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    Movie Review

    Creed III fails to rouse despite great fight sequences

    Alex Bentley
    Mar 1, 2023 | 1:58 pm

    The appeal of the Creed franchise was immediately apparent when the first film came out in 2015, as the filmmakers could use the nostalgia for the ‘80s heyday of the Rocky series and still create something new with the character of Adonis Creed. Creed II followed a similar playbook, bringing back an old Rocky villain and pairing his son in a fight with Adonis.

    Tessa Thompson and Michael B. Jordan in Creed III

    Photo by Eli Ade

    Tessa Thompson and Michael B. Jordan in Creed III.

    Creed III finds the series trying something new, with star Michael B. Jordan adding director to his credit for the first time, as well. Adonis has now settled into retirement after winning one final championship fight. Running his old gym in Los Angeles alongside trainer Tony “Little Duke” Burton (Wood Harris), Adonis is living the good life with his wife Bianca (Tessa Thompson), daughter Amara (Mila Davis-Kent), and mother figure Mary-Anne (Phylicia Rashad).

    Damian Anderson (Jonathan Majors), an old friend who’s been in prison for almost 20 years, shows up, wanting to get his shot at boxing that his conviction prevented. Damian’s presence and actions disrupt Adonis’ relatively calm life, and it’s not long before those disturbances cause a fracture between the two friends, a beef that can only be settled in one place – the boxing ring.

    Written by Keenan Coogler (brother of Creed director Ryan Coogler) and Zach Baylin, the film starts off well, giving the story some real gravitas by detailing the checkered history of Adonis and Damian. When the older Damian re-emerges, the hurt he feels is palpable, and Jordan and his team do a great job of establishing the tension between the two characters.

    But when we get to the meat of the film, with Damian improbably getting a professional opportunity that other boxers work years to achieve, everything in the story starts to feel truncated. This is the rare film that could stand to be longer, where the addition of a few scenes would allow certain elements of the story more time to breathe and become more impactful.

    The film’s three boxing sequences work well, with Jordan using the lessons he learned in the first two films and adding in flourishes of his own. Especially effective are a number of slowed-down moments that allow the audience to visualize the thoughts and instincts of the different boxers. The violence of the sport can often overwhelm the strategy, and these moments do a great job of showing it's not all about how hard someone can punch.

    Jordan, as he’s shown multiple times in just the past decade, is a compelling screen presence. This film allows Adonis to be more than just a boxer, and Jordan easily displays all sides of him. Majors is having a big moment in Hollywood right now, and it’s not hard to see why after this role. Unfortunately, Damian becomes less nuanced as the film goes along, taking away from Majors’ performance a bit.

    Creed III is not as successful as the first two films in the series, but it has more than its fair share of interesting moments and cinematic fights. With the story holding few surprises, a bit more attention to detail would have given the film the depth it needed.

    ---

    Creed III opens in theaters on March 3.

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    Movie Review

    Rose Byrne plays one stressed-out mom in If I Had Legs I'd Kick You

    Alex Bentley
    Oct 24, 2025 | 4:24 pm
    Conan O'Brien and Rose Byrne in If I Had Legs I'd Kick You
    Photo courtesy of A24
    Conan O'Brien and Rose Byrne in If I Had Legs I'd Kick You

    Movie history is littered with depictions of stressed-out mothers who have breakdowns due to the pressure put on them by their children, spouses, or society in general. Recent examples include Hereditary, Tully, and Nightbitch, with each of them finding different ways to depict their main character’s struggles. Yet another put-upon mother goes through the wringer in the oddly-named If I Had Legs I’d Kick You.

    When we meet Linda (Rose Byrne), she’s already in the middle of a huge ball of stress. Her daughter (Delaney Quinn) suffers from an unnamed illness that requires around-the-clock care and frequent doctor visitors. Her husband, Charles (Christian Slater), is a boat captain whose job keeps him away from home for long periods of time. And her job as a therapist requires her to hear other people’s problems, necessitating her seeing a fellow therapist (Conan O’Brien) on a daily basis.

    Nearly everyone else she encounters in the movie adds to her anxiety, including Caroline (Danielle Macdonald), a new mother who’s constantly worried about her baby; Dr. Spring (Mary Bronstein), who constantly harps on Linda to get her daughter to eat; an officious parking attendant at the hospital; and a sneering desk clerk at the motel she and her daughter are forced to stay at after a plumbing disaster at home. Consequently, she dismisses James (A$AP Rocky), another motel worker, the one person who treats her with a modicum of kindness.

    Written and directed by Bronstein, the film is a harrowing experience that somehow also manages to be darkly funny at times. Linda is dealing with way too much for one person to adequately handle, something that is compounded by the fact that nobody really listens to her, not even the therapist she’s paying to do so. Scenes bounce back and forth between Linda demonstrating righteous anger at what the world is throwing at her and crushing guilt over supposedly not doing enough for her child.

    Bronstein depicts Linda’s journey in a number of interesting ways, some straightforward and others not so much. Bronstein makes liberal use of close-ups on Linda’s face, heightening the feeling that the world is closing in on her. The plumbing problem at her home results in a huge hole in the ceiling, which becomes the source of some unexplained phenomena, a choice that might have been unnecessary.

    What’s most striking about the film is how hardly anyone is on Linda’s side. Since the film joins the story as it’s already in progress, the audience is left to guess as to how Linda has behaved in the past to garner such negative interactions from people who should be helping her. While she’s not a perfect person, she also doesn’t appear to be such a jerk that she should be treated with disdain everywhere she goes.

    Byrne, who’s gravitated toward lighter roles in recent years, is an absolute marvel in this part. The more stress Linda feels, the more she becomes disheveled, and Byrne makes you feel every ounce of the character’s pain. O’Brien, who’s rarely had to play anyone but “Conan O’Brien” before, is surprisingly good, tamping down his comic sensibility to complement Byrne well. A$AP Rocky also makes a nice impression, elevating a character that’s a little underwritten.

    The role of a mom is never an easy one, and that’s in the best of circumstances. If I Had Legs I’d Kick You - a title that is never explained yet still somehow fits - earns its stripes by demonstrating how the often thankless job of motherhood can become even more distressing when the mom in question is given little to no support.

    ---

    If I Had Legs I'd Kick You is now playing in select theaters.

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