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    Movie Review

    Frozen II takes dramatic journey into the unknown of movie sequels

    Alex Bentley
    Nov 20, 2019 | 1:15 pm
    Frozen II takes dramatic journey into the unknown of movie sequels
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    Like most Disney properties these days, the success of Frozen II is almost preordained. Heck, fans propelled the “live action” version of The Lion King to No. 11 on the all-time box office list despite it offering almost nothing new and inferior versions of the classic movie's songs. So, whether Frozen II is good or bad will have little to do with the massive box office it will take in.

    The best you can hope for is that the filmmakers — returning co-director Chris Buck and co-director/writer Jennifer Lee — will stay true to what made the first film succesful while offering at least a nod toward something new and interesting. Anna (Kristen Bell), Elsa (Idina Menzel), Kristoff (Jonathan Groff), and Olaf (Josh Gad) have settled into a nice life in Arendelle following the events of the first film. When Elsa starts hearing strange sounds coming from a far-off part of the kingdom, however, their lives are about to get upended.

    The sounds seem to emanate from a dark forest their father had warned them about when they were young, a place now shrouded in an impenetrable fog. The quartet — plus Sven the reindeer — decide they must seek it out to find out not only the source of the mystery, but perhaps the key to their family history, as well.

    Whereas the first film was relatively simple, the plot of the sequel is immensely complicated. The above synopsis is bare bones, and does nothing to indicate the different threads the story explores. Prominent among them is a surprisingly serious interrogation of the role Arendelle’s ancestors — led by Anna and Elsa’s grandfather — had in an attack on a neighboring native tribe.

    In fact, the movie as a whole is relatively dramatic. Despite the happy ending to the first film, the sisters have led a hard life, and an investigation into their family’s past reveals other things that throw them for a loop. Fortunately, the film has Kristoff, Olaf, and Sven for its comic relief, throwing in well-timed jokes to keep the proceedings light.

    The soundtrack of the first film, which included the inescapable “Let It Go,” was such as juggernaut that it would be almost impossible for this film to measure up. Sure enough, there are no true standouts, although they try really hard to make “Into the Unknown” work. Instead, it’s the visuals of certain songs that are memorable, especially the '80s-esque ballad “Lost in the Woods” that gives Kristoff an unexpectedly hilarious showcase.

    The talents of Bell, Menzel, Groff, and Gad have long been apparent, and each of them is great again in roles they know well. This film sees the additions of well-known actors like Evan Rachel Wood, Jason Ritter, Sterling K. Brown, and Alfred Molina, although only Brown, with his distinctive voice, stands out from the crowd.

    Like most sequels, Frozen II doesn’t quite live up to the first film, but it’s far from a waste of time. If nothing else, it’s nice to be able to spend some more time with the engaging characters of Arendelle.

    Elsa (Idina Menzel) in Frozen II.

    Elsa (Idina Menzel) in Frozen II
    Photo courtesy of Walt Disney Studios
    Elsa (Idina Menzel) in Frozen II.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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