcases.

It’s difficult to imagine any non-DC Comics fans having a strong attachment to the character of Clayface, and the film fails to make the case that he should be a continuing character. The poor quality of almost everything that appears on screen is indicative of the kind of effort and money that was put into the film, and sometimes you really do get what you pay for.

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Clayface opens in theaters on October 23.

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