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    Music News

    Dreamy Austin rock band Holy Wave launches tour at North Texas club

    Teresa Gubbins
    Aug 8, 2023 | 10:42 am
    Holy Wave

    Holy Wave from left to right: Kyle Hager, Joey Cook, Ryan Fuson, Julian Ruiz.

    scontent-dfw5-1.xx.fbcdn.net

    An incredible Austin band has a new record out on one of the coolest labels: The band is Holy Wave, a quartet who make beautiful dreamy pop music with all sorts of textures, and layers, and harmonies, and minor chords.

    The record is called Five of Cups, released on August 4, and it's their sixth full-length release — but it's their first on Suicide Squeeze Records, a Seattle label that's home to stellar garage and rock bands such as L.A. Witch and Death Valley Girls.

    With its combination of retro California Dreamin'-era innocence, '90s English shoegaze, and bits of Texas and garage rock, Five of Cups makes life seem better, more epic when it's playing, a soundtrack for lying in the sun or driving late at night, or when you meet someone for the first time. If Five of Cups is playing when you meet someone for the first time, there is a distinct possibility that you and that person may fall in love.

    The quartet is launching a regional tour in support of the record, and it'll start in North Texas at Andy's in Denton, with opening acts Psychic Love Child and Maestro Maya. Doors are at 7 pm. Tickets are $15 and can be purchased here.

    About the songs
    Recorded by their longtime engineer/producer/collaborator Charles Godfrey, and mastered by recording whiz Erik Wofford, Five of Cups has guest appearances including Estrella del Sol of shoegaze band Mint Field. She sings on "Happier," a song that changes midstream; It begins with an upbeat tempo that makes the heart race a little to keep up, before switching to a fabulously goopy ethereal haze with the ribbons of del Sol's lilting voice.

    " The Darkest Timeline" features Lorena Quintanilla and Alberto Gonzalez from psych duo Lorelle Meets the Obsolete. Starting with outer spacey sounds, followed by Quintanilla's breathy vocals and some crazy chord progressions, the song is anchored by a comfortingly steady bass beat. It sounds familiar at first, before turning completely unpredictable.

    " Nothing in the Dark" offsets its steady percussion, reminiscent of hands clapping, with wistful, moaning notes and the thickest vocal harmonies. It fades out with a chunk of feedback that makes it feel like you're listening to the radio and just drove through a bad patch.

    Holy Wave excels at juxtaposing dissimilar elements that a listener wouldn't expect to mesh — and yet they do.

    Words from the band
    Holy Wave — Ryan Fuson (vocals/guitar), Kyle Hager (synthesizer, guitar), Joseph Cook (bass), Julian Ruiz (drums) — is originally from El Paso, and they've been around for a while, since 2008. They're part of a Texas tradition of psychedelic bands, but not really.

    "There's been a resurgence of psych music and coming up as a band, we've played in that realm and appreciate the community," Ryan says. "But over the years we’ve grown in ways that are outside of that spectrum, and we don’t consider ourselves a psych band."

    One amazing thing is their approach to lyrics, where what they say isn't always as important as how they say it.

    "Phonetics are sometimes more important than the meaning of a word," says Kyle.

    "We view ourselves almost an instrumental band that uses vocals an an instrument — but also appreciate the opportunity to say things," Ryan says.

    They have other jobs besides playing in the band, such as graphic arts and construction. Prior to making Five of Cups, during the depths of the pandemic and a plummeting music industry, they had a moment where they wondered if they wanted to go on.

    "It takes a lot to barely scrape by," Ryan says. "I was working at a restaurant and a coworker who is really into tarot cards did a reading. In tarot cards, the Five of Cups signifies loss and grief. I felt like it was saying, 'You're not focusing on the positive.''"

    The label
    Suicide Squeeze Records was founded in 1996 in Seattle by owner David Dickenson, and boasts an impressive catalog of releases by popular names such as Modest Mouse as well as Texas-born acts such as This Will Destroy You.

    "David messaged our band account on Instagram," Ryan says. "He asked if we were interested in doing a digital single. We got super excited because we were transitioning away from our previous label. We made it out to Seattle on tour later in the year, and he took us out to lunch and met for the first time. We're good friends with LA Witch and they would talk about how beautiful a person David was."

