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    Movie Review

    Creed III fails to rouse despite great fight sequences

    Alex Bentley
    Mar 1, 2023 | 1:58 pm

    The appeal of the Creed franchise was immediately apparent when the first film came out in 2015, as the filmmakers could use the nostalgia for the ‘80s heyday of the Rocky series and still create something new with the character of Adonis Creed. Creed II followed a similar playbook, bringing back an old Rocky villain and pairing his son in a fight with Adonis.

    Tessa Thompson and Michael B. Jordan in Creed III

    Photo by Eli Ade

    Tessa Thompson and Michael B. Jordan in Creed III.

    Creed III finds the series trying something new, with star Michael B. Jordan adding director to his credit for the first time, as well. Adonis has now settled into retirement after winning one final championship fight. Running his old gym in Los Angeles alongside trainer Tony “Little Duke” Burton (Wood Harris), Adonis is living the good life with his wife Bianca (Tessa Thompson), daughter Amara (Mila Davis-Kent), and mother figure Mary-Anne (Phylicia Rashad).

    Damian Anderson (Jonathan Majors), an old friend who’s been in prison for almost 20 years, shows up, wanting to get his shot at boxing that his conviction prevented. Damian’s presence and actions disrupt Adonis’ relatively calm life, and it’s not long before those disturbances cause a fracture between the two friends, a beef that can only be settled in one place – the boxing ring.

    Written by Keenan Coogler (brother of Creed director Ryan Coogler) and Zach Baylin, the film starts off well, giving the story some real gravitas by detailing the checkered history of Adonis and Damian. When the older Damian re-emerges, the hurt he feels is palpable, and Jordan and his team do a great job of establishing the tension between the two characters.

    But when we get to the meat of the film, with Damian improbably getting a professional opportunity that other boxers work years to achieve, everything in the story starts to feel truncated. This is the rare film that could stand to be longer, where the addition of a few scenes would allow certain elements of the story more time to breathe and become more impactful.

    The film’s three boxing sequences work well, with Jordan using the lessons he learned in the first two films and adding in flourishes of his own. Especially effective are a number of slowed-down moments that allow the audience to visualize the thoughts and instincts of the different boxers. The violence of the sport can often overwhelm the strategy, and these moments do a great job of showing it's not all about how hard someone can punch.

    Jordan, as he’s shown multiple times in just the past decade, is a compelling screen presence. This film allows Adonis to be more than just a boxer, and Jordan easily displays all sides of him. Majors is having a big moment in Hollywood right now, and it’s not hard to see why after this role. Unfortunately, Damian becomes less nuanced as the film goes along, taking away from Majors’ performance a bit.

    Creed III is not as successful as the first two films in the series, but it has more than its fair share of interesting moments and cinematic fights. With the story holding few surprises, a bit more attention to detail would have given the film the depth it needed.

    ---

    Creed III opens in theaters on March 3.

    Creed franchiseMichael B. Jordanfilmmovies
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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