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    Gymnastics news

    Simone Biles' U.S. gymnastics crown passed to Plano champ Hezly Rivera

    Associated Press
    Aug 11, 2025 | 12:01 pm
    2025 Xfinity U.S. Gymnastics Championships

    Silver medalist Leanne Wong, Gold medalist Hezly Rivera, and Bronze medalist Joscelyn Roberson at 2025 Xfinity US Gymnastics Championships.

    Photo by Alicia Malnati/Getty Images

    NEW ORLEANS (AP) — Hezly Rivera was the fresh face a year ago. The newcomer. The teenager on a team of 20-something Olympic gymnasts, doing her best to absorb what she could from Simone Biles, Sunisa Lee, Jade Carey, and Jordan Chiles.

    The one thing that stood out, even more than the sometimes otherworldly gymnastics, is the way her fellow gold-medal-winning teammates went about their business.

    “They looked so confident,” Rivera said. “They're like, ‘I’m going to go out and I'm going to hit.' It gave me that confidence as well.”

    Looks like it.

    The now 17-year-old who says she's paying no attention to the idea that she's the leader of the women's program in the early stages of the run-up to the 2028 Olympics certainly looks the part.

    Buoyed by a polished steadiness — and a beam routine that finally looked the way it does back home at her home gym, the World Olympic Gymnastics Academy in Plano — Rivera captured her first national title Sunday, August 10 at the U.S. Championships. Her two-day total of 112.000 was good enough to fend off a challenge from Leanne Wong and put her in excellent position to lead the four-woman American delegation at the world championships in Jakarta, Indonesia, in October.

    The U.S. title was passed to Rivera from the legendary Biles, who won her historic ninth U.S. Championship in Fort Worth in 2024. She is not currently competing.

    Simone Biles, Skye Blakely, Kayla DiCello Gold medalist Simone Biles (center), silver medalist Skye Blakely (left), and Kayla DiCello at 2024 U.S. Championships in Fort Worth's Dickies Arena. Photo by Elsa/Getty Images

    Rivera, by far the youngest member of the five-woman team that finished atop the podium in Paris a year ago, bounced back from a shaky performance at the U.S. Classic last month with the kind of measured, refined gymnastics that she attributed to simply “letting go” of whatever pressure she might feel as the lone Olympic gold medalist in a remarkably young field.

    “No matter how rough the competition is, I still can get back into the gym and work hard because all those months previously that I’ve been working hard, I know it’s going to show up eventually,” she said. “So it kind of just took a weight off my shoulders.”

    Rivera, at the very least, locked up a spot in the world championship selection camp next month. So did Wong, a four-time world championship medalist, budding entrepreneur and pre-med student who shows no signs of slowing down despite years of competing collegiately and at the elite level simultaneously.

    Asked how she juggles it all, the 21-year-old who insists she doesn't keep a planner said she lives by the motto “there's time for everything.”

    Joscelyn Roberson, a native of Texarkana and an Olympic alternate last summer, shook off an ankle injury suffered at the end of her floor routine to finish third as the three most internationally experienced athletes in the field looked ready to lead after spending most of the last Olympic quad learning from Biles and company.

    “You go from, ‘Oh you’re so young, you’re so young,’ to, ‘Oh, you are the older kid,’” the 19-year-old Roberson said. “People say, ‘How are you feeling?’ Like, I honestly don’t feel that different.”

    Two summers ago, Roberson was Biles' bouncy sidekick. Now she's among the leaders of the next wave.

    “I felt like more responsible to let the little, smaller, less experienced kids know it’s not the end of the day if you have a bad day or if you had one fall,” Roberson said. “I want to help them grow instead of think ‘I have to be perfect.’”

    Roberson then walked the walk. Or maybe limped the limp. She appeared ready to make it a three-woman race for first until she turned an ankle on the final tumbling pass of her floor routine.

    The rising sophomore at Arkansas gingerly continued on anyway. She gritted her way through her vault dismount, though the five-tenths (0.5) deduction for using an additional pad for her protection took her out of contention for the all-around.

