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Cinema Heaven

Dallas International Film Festival returns with short but focused run

Alex Bentley
Sep 27, 2021 | 1:40 pm
Elisabeth Moss, Owen Wilson, Tilda Swinton, Fisher Stevens and Griffin Dunne in The French Dispatch
The French Dispatch will open the 2021 Dallas International Film Festival, running October 8-10.
Photo courtesy of Searchlight Pictures

The Dallas International Film Festival has announced the lineup for its 2021 edition, an in-person event that will take place October 8-10 at Alamo Drafthouse Cinema Cedars in Dallas.

The three-day event is a truncated version of the festival, which typically lasts around eight days. The festival has also moved from its usual dates in early April to October.

Opening night will feature Wes Anderson’s The French Dispatch, a love letter to journalists featuring an all-star cast that includes Timothée Chalamet, Owen Wilson, Léa Seydoux, Adrien Brody, Toheeb Jimoh, Willem Dafoe, Elisabeth Moss, Tilda Swinton, Edward Norton, Jeffrey Wright, Christoph Waltz, Benicio Del Toro, Bill Murray, Frances McDormand, and more.

Other notable films will include Puppy Love, directed by Michael Maxxis and starring Hopper Penn and Donald “Cowboy” Cerrone; Belfast, directed by Kenneth Branagh and starring Caitriona Balfe, Jamie Dornan, Ciarán Hinds, and Judi Dench; The Humans, starring Richard Jenkins, Amy Schumer, Steven Yeun, and more; and Mike Mills' C'mon, C'mon, starring Joaquin Phoenix. The full program can be found at dallasfilm.org.

“This version of the festival will be a little different, but DIFF 2021 is still focused on sharing great stories, creating conversations, and building community through empathy that can only be delivered by the theatrical experience," says James Faust, DIFF artistic director, in a statement. "Although DIFF 2021 is shorter than in the past, the selected films make this one of DIFF’s strongest in history.”

Curation of this year’s program from more than 1,500 submissions was led by Faust and his team, who focused on films with Dallas ties and stories that lean into social justice and empowerment narratives. Many of the filmmakers are scheduled to attend.

Passes and tickets can be purchased online at dallasfilm.org. Individual screenings range from $10-$15.

The festival is following local and CDC public health recommendations and guidelines. Guests will be asked to wear a mask upon arrival at the venue and while watching movies unless enjoying food and beverages. Dallas Film staff and volunteers and Alamo Drafthouse Cinema employees will wear masks at all times.

movies festivals
news/entertainment

Movie Review

Shaun the Sheep gets PG-spooky in new movie for the Halloween season

Alex Bentley
Sep 18, 2026 | 11:50 am
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom
Photo courtesy of Aardman / Sky UK LTD / StudioCanal 2026
Shaun the Sheep in Shaun the Sheep: The Beast of Mossy Bottom.

Since his introduction over 30 years ago, the Aardman Animations character Shaun the Sheep has been almost as popular as the studio’s flagship characters, Wallace and Gromit. There is never a shortage of trouble Shaun can get into as he leads his flock and proves to be a thorn in the side of his farmer and Bitzer, the farmer’s loyal sheepdog.

His antics lead everyone down some slightly spooky roads in the new film, Shaun the Sheep: The Beast of Mossy Bottom. At first, things are only slightly awry as Shaun and the flock are growing a secret pumpkin patch to have their own jack-o-lanterns. But when the farmer accidentally destroys the pumpkin patch, Shaun tries to regrow it quickly with a Frankenstein-esque experiment.

However, disaster looms when Shaun uses an old bottle of Hair-Gro as the container for the serum he creates. Naturally, the balding farmer uses it on his head, and everyone soon discovers how truly successful it is, with pumpkins growing out of control and the farmer sprouting hair all over his body. Through a series of mishaps, the farmer becomes the titular beast, creating mayhem while Shaun and others try to stop him.

Directed by Steve Cox and Matthew Walker, and written by Mark Burton and Giles Pilbrow, the film goes down just as easy as every other Aardman project has. They get the Halloween vibes started from the opening credits, with things like the sheep doing the “Thriller” dance, and continue the fun throughout, referencing everything from Psycho to Friday the 13th in a nice, PG way.

With no script — every character is mute save for reaction noises — the movie relies on sight gags for its humor, and the Aardman team is endlessly inventive in that respect. Sometimes it’s small things like a sheep using toilet paper rolls as binoculars, and sometimes it’s something like forcing the Bigfoot-like farmer to be shaped into a rectangle as he escapes through a window. But there’s a never-ending stream of such moments, so even if one doesn’t tickle your funny bone, chances are the next one will.

The biggest benefit of the characters not talking is that there’s no need for deep character development. The filmmakers do a great job of giving the basic traits of each character, and then use those attributes to color everyone’s actions for the rest of the film. Shaun is the troublemaker, the farmer is a bumbling fool, Bitzer is preternaturally smart, and the town’s vet is empathetic, and the combination of those characters and others makes for a highly entertaining blend.

Like all Aardman creations, Shaun the Sheep: The Beast of Mossy Bottom is a fun lark that doesn’t make its audience think too hard. With just enough references to keep viewers engaged but not so many as to be overbearing, the film puts its well-worn characters to good use once again, delivering a Halloween season story that can be enjoyed by people of all ages.

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Shaun the Sheep: The Beast of Mossy Bottom is now playing in theaters.

movies film
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