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    Media News

    Iconic Dallas media figure Dale Hansen returns to fray via new podcast

    Teresa Gubbins
    Jun 3, 2025 | 10:02 am
    Mark Villasana, Lila Levy, Dale Hansen

    Mark Villasana, Lila Levy, Dale Hansen

    Courtesy

    An iconic Dallas media figure is back on the air: Former longtime sportscaster Dale Hansen, who retired in 2021 after more than 40 years, is chattering again in a new podcast, "Dallas Dialogue With Dale Hansen," which made its debut on June 2.

    The podcast is sponsored by Northwest Insurance Agency, a Dallas-based agency owned by Mark Villasana, an insurance professional with nearly 30 years of experience in the DFW market.

    Villasana and his partner Lila Levy (AKA, CultureMap Dallas' own bagel expert) launched a separate podcast in April 2025, called "Beyond The Policy: Covering Everything Dallas," where they share insights on insurance, before segueing to interviews with chefs, artists, musicians politicians, and other local figures.

    Hansen was one such figure they interviewed, and that May 26 episode turned out so well, they decided to launch a new monthly podcast starring Dale, providing the outspoken and opinionated Hansen with a platform for his hot takes on a variety of issues.

    Here's a few words from Dale:

    The return of Dale
    ""I've seen every movie and TV show that Netflix has to offer," Hansen says. "My wife and I travel quite a bit, and I play a lot of poker with the guys," Hansen says. "So when Lila called, what was supposed to be an hour turned into two and a half. I don't have a lot of conversations with people these days, so it's hard for me to shut up. Halfway through, they said, 'This is really good, would you mind if we make it into two parts.' And then they suggested the idea of doing the podcast once a month. That was the magic moment for me. I love writing commentaries. I was ready to retire for a lot of reasons, but that was the only thing I missed from my television days."

    To zoom or not to zoom
    "My wife and I live in Waxahachie," Hansen says. "It's not that far from Dallas. We're recording the show in Denton and I make the drive. I don't like having these conversations over Zoom. I know it's technically possible but i like to look the person in the face, and be there with Mark and Lila. Someday we might end up doing it over Zoom but for now, it gets me out of the house. It's about an hour and 15 minutes. Although halfway there, I start thinking, 'Maybe we ought to do this over Zoom.'"

    First topic
    "The first one I did was about the divide in America — how we've allowed politics to divide us unlike anything in our history," Hansen says. "We've been divided before but never lost friends. But because of my self-identified 'liberal' leaning, I've had conservatives kick me out of a card game. I don't get invited to dinner parties. My sister and I didn't talk for nine years. I blame a single man, Donald Trump, for causing this divide. Previously, you could still maintain friendships. And it goes both ways. I have a liberal friend, we were going to eat at Javier's, and the question was, 'Who else is coming,' because they won't attend if certain people are there."

    Future Dale
    "Future topics include the Luka and the Dallas Mavericks, and the technology of the world we live in -- phones, computers, Facebook. I do see some of the benefits, but how many influencers does one country need?" Hansen says.

    "Bottom line, I am doing a great deal of what I did at channel 8 — talk about social issues, sports, although even when I was talking about sports, I would always weave in social aspects. I just love sparking the conversation. A friend told me that his buddy said, 'The hell with Dale Hansen, he thinks he's right about everything and he's just not.' Well, of course I think I'm right — I wouldn't say it if I didn't think I was right. I didn't understand why that was supposed to offend me."

    "Dallas Dialogue With Dale" can be viewed on YouTube or heard via Spotify.

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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