    Hezly Rivera Plano's Hezly Rivera was the youngest member of the U.S. Olympic team in Paris in 2024. Photo by Elsa/Getty Images

    Still, the victory hardly came easy for Rivera. She was pushed through four rotations by Wong, who started Sunday with a stuck Cheng vault and didn't relent over the course of two hours.

    Rivera responded each time — she posted the top scores on three of the four events — but it wasn't until she walked off the podium following her floor routine with victory in hand that she could relax.

    “Everything fell into place,” Rivera said. “I tried not to get too overwhelmed because nerves obviously can be there, especially when you know you’re in a spot to win a national title, but I just took all pressure off myself.”

    Skye Blakely of Dallas, a fellow WOGA gym trainee who was injured at the Olympic Trials in both 2021 and 2024, was sublime on both uneven bars and balance beam to put herself in consideration to make the world team.

    gymnasticssimone bilesawardshezly riveraplanoolympic coverageolympic trialssports
    news/entertainment

    Movie Review

    Chris Pratt plays one man against the AI machine in thriller Mercy

    Alex Bentley
    Jan 23, 2026 | 1:07 pm
    Chris Pratt in Mercy
    Photo courtesy Amazon Content Services
    Chris Pratt in Mercy.

    It seems like every other movie set in modern times being released these days includes either a reference to or a plot revolving around artificial intelligence. In the real world, the benefits of the technology compete with its downsides, but when it comes to movies A.I. is almost always seen as a threat, including in the new film Mercy.

    The audience is thrown headlong into the slightly futuristic story involving LAPD Detective Chris Raven (Chris Pratt), who finds himself strapped in a chair in a sparse room, being told that he is on trial for killing his wife. Turns out he’s in a court dubbed “Mercy,” which is overseen by an AI judge named Maddox (Rebecca Ferguson). By the rules of the court, Raven has 90 minutes to provide reasonable doubt of his guilt, or he will be executed on the spot.

    Raven is in a multi-pronged quandary: Not only does he believe he’s innocent despite a trove of evidence pointing to his guilt, but he’s also the poster boy for the law enforcement side of the equation, having arrested the first man who went to Mercy. Anger and disbelief for Raven turn into acceptance, which then turns into him tapping into his detective skills, scrutinizing every shred of evidence the court provides him in a desperate attempt to save his own life.

    Directed by Timur Bekmambetov and written by Marco van Belle, the film is a relatively propulsive thriller despite having a so-so story and even worse acting. The film is told in real time (with a few fudges here and there), so the concept alone of a man trying to prove his innocence in a short amount of time provides good intrigue. Bekmambetov’s use of digital elements as Raven scrolls through files or calls potentially exculpatory witnesses like his partner, Jaq Diallo (Kali Reis), keeps the film visually interesting.

    On the other hand, the swift viewing of videos and documents by Raven, not to mention the high degree of cooperation by Judge Maddox, opens up more than a few plot holes. The filmmakers try to explain away a few leaps in logic by having Raven falling off the sobriety wagon the night before, but they can only use that excuse for so long. They also have the AI judge experience technical glitches along the way, errors that seem to point toward a wider conspiracy until they’re completely forgotten.

    More than anything, it’s difficult to get over the wooden acting of Pratt and the misuse of other usually reliable actors. Pratt has no real presence, especially when he’s confined to a chair, so any emotion he tries to conjure up comes off as contrived. Ferguson is done no favors by a role that shows only her upper body and has her alternating between robotic and oddly sympathetic. Reis earned an Emmy nomination for True Detective: Night Country, but has little to do here, a fate that also takes out Chris Sullivan as Raven’s AA sponsor.

    If you’re okay with turning off your brain for a little while, Mercy can be an enjoyable watch. But if you find yourself scrutinizing why characters make the odd decisions they do, or the wishy-washy way the film approaches AI in general, then you’re likely to find the whole thing lacking.

    ---

    Mercy is now playing in theaters.

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    news/entertainment
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