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Real Housewives Recap

It all goes to the (very pampered) dogs on The Real Housewives of Dallas

Kaitlin Steinberg
Oct 23, 2017 | 10:04 pm
Kameron Westcott, Real Housewives
Dogs just love fire near their heads.
Kameron Westcott/Instagram

It is a well-known fact that the whole dang "Real Housewives" franchise is ... just ... weird. The concept (rich, middle-aged women and their fancy lives); the characters (have you met Vicki Gunvalson?); the settings (Potomac, Highland Park, Coto de Caza) all come together in one gaudy, Botoxed and boob-jobbed cocktail that is decidedly strange.

We may have hit peak weirdness on this week’s episode of The Real Housewives of Dallas, though. From missing snow algae to dog psychics to a party full of pooches, the ladies are really showing the world what Dallas has to offer.

First, we check in with Stephanie, whose son Cruz has been struggling with dyslexia. She and Travis have hired a tutor and enrolled Cruz in a new school to ensure he’s getting the attention he needs to succeed. The problem is, Cruz isn’t super motivated to learn. To get him interested, Stephanie tells him he can give the dog a treat every time he answers a question correctly. Fortunately for little Cruz, this tactic seems to work. Unfortunately, Biscuit, the dog, may soon have weight issues.

Speaking of dog food, Kameron’s new line, Sparkle Dog, is nearly ready to launch. Yep, somehow the dumb smart blonde managed to convince her husband, Court, to invest and a manufacturer to partner with her, and doggone it, she’s created pink dog food. Well, almost.

Kameron and her mother are visiting the venue, making last-minute preparations for the launch party, which will include sparkles, sparkles, a pink carpet, and more sparkles. “I want people to walk in and feel the sparkles,” Kameron says. I’m not sure how one feels a sparkle, but sure.

D’Andra arrives to check out the venue with her, and Kameron reveals that the product isn’t quite the shade of pink that they want. In fact, when they received a sample in the mail, they found it to be, um, maroon. And if you can imagine that working its way through a canine’s GI tract and coming out the other end, well, it ain’t pretty.

Meanwhile, Stephanie has invited Cary out for a drink to try and mend fences after Brandi’s disastrous white party. To her credit, Stephanie feels bad about how Cary was treated while remaining wary of Cary’s true intentions with their friendship. She asks Cary if Cary ever said she would never be friends with someone who behaves like Stephanie did (with Brandi on the Mexico trip), and Cary admits that she did indeed say that.

Stephanie says that she didn’t think it was appropriate for Brandi to attack Cary for being her husband’s nanny before they got married, and Cary encourages Stephanie to distance herself from Brandi rather than being manipulated by her.

While this gossip-fest is happening, Brandi and LeeAnne are having a get-together of their own. LeeAnne reveals that her flesh-eating bacteria is under control, which is great for her but also kind of disappointing, drama-wise. LeeAnne admits throwing the glass was maybe a wrong move, but she doesn’t feel bad about it.

Brandi is still harping on the whole “nanny” thing, claiming she doesn’t understand why Cary would judge her behavior (remember the dildo?) when she, Cary, had an affair with her employer, whom she then married. Brandi and LeeAnne decide that Cary is manipulating Stephanie at about the same time Cary decides that Brandi is manipulating Stephanie.

But enough of that! Let’s talk about snow algae and some additive called L-22 that is supposed to make middle-aged women look like 22-year-olds. The product D’Andra pitched to Mommy Dearest is ready to go except for one small problem: The primary ingredient, L-22, won’t come into the manufacturing plant for another four weeks. And the product is supposed to launch in two weeks. If D’Andra were capable of getting wrinkles, this news would give her some for sure.

Back at the Barbie dream house, Kameron is waiting for the latest shipment of dog food samples. She’s very nervous, because it absolutely has to be 100 percent, perfectly bubble-gum pink. Kameron’s daughter, Hilton, couldn’t care less, and I love her for that.

Kameron opens the box and finds that the food is … well, to my eyes, it’s sort of a muted, brownish salmon, but Kameron proclaims it “perfectly bubble-gum pink,” so all engines are go!

Later, we revisit Stephanie’s son’s reading issues and learn that her husband, Travis, had similar problems growing up. And, as Stephanie says, Travis turned out fine, so Cruz will, too. Sure, Travis makes major household decisions without his wife’s input and holds the fact that he makes all the money over her head, but really, Cruz could do worse.

And then, suddenly, we’re in Plano. Ugh, I never wanted to leave Highland Park, but if we must.

Someone is struggling to parallel park a black SUV outside Del Frisco’s (is this the most "Houswife"-ish restaurant in Plano?), and instantly I know it’s Dog Food Barbie. Girlfriend is so put off by being in Plano that she can’t even operate motor vehicles anymore.

Kameron has ventured to Mars to meet Brandi and try to work out their issues. Brandi says, “I would rather not have a stick up my ass like you do,” but they agree that they’re different and can be friends anyway. They toast to being “sweet and sour.”

The day of the Sparkle Dog launch party, Kameron reveals that, as her 5-year-old daughter predicted, there were some concerns over the pink dog food and the “potty situation,” so they’ve mixed the pink kibble with brown to keep things more normal. I just can’t believe a 5-year-old saw that coming and she didn’t.

“This is literally the most absurd thing I’ve ever seen,” Court says when the venue is finally party-ready. And he isn’t wrong.

This is a BYODog party, so all the ladies arrive with canines in tow. Cary tastes the pink kibble (Melba toast is the consensus); Brandi declares the dogs better dressed than her; and Kameron’s dog, Louis, makes a grand entrance atop silver pillows and surrounded by lit sparklers. 'Cause dogs love fire near their heads.

While Kameron is celebrating her success, D’Andra asks the dog psychic about her pooch being withholding. The psychic cites mommy issues, and apparently the parallels between D’Andra’s relationship with her mom and her dog’s relationship with her are too much for D’Andra to bear. She starts crying in front of the dog psychic. D’Andra, if that isn’t a low point in your life, I need you to do some re-evaluating.

In the process of reconsidering her own decisions, LeeAnne has decided that she needs to invite Cary and Mark to her upcoming engagement party. LeeAnne wants to talk to Mark instead of Cary, though, which leads us to an epic Real House-husbands moment.

But first, Cary and Brandi have it out over nannygate. Brandi maintains that Cary was too close to the family to not have been having an affair, and Cary assures her that any implications of cheating are totally off-base.

Cary has, of course, been telling Mark all the ridiculous things LeeAnne has been claiming about their relationship, and Mark does not go easy on LeeAnne. “I feel like you’re trying to convince me that my wife is a liar,” Mark says. “You were telling stories that I was soliciting men for favors. Did you call my plastic surgery practice a chop shop?” LeeAnne owns up to all the things she said, but only because someone wronged her first.

Mark’s conversation with LeeAnne is like a teacher talking to a kindergartner. “Did you hit Johnny, LeeAnne?” “Yes, but Johnny hit me first!” Clearly, therapy is really helping our girl.

Mark agrees to come to LeeAnne’s engagement party, but only because he likes Rich.

Over at the nannygate table, Brandi and Cary make up, but Cary thinks LeeAnne is manipulating Brandi.

So now, we have Brandi and Stephanie as marionettes at the hands of LeeAnne and Cary, respectively. But Brandi is also pulling Stephanie’s strings. If, at the end of this, there isn’t some big twist that reveals Heidi Dillon to be the mastermind behind it all, I will be sorely disappointed.

We’ll find out next week on the season finale!

tv real-housewives
news/entertainment

Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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