    "Signing with Suicide Squeeze ended up being a breath of fresh air — it invigorated us a little bit," he says.

    2023 tour dates
    The tour begins in Denton, dates as follows:

    Aug 8 – Andy’s – Denton, TX
    Aug 9 – Opolis – Norman, OK
    Aug 11 – Back Alley Ballyhoo – Indianapolis, IN
    Aug 12 – JJs Bohemia – Chattanooga, TN
    Aug 13 – Upstairs at Avondale – Birmingham, AL
    Aug 15 – Alabama Music Box – Mobile, AL
    Aug 16 – Continental Club – Houston, TX
    Aug 17 – Paper Tiger – San Antonio, TX

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    Movie Review

    Amanda Seyfried and Sydney Sweeney go off in trashy film The Housemaid

    Alex Bentley
    Dec 19, 2025 | 12:24 pm
    Amanda Seyfried and Sydney Sweeney in The Housemaid
    Photo courtesy of Lionsgate
    Amanda Seyfried and Sydney Sweeney in The Housemaid.

    Both Amanda Seyfried (the upcoming The Testament of Ann Lee) and Sydney Sweeney (Christy) are starring in movies with Oscar ambitions this year. By sheer coincidence, the two actors are also co-starring in The Housemaid, a thriller coming out within weeks of their more ambitious works, one that is likely to be seen by many more people than those prestige plays.

    Sweeney is given top billing as Millie, a down-on-her-luck ex-convict looking to land any type of job so as not to break her parole. She finds a too-good-to-be-true lifeboat with Nina (Seyfried), who hires her to be a housemaid for her large house on Long Island, where she lives with her husband, Andrew (Brandon Sklenar), and daughter, Cecilia (Indiana Elle).

    After a warm interview, Nina almost immediately becomes highly erratic, whipping back-and-forth between happy-go-lucky and rageful. It seems clear that Nina is suffering from mental health issues, as she’ll often accuse Millie of misplacing or stealing items that she didn’t take. Andrew, apparently used to Nina’s tirades, tries to protect Millie from the worst, something that grows increasingly difficult as Nina ups the ante.

    Directed by Paul Feig (A Simple Favor) and adapted by Rebecca Sonnenshine from the bestselling book by Freida McFadden, the film is likely the trashiest mainstream movie to come out in 2025. The first half of the movie relies not on story but on moments as Nina embodies the word “hysterical” to an unbelievable extent. The resigned acceptance of the abuse by Millie, as well as the saintly patience of Andrew, make almost every scene laughable, as nobody seems to be acting anywhere close to how a person would normally react to such extreme situations.

    The scenes and the performance of Seyfried are so over-the-top, in fact, that it’s clear that the filmmakers are in on the joke. It’s next to impossible not to have a little bit of fun while watching the actors react to outrageous incidents as if nothing is out of the ordinary. The worse Nina acts, the more Millie and Andrew retreat into their chosen roles, and the funnier the film becomes.

    Fans of the book will know that the story changes course, eventually turning into a more stereotypical thriller that also has some relatively gnarly visuals to offer. But the trashiness continues, with Sweeney’s, um, assets repeatedly on display in both clothed and unclothed ways. The sex appeal of the R-rated movie makes it an outlier, as recent studio films have shied away from asking their big stars to disrobe completely.

    Both Seyfried and Sweeney are far from their Oscar hopeful roles here. Seyfried is given free rein to act as brazenly as she pleases, and she takes full advantage of that ability. Sweeney seems to have been told to be much more reserved, and unfortunately that results in too many wooden line readings. Sklenar continues his breakout streak (It Ends with Us, Drop) with a role that allows him to show more range than either Seyfried or Sweeney.

    The Housemaid is an unusual type of movie to be released at a time of year when most films are either those aiming for awards or more family-friendly fare. Despite its many flaws, it’s still an enjoyable watch that features a variety of crazy scenarios not typically seen in movies nowadays.

    ---

    The Housemaid is now playing in theaters.

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