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    Basketball news

    Dallas signs deal to lure WNBA's Dallas Wings to relocate from Arlington

    Cecilia Lenzen
    Apr 24, 2024 | 3:16 pm
    WNBA Dallas Wings

    WNBA Dallas Wings

    scontent-dfw5-2.xx.fbcdn.net

    The Dallas City Council has approved an agreement for the WNBA's Dallas Wings to relocate from their current headquarters in Arlington and move to Kay Bailey Hutchison Convention Center Dallas Memorial Arena.

    The Dallas Wings are a professional basketball team based in Arlington, who play in the Western Conference in the Women's National Basketball Association.

    According to a release, the city council approved an agreement on April 24 that would pay the team $19 million in incentives. The 15-year agreement is still pending WNBA league approval and wouldn’t take effect until after the 2025 season.

    “This deal has been a top priority for us because we know the Dallas Wings will soar in the city they represent,” Mayor Eric Johnson says in the release. “We will be thrilled to welcome the Wings to the heart of our city – and we are even more excited to see this franchise anchor our new convention center district that will transform downtown Dallas for decades to come. Now is the right time to provide our world class athletes with a world class venue to train and play and our fans with a best-of-class arena to call home.”

    The Wings have played at the College Park Center arena on UT-Arlington’s campus since 2016. The arena seats about 7,000, compared to the 10,000-seat capacity at the Downtown Dallas auditorium.

    The proposed deal comes as women’s basketball has grown exponentially in popularity, thanks in part to star players like Caitlin Clark and Angel Reese, who have now entered the WNBA after rising to super stardom as collegiate players. A record 2.45 million viewers watched the WNBA draft (headlined by No. 1 pick Clark), shattering the previous record of 600,000 viewers.

    Following the surge in popularity, the Wings recently announced that their season tickets have sold out, for the first time in franchise history.

    “This proposed deal comes at a time when interest in women’s sports, the WNBA, and the Wings is at record levels, bringing a valuable community asset to a historic city venue,” Wings President & CEO Greg Bibb says. “The Wings saw record attendance in 2023, and virtually every business metric record has been, or will soon be, broken during the 2024 season.”

    Once the deal is approved, the auditorium will be renovated as part of a larger development/expansion plan for the convention center.

    The auditorium, which was designed by Dallas architect George Dahl, has hosted acts such as The Beatles, Elvis Presley, the Rolling Stones, and Led Zeppelin.

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    Movie Review

    Marty Supreme cements Timothée Chalamet as his generation's movie star

    Alex Bentley
    Dec 23, 2025 | 11:23 am
    Timothée Chalamet
    Courtesy
    Timothée Chalamet

    In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.

    Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).

    Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.

    Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.

    Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.

    Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.

    Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.

    Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.

    ---

    Marty Supreme opens in theaters on December 25.

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