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Hold Onto Your Cowboy Hats

Cirque du Soleil's new country show line-dances into the State Fair of Texas

CultureMap Create
Oct 1, 2024 | 12:09 pm

The beloved tradition is back: For the first time since 2013, Broadway Dallas is presenting a show during the State Fair of Texas.

It's a new Cirque du Soleil creation called Songblazers, which celebrates the pioneering spirit of country music’s trailblazers in partnership with Universal Music Group Nashville. Songblazers runs through the end of the Fair, October 20, and each show ticket purchased comes with free same-day admission to the State Fair of Texas.

This collaboration means that some of country's most recognizable songs — think "Crazy," "King of the Road," "Achy Breaky Heart," and "All My Exes Live in Texas" — are the live soundtrack to Cirque du Soleil's jaw-dropping athletics and acrobatics.

Cirque du Soleil Songblazers This scene is performed to "Man! I Feel Like a Woman!"Photo courtesy of Cirque du Soleil

The story follows Dusty, a young songwriter disheartened by a poor performance at a local carnival's talent show. He sets off on a quest to reignite his passion and find his voice, meeting his future songwriter partner, Wyatt, along the way.

Amidst campfire sing-a-longs, barn dances, and bar fights, the audience is taken on an emotional train ride through the heartlands of the American West, meeting a variety of unforgettable characters and muses, each embodying the spirit of country.

Outlaws, ranch girls, brakemen, and conductors all guide Dusty and Wyatt, offering lessons in life, love, and the relentless pursuit of dreams. Together, they navigate the highs and lows of the musical artist’s journey, sharing moments of triumph, despair, friendship, and rivalry.

Here's a sneak peek of the show:

There are also lots of fun facts about Songblazers, such as:

  • Country’s roots are deeply intertwined with African American musical traditions, as early country music blended blues, gospel, and spirituals. The African banjo — the "banjar" — and the European fiddle both contributed to the birth of country music and its unique sound. Throughout the show, the two main characters play both instruments.
  • Sam Williams, son of legendary country artist Hank Williams Jr. and grandson of Hank Williams Sr., has written an original song for the show, along with fellow songwriters PJ Harding and Ned Houston. It's called "Carnival Heart."
  • The Country Music Hall of Fame was established in 1961. One of its first inductees was Hank Williams, whose song "I’m So Lonesome I Could Cry" features in Songblazers.
  • As well as directing shows for many of the world’s most renowned musical artists, Songblazers director Amy Tinkham has also conceptualized numerous performances for the Country Music Awards.
  • Songblazers' costume designer Zerina Akers has dressed famous celebrities such as Megan Thee Stallion, Chloe, and Halle Bailey, as well as collaborating with Beyonce as her personal stylist for more than a decade.
  • More musicians and vocalists appear in Songblazers than in any other Cirque du Soleil show, with 13 musical artists in the cast.
  • Overall, Songblazers stars 29 artists and 21 crew members from 13 countries, communicating in over 10 languages.

Cirque du Soleil Songblazers A little country and a lot international.Photo courtesy of Cirque du Soleil

Cirque du Soleil Songblazers

Photo courtesy of Cirque du Soleil

A skipping ropes act helps boost Dusty's spirits.

Every Songblazers ticket purchased comes with free same-day admission to the State Fair of Texas. The show is 95 minutes long and suitable for all ages. Purchase tickets here.

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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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