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    Hunger Games Revolution

    Mockingjay - Part 1 sets up final Hunger Games chapter brilliantly

    Alex Bentley
    Nov 21, 2014 | 12:00 am
    Mockingjay - Part 1 sets up final Hunger Games chapter brilliantly
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    Splitting the final film of a popular book-turned-movie series into two parts is all the rage these days, as the makers of the Harry Potter, Twilight and now The Hunger Games series have all opted to do so. Detractors decry the overt commercialism of these moves, while supporters rejoice in an extra chance to spend time with their favorite characters.

    Whatever side of the debate you fall on, the results have been iffy at best. But The Hunger Games is looking to buck that trend with Mockingjay - Part 1, the first step toward all-out revolution in the world of Panem.

    Instead of just throwing Katniss into war, they make her struggles fully real for the audience, which results in a more powerful drama.

    The film throws the audience directly into Katniss Everdeen’s (Jennifer Lawrence) new reality: living underground in the recently revealed District 13. There, 13’s President Coin (Julianne Moore), former gamesmaker Plutarch Heavensbee (Philip Seymour Hoffman) and others try to convince Katniss to become the face of the revolution against the Capitol, something she is loath to do.

    But when she sees videos of Peeta (Josh Hutcherson) suffering at the hands of President Snow (Donald Sutherland), along with what happened to her former home in District 12, she complies. With the help of Effie (Elizabeth Banks), Haymitch (Woody Harrelson) and Gale (Liam Hemsworth), Katniss starts to become whom she is meant to be, whether she likes it or not.

    One’s enjoyment of Mockingjay - Part 1 depends on two factors. First and most obviously, you have to know that you will not get closure in this film. Second and most important, there is very little action. The first part is all about setting up the battle royale in part two, and the filmmakers have saved most of the big set pieces for that film.

    That said, there’s much to love about part one. Commercial qualms aside, splitting the final film in two is good for both lovers of the books and movie fans. By devoting almost an entire film to Katniss’ uneasiness at being the virtual leader of the revolution, director Francis Lawrence and his team were able to really delve into details that would be glossed over otherwise.

    Instead of just throwing her directly into war, which would happen if the whole story was told in two-and-a-half to three hours, they make her struggles fully real for the audience, which results in a more powerful drama. It also makes the few action scenes in the film impactful in a way that they wouldn’t be if the movie were full of them.

    The filmmakers also deserve credit for not sugarcoating the darker parts of the story. The film definitely falls in the PG-13 range, but the themes it covers make it feel closer to an R. The film is definitely not for younger children, and even older viewers may find themselves shocked at various violent acts, implied or otherwise.

    At this point in the series, the interactions between the characters are as important to the story’s success as any plot twists. Despite their somewhat dire circumstances, it’s a pleasure to see Katniss, Effie, Haymitch, Gale and others band together to get things done. They all feel essential to the plot, especially in a film that features more dialogue than fighting.

    The film is an actor’s idea of heaven and nearly all of them rise to the challenge. Lawrence is as great as ever, as is the late Hoffman, Banks, Harrelson and newcomer Moore. Even actors in smaller roles, like Jeffrey Wright, Sam Claflin and Natalie Dormer, make the most of their moments in the spotlight.

    There is no real resolution in Mockingjay - Part 1, but it delivers more than enough to satisfy fans while they endure the yearlong wait for Part 2. War is coming, and the calm before the storm is the perfect way to prepare the audience for the end of the story.

    Jennifer Lawrence in The Hunger Games: Mockingjay - Part 1.

    Jennifer Lawrence in The Hunger Games: Mockingay - Part 1
    Photo by Murray Close
    Jennifer Lawrence in The Hunger Games: Mockingjay - Part 1.
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    Movie Review

    Lust eclipses romance in new adaptation of 'Wuthering Heights'

    Alex Bentley
    Feb 12, 2026 | 2:15 pm
    Jacob Elordi and Margot Robbie in Wuthering Heights
    Photo courtesy of Warner Bros. Pictures
    Jacob Elordi and Margot Robbie in Wuthering Heights.

    Emily Brontë’s 1847 novel Wuthering Heights is one of those classic books assigned in high school English classes, and it has received a number of film adaptations over the years, each of which differ in numerous ways from the source material. Purists won’t receive any reprieve from Emerald Fennell’s 2026 adaptation, with a title that is stylized as "Wuthering Heights” for good reason.

    Cathy (played as an adult by Margot Robbie) and Heathcliff (Jacob Elordi) have known each other their entire lives, with Cathy’s alcoholic and inveterate gambler father (Martin Clunes) taking in Heathcliff on a whim when he was a boy. The two bond as they grow up together, although Cathy always seems to have an eye on moving up in society from their relatively impoverished lifestyle.

    Cathy finally gets her wish when the rich Linton familyled by Edgar (Shazad Latif), moves in down the road, Despite discovering she has feelings for the now grown-up Heathcliff, Cathy sees Edgar as her way out and agrees to marry him. A scorned Heathcliff flees, returning years later as mysteriously wealthy. His reappearance ignites something in Cathy’s soul, and the two engage in a perhaps unwise affair.

    Fennell (Promising Young Woman, Saltburn) infuses the dusty material with an energy that’s not typically present in stories set in this particular time and place. Aside from the occasional Charli XCX song (the singer created a whole concept album for the film), the film looks and feels like a period piece, albeit one that doesn’t get bogged down in the drudgery that can sometimes come from films set in the distant past.

    Much of that has to do with the lust the filmmaker puts into the story. Even if you’re not familiar with Brontë’s book, you can rest assured that Fennell has strayed far from the text, giving Cathy and Heathcliff thoughts and actions unthinkable in the 19th century. Fennell plays with expectations by opening the film with audio featuring creaking noises and a man grunting, conjuring up a situation far different than what is actually happening, and she also makes liberal use of rain, sweat, and tears to make the actors enticing.

    What she can’t do, however, is make the two lead characters compelling. Cathy is a striver who never seems to know what she wants out of life, and Heathcliff goes from a bore to a brute over the course of the film, with no clear indication that he likes anybody, much less Cathy. Anyone expecting some kind of grand romance will be disappointed as Fennell is much more interested in making the film weird, like having the walls of Cathy’s room look like her skin, complete with freckles.

    Robbie and Elordi do well enough with the material, and it’s clear that both of them are committed to bringing Fennell’s vision to life. Their styles tend to balance each other out, and if the story had been committed to their characters’ relationship, they might be lauded for their chemistry. In the end, though, the supporting actors feel more interesting, including ones played by Hong Chau, Alison Miller, and Clunes.

    This version of Wuthering Heights should never be construed as an alternative to reading the book for any high schoolers out there. While Fennell makes the film interesting with her technical filmmaking choices, the story never finds its footing as it fails to sell the one thing that it seems to promise.

    ---

    Wuthering Heights opens in theaters on February 13.

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