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    Awards News

    Academy of Country Music Awards show will return to Frisco in 2024

    Teresa Gubbins
    Nov 3, 2023 | 9:40 am
    Kristin Cavallari

    Actress and aAwards show regular Kristin Cavallari at the 2022 ACMs.

    s3.amazonaws.com

    Dallas has landed the next Academy of Country Music Awards ceremony: According to a release, the 59th ACM Awards is set for May 16, 2024, and will take place at the Ford Center at The Star in Frisco.

    Additional details, including award submissions and voting timeline, hosts, nominees, performers, and ticket on-sale details, will be confirmed in the months ahead.

    UPDATE 3-4-2024: ACM Awards pre-sale tickets available starting on Wednesday, March 6; pre-sale tickets are available by signing up for a membership newsletter at ACM A-List. General on-sale starts Friday, March 8 at 10 am at SeatGeek.
    _______________________________________________________

    It follows the 2023 edition, a smash success that marked its return to Texas for the first time since 2015, when the ceremony took place at AT&T Stadium in Arlington.

    In collaboration with the Academy of Country Music and producer Dick Clark Productions, Prime Video will again offer an exclusive livestream not only of the 2024 ceremony but also its milestone 60th anniversary in 2025. The 57th annual awards in 2022 was the first major awards show to stream live for a global audience.

    Hosted by Dolly Parton and Garth Brooks, the 2023 show garnered more than 7.7 million viewers on Prime Video plus additional viewership across Amazon Music, the Amazon Music channel on Twitch, and Amazon Live, making it one of the most-watched awards shows of the year.

    The night featured an all-star lineup of memorable moments, including 18 show-stopping performances from 25 artists, along with exclusive collaborations and unexpected moments that captivated fans worldwide.

    The 2023 ACM Awards is still available on demand on Prime Video, Amazon Freevee, and Amazon Music.

    “When Prime Video first streamed the ACM Awards in 2022, we were overwhelmed with the response from our global audience,” says Vernon Sanders, head of television, Amazon MGM Studios, in a statement. “After seeing last year’s show grow to more than 7.7 million viewers, we could not be more thrilled to continue our relationship with the Academy of Country Music and Dick Clark Productions for the next two years, and especially through the show’s milestone 60th anniversary in 2025. We look forward to continuing the success and bringing even more star-studded and captivating shows to fans around the world.”

    Academy of Country Music CEO Damon Whiteside says that, “thanks to the biggest host pairing of all time, Dolly Parton and Garth Brooks, the comprehensive, cross-platform program with our partners at Prime Video and Amazon Music, and the dedicated fans in Texas and around the world, the May 2023 show was a groundbreaking success and illustrates that our pioneering and innovative move to streaming was absolutely the right one at the right time! We’re eager to see everyone back in Texas once again at the home of the Dallas Cowboys next May for another groundbreaking ACM Awards show!”

    Ford Center at The Star in Frisco opened in 2016 and serves as the practice facility for the Dallas Cowboys, as well as the home for major sporting events throughout the year. Last year’s ACM Awards were the first awards show to take place at Ford Center.

    Founded in Southern California in 1964 as a regional trade organization, the Academy of Country Music has grown in the almost-60 years since into a leading association for the country music industry. Now headquartered in Nashville and boasting record-high membership of nearly 5,000 nationwide, the Academy serves as an advocate for country fans, artists, and all facets of the business, as well as a supporter of philanthropic work.

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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