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    Movie Review

    Daughter honors father by killing him repeatedly in Dick Johnson is Dead

    Alex Bentley
    Oct 1, 2020 | 3:59 pm
    Daughter honors father by killing him repeatedly in Dick Johnson is Dead
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    There have been many fictional and documentary films made about patients with dementia or Alzheimer’s disease, but you can count on one hand the number of them that make you laugh. To that tiny list you can now add Dick Johnson is Dead, a documentary that is a loving ode by a filmmaker to her ailing dad.

    Dick Johnson is a psychiatrist in Seattle who’s retiring due to increasing memory issues. His daughter, cinematographer/director Kirsten Johnson, has come to move him to New York to live with her so he can have better care. However, being the creative type, Kirsten refuses to just watch her dad deteriorate.

    Instead, she comes up with a series of macabre-but-funny situations showing Dick dying that she will film for posterity. Dick, being the affable and agreeable type, goes along with the ideas, which often include stunt men standing in for him as he, among other things, gets hit by falling air conditioner, trips down the stairs, or has his jugular punctured by a clumsy construction worker.

    The scenes are all in good fun and are clearly a way for Dick and Kirsten to connect in his waning years. Kirsten also comes up with some truly beautiful tableaus, including a wake for Dick while he’s still alive featuring his family and friends, and a fanciful sequence with dancers wearing oversized faces of Dick and his late wife, Katie Jo.

    All the while, we’re treated to the obviously loving relationship that Dick and Kirsten have. While Kirsten doesn’t shy away from the reality of what Dick is going through, neither does she wallow in the sadness of it. The various death scenes and the film as a whole are meant to be a celebration of the kind of man Dick is, and that purpose comes through in every frame.

    The film is not polished in the slightest, as Kirsten keeps in moments where the camera is out of focus or even pointed at odd angles. But the whole point is for the audience to see and hear the truth of Dick’s condition and their relationship, and those honest moments are what make the film what it is.

    Every good parent deserves to be celebrated the way that Kirsten honors her dad in Dick Johnson is Dead. His condition may be sad, but the film gives many more opportunities to smile and appreciate him than it does making you cry.

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    Dick Johnson is Dead will stream exclusively on Netflix starting October 2.

    Dick Johnson in Dick Johnson is Dead.

    Dick Johnson in Dick Johnson is dead
    Photo courtesy of Netflix
    Dick Johnson in Dick Johnson is Dead.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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