Former employees of Alamo Drafthouse Cinema in Denton area have organized a GoFundMe relief fund to help tide over expenses following the chain's closure on June 5.
All five Dallas-Fort Worth locations closed when their franchisee, Two is One, One is None, LLC, filed voluntary petitions for relief under Chapter 7 of the U.S. Bankruptcy Code.
The five North Texas locations that closed included Richardson, Las Colinas, Lake Highlands, Dallas, and Denton.
According to their GoFundMe, the bankruptcy was filed on the last day of their pay period, meaning that they were not paid for the two weeks they worked prior to payday.
The GoFundMe goal is $10,000, of which $5,618 has been met.
The GoFundMe was launched by two former managers at the Denton location, speaking on behalf of their 73-person staff who were affected by the layoff.
It states that despite media reports, employees were not notified ahead of time by franchise owner Bill DiGaetano and his father, and that employees were not paid for the last two weeks of labor. A spokesperson for Alamo had no comment.
"We are all filing for unemployment but for some of us it may not yield results for up to 30 days," it says. "Most of us were already living paycheck to paycheck and this has made all of our situations even more uncertain."
"It has meant the world to all of us at the Denton Alamo Drafthouse to have been able to serve you guys for as long as we did," the fund-raiser says. "Any money donated here is going to be split between the Denton employees that need help the most in this unsure time."
The reason that most biopics fail is because they try to do too much, telling a “cradle-to-grave” story or one taking place over a long period of time that only scratches the surface of understanding the full measure of a particular person. A better approach is the one taken in the new film Tony, which uses a formative period of time in the life of Anthony Bourdain to identify a larger truth about him.
The film finds Tony (Dominic Sessa), as he liked to be known at the time, in his early college years, trying to BS his way through life. He tells lies to professors, his parents (Dagmara Dominczyk and Rich Sommer), his old classmate Nancy (Emilia Jones), and even himself in an attempt to skate by without actually doing anything.
When one con falls through, he follows Nancy to Provincetown, Massachusetts to try to find her. A series of events result in him getting drunk in a restaurant owned by a chef (Antonio Banderas), who takes him in. Tony starts working as a dishwasher and hanging out with Sal (Leo Woodall), who barely has his own act together. With no other options, he spends his summer on Cape Cod, hoping something will happen to change his lot in life.
Written and directed by Matt Johnson (Blackberry) and co-written by three others, the film gives barely a hint of the man who would go on to become a celebrity chef and acclaimed author. It does indicate that his brashness was always there, but this Tony is aimless and too often rash in his decision-making. His biggest success in the film only comes when he finally recognizes that lying has brought him nothing but misery, and that telling the truth, even if it’s painful, sets him free.
The restaurant at which Tony works, the now-defunct The Flagship, is the heartbeat of the film, containing a motley crew of people who bond over slinging mostly mediocre seafood. Johnson evolves Tony’s relationship with the chef (who’s never given a proper name) into a strong one as Tony spends each night in a hammock on the chef’s porch, only to be woken up each morning with a pot of water thrown in his face.
Tony continues to pursue Nancy for most of the film, and even though their relationship is not fruitful in terms of storytelling, it serves to enforce the mindset of the young man. Nancy only exists as an object of desire for Tony, with just the barest touch of an interior life of her own. While the intent of including a romantic interest for Tony makes sense in a way, it ultimately is the weakest part of the film.
Sessa, who made a bold film debut in 2023’s The Holdovers, has turned into one of the industry’s bright young stars. He embodies the moodiness of Bourdain, stalking around the town with a scowl and lanky walk that tells the audience everything they need to know about the character. Banderas and Woodall (Tuner) bring different types of great energy, and while Jones’ part is not great, she proves that - following CODA - she’s going to be around for a long time, as well.
Fans of Bourdain may lament that Tony doesn’t show anything from the years in which he became famous, but the small and personal film makes a great case that the period it depicts is equally significant to his life. It demonstrates that Tony’s summer on Cape Cod gave him some direction, a reason for being that allowed him to become who he eventually became.
