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Jolly holiday news

Prairie Lights holiday drive-thru unwraps new COVID-19 measures and reduced prices

Stephanie Allmon Merry
Oct 23, 2020 | 2:44 pm
Prairie Lights drive-thru holiday lights
Don't worry — the grand finale tunnel will be back.
Photo courtesy of Prairie Lights

A Dallas-Fort Worth tradition 15 years strong, Prairie Lights holiday light park is returning for 2020 — with some modern updates for the COVID-Christmas season, and one special gift for guests.

The popular drive-thru lights experience will kick off Thanksgiving night and run through December 31, according to a release.

Per usual, the dazzling display of over 5 million lights, all arranged in festive holiday scenes, will wind for two miles along the shores of Joe Pool Lake in Grand Prairie. Given that most of Prairie Lights is enjoyed by car, visitors will need to make few adjustments for social distancing, organizers say.

But the park’s out-of-car experience, the Holiday Village — the traditional stop midway through with hot chocolate, cookies, and other goodies for sale — will not open this year due to pandemic. It will be replaced by a new drive-thru concession option, they say.

Santa also has different plans.

"Since Santa is practicing social distancing, he won’t be able to make his annual visit to the Prairie Lights Holiday Village," the release says. "However, he will be offering virtual greetings via personalized video messages sponsored by the Grand Prairie Chamber of Commerce and available after November 1 via the Prairie Lights website."

One positive change this year is the price. Admission has been reduced to $30 per car (up to eight people) — down from last year's $45. A Fast Pass (line jump pass) is available for $99.

A shuttle or van holding up to 30 people is just $60, down from last year's $100. There are additional fees for limos and commercial vehicles.

Prairie Lights welcomed more than 29,000 vehicles and 165,000 guests last year alone, says Duane Strawn, executive director for the city’s Parks, Arts, and Recreation Department, and they are expecting an even larger turnout in 2020.

“Given the challenges of this year, people need something fun, exciting, and comfortingly familiar to look forward to this holiday season — and for thousands of North Texans, that’s Prairie Lights,” he says in the release. “People also need to know that they’re going to enjoy a safe experience, and given the fact that we already have 14 years of practice under our belt when it comes to offering a large-scale, drive-through only experience — plus the minor safety adjustments we’ve made to this year’s event — we’re quite confident that we’ll be able to meet our guests’ expectations.”

They offer the following tips for visitors this year:

  • Pre-purchase of online tickets is highly recommended, both in consideration of minimizing “touch” and in keeping park admission lines moving as quickly as possible.
  • Allow plenty of time to fully enjoy the park — at least 45 minutes on slower nights, and up to three hours on holidays and weekends. Longer wait times are also anticipated once schools dismiss for winter break.
  • Guests are encouraged to have masks on hand for possible interactions with park staff at the entrance gate or at the park’s public restroom area.
  • Drive-thru concessions will be available via card purchase only (no cash).
  • Follow Prairie Lights on social media for special offers (such as the annual Prairie Lights “Cyber Monday” ticket sale the Monday after Thanksgiving) and for inclement weather announcements.

Prairie Lights is the third big DFW holiday lights event to announce its arrival. A new "holiday light spectacular" called Radiance will debut in Frisco, Weatherford, and Decatur. An immersive experience called Luminova Holidays promises millions of twinkling lights, an outdoor ice rink, and larger-than-life displays in and around Arlington's Globe Life Field.

Other popular yuletide events, including Fort Worth's Parade of Lights and Arlington's Texas Christkindl Market, are going virtual this year.

Prairie Lights will be open nightly, 6-10 pm, from Thanksgiving to New Year's Eve. The entrance is at Lynn Creek Park at Joe Pool Lake, 5610 Lake Ridge Pkwy., Grand Prairie. For more information, visit the website.

families holidays
news/entertainment

Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

movies film reviews
news/entertainment

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