The Jurassic World Live Tour will come to American Airlines Center in Dallas, August 6-9, 2020.
Photo courtesy of Feld Entertainment
Just as it did with the Marvel Cinematic Universe, Feld Entertainment is taking Jurassic World off of movie screens and into arenas across the United States with a tour that will come to American Airlines Center, August 6-9, 2020.
The tour began in September 2019 and will travel to more than 65 cities through the end of 2020. In addition to the Dallas stop, the tour will come to Houston from July 24-August 2, Fort Worth from August 13-16, and San Antonio from August 20-23.
During the show, a trip to Isla Nublar takes a terrifying turn after the Indominus rex escapes and causes chaos in the park. Audiences will join forces with a team of scientists to unravel a corrupt plan and save Jeanie, an all-new dinosaur, from a terrible fate. Along the way, they'll experience some of Jurassic World’s most iconic dinosaurs, including Blue the Raptor, Triceratops, Pteranodons, and the mighty T. rex.
The production features more than 24 film-accurate, life-sized dinosaurs, both animatronic and performer-operated. The show will also include composer Michael Giacchino's film score and a combination of projection and practical scenery.
Although the dates have been announced, tickets for the Texas stops are not yet on sale. Those interested can sign up at jurassicworldlivetour.com for alerts for the presale, which will take place sometime in January.
Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.
That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.
Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.
Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.
The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.
The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.
Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.
Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.
