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    Katniss on the Warpath

    Final Hunger Games fails to rouse but ends on its own too-long terms

    Alex Bentley
    Nov 20, 2015 | 12:00 am
    Final Hunger Games fails to rouse but ends on its own too-long terms
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    The Hunger Games series has always been an odd fit for a blockbuster movie series. Centered on a dystopia in which children of poor districts are pitted against each other in a fight to the death by a sadistic central government, the series has never been uplifting, even when the hero, Katniss Everdeen (Jennifer Lawrence), has been able to usurp the Capital’s authority.

    So anyone thinking that the finale, Mockingjay — Part 2, will be cathartic and not devastating has another thing coming. Picking up directly after Katniss was attacked by her ally Peeta (Josh Hutcherson) in Mockingjay — Part 1, the rebels slowly but surely make their way toward the Capital, hoping to take down President Snow (Donald Sutherland) once and for all.

    Just as she was in Part 1, Katniss is used more for propaganda than for her fighting skills by District 13 President Coin (Julianne Moore). With the help of Gale (Liam Hemsworth), she escapes from under Coin’s thumb and joins a group to try to make one final push at toppling the Capital.

    At almost two-and-a-half hours, the final film is too long, and even worse, director Francis Lawrence and writers Peter Craig and Danny Strong have trouble filling it properly. They over-explain relatively minor situations and vastly under-explain important ones, to the point that the film’s most meaningful sequence ends in utter confusion.

    Still, there’s something to say about a story that cares less about doing the expected things to please an audience and more about staying true to the original vision. The final film is dark and depressing, with perhaps a tinge of commentary on the current state of warfare in the world. The action scenes would be thrilling if the series hadn’t already established the brutal stakes of the story.

    Lawrence, as she has done in many others, carries the film. Lines that could come off as cheesy or forced from another actor sound completely natural coming from her. That said, it’s a good thing this is the final Hunger Games, as the repetitive nature of the role seems to be taking its toll on her.

    In his final performance, Philip Seymour Hoffman shows a quiet strength that’s emblematic of many of his roles. His part, likely due to his premature death, is limited to a handful of scenes, but he still manages to make an impression in each one of them.

    The Hunger Games: Mockingjay — Part 2 is not the rousing finale that many may want and it has significant pacing and storytelling issues. But it ends the story on its terms and not in an arbitrary feel-good way, which should be considered an accomplishment in this day and age.

    Jennifer Lawrence in The Hunger Games: Mockingjay – Part 2.

    Hunger Games- Mockingjay
    Photo by Murray Close
    Jennifer Lawrence in The Hunger Games: Mockingjay – Part 2.
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    Movie Review

    Humans are scarier than zombies in 28 Years Later: The Bone Temple

    Alex Bentley
    Jan 15, 2026 | 1:51 pm
    Ralph Fiennes in 28 Years Later: The Bone Temple
    Photo by Miya Mizuno
    Ralph Fiennes in 28 Years Later: The Bone Temple.

    It’s not often that a return to a franchise after years of no activity results in an actual good movie, but 2025’s 28 Years Later proved successful by reuniting director Danny Boyle and writer Alex Garland, who made the original 28 Days Later. Another sequel, The Bone Temple, was filmed back-to-back with last year’s film, with Nia DaCosta taking over for Boyle in the directing chair.

    The movie picks up soon after the end of the first film, with the young Spike (Alfie Williams) now an unwilling member of a group called the Jimmies, which are led by a man who calls himself Sir Jimmy Crystal (Jack O’Connell). Unlike the main group in the first film that was just looking to survive the zombie apocalypse, the Jimmies are a bloodthirsty bunch who gleefully attack any zombies they find and brutalize other survivors they come across.

    The story also returns to Dr. Kelson (Ralph Fiennes), whose solitary time at his self-built bone temple is interrupted by a massive zombie he has dubbed Samson (Chi Lewis-Parry). Against the odds - and with the help of some morphine - Kelson is able to bond with Samson, giving Kelson some strange but welcome companionship. But with the Jimmies lurking nearby, any peace he’s found may soon be shattered.

    DaCosta, working from a script by Garland, ably steps into Boyle’s shoes, putting the emphasis on the story rather than trying for lots of stylistic flourishes. That’s not to say that she doesn’t do great work, however. The creepiness and sadistic nature of the Jimmies comes through loud and clear under her direction, and she brings out the campy comedy that comes from the unexpected pairing of Kelson and Samson.

    Like the first 28 Years Later, the story is somewhat of a slow burn. The film doesn’t have many plot developments over its 109 minutes, and so DaCosta must get by on mood rather than action for the most part. But when things do get ramped up, they can get very uncomfortable as the film does not shy away from extreme gore. The damage inflicted by Samson and other zombies is one thing, but when it’s sentient humans going savage, it becomes even more difficult to look at the screen.

    The juxtaposition between the chaos of the Jimmies and the quiet existence of Dr. Kelson works well for the film. Their separation for the bulk of the story gives them plenty of time to have the characters come into their own. Sir Jimmy Crystal is the ringleader, but Jimmy Ink (Erin Kellyman) gets her own showcase. Samson was already a (literally) big presence from the first film, but this film gives him a degree of humanity that gives the story more depth.

    O’Connell made a big impression as the lead vampire in Sinners, and he’s just as interesting/intimidating here. Fiennes plays a character where being over-the-top is the natural reaction, and yet he keeps Kelson grounded in a number of ways that make him much more than one-note. Lewis-Parry was likely cast for his physique, but he brings out more from a zombie than you’d ever expect. Williams fades into the background a bit after his starring role in the first film, but he’s still strong.

    Releasing The Bone Temple in January was not a great sign given the month’s reputation as a dumping ground for bad movies, but it actually proves to be a great choice. With most other releases being Oscar hopefuls or truly awful films, it stands out for being another compelling entry for the franchise, one that will make anticipation high for whenever the third film in the 28 Years Later series comes out.

    ---

    28 Years Later: The Bone Temple opens in theaters on January 16.

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