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Movie review

Will Arnett looks for laughter amid divorce in Is This Thing On?

Alex Bentley
Jan 8, 2026 | 1:15 pm
Will Arnett in Is This Thing On?

Will Arnett in Is This Thing On?.

Photo by Searchlight Pictures/Jason McDonald

With 12 Oscar nominations in the past 12 years in multiple categories, Bradley Cooper has turned into not only an acclaimed actor, but also a touted filmmaker. Given that pedigree, it might be difficult to remember that he first gained recognition as a comedy star in movies like Wedding Crashers, Yes Man, and The Hangover series. For his latest directorial effort, he has married comedy with drama in Is This Thing On?.

Unlike the previous two films he directed, Cooper only has a supporting role, ceding the lead to Will Arnett. Arnett plays Alex Novak, who, as the film begins, is starting the process of divorce from his wife of 20 years, Tess (Laura Dern). Forced to move to a depressing apartment in New York City and only getting limited time with his two kids, Alex finds the unexpected outlet of stand up comedy when he signs up for open mic night at the famous Comedy Cellar.

The film follows Alex as he continues to pursue comedy while still having to see Tess on a regular basis, thanks to a shared custody agreement and get-togethers with friends like Balls & Christine (Cooper and Andra Day) and Stephen & Geoffrey (real life couple Sean Hayes and Scott Icenogle). While the comedy serves as a form of counseling for Alex, truly moving on proves more difficult than expected.

The film, co-written by Cooper with Arnett and Mark Chappell, is loosely based on the real-life story of British comedian John Bishop, so one of the biggest things they needed to get right was the comedy itself. Alex’s marital situation lends his comedy more of a confessional style than actual jokes, and his evolution in that space is done well. Shooting in the actual Comedy Cellar and populating the club with real comedians like Amy Sedaris, Jordan Jensen, Reggie Conquest, and more gives those scenes an extra dose of realism.

As if to underscore the personal and emotional nature of the story, Cooper and cinematographer Matthew Libatique make liberal use of closeups with handheld cameras. The camera is constantly moving around and often seems to be right in the actors’ faces, something that is most noticeable when Alex is performing. As if the stories Alex was telling weren’t intimate enough, having Arnett's entire face fill the frame forces the audience to pay attention to what his character is saying.

If there is something to knock about the film, it’s a lack of dramatic stakes. While there’s natural tension between Alex and Tess due to the divorce, it’s way less than in a movie like, say, Marriage Story. There’s also a sneaking suspicion that Cooper was just looking to have fun with the film, casting himself as the comic sidekick and working with good friends like Arnett and Hayes. If ever there was a good hang divorce movie, this is it.

Arnett rarely gets to be in movies, much less as the lead, but he ably embodies this somewhat dramatic part. It helps that he’s given a great scene partner like Dern, who knows when to dial her acting up or down for a particular situation. Cooper and Day are also good despite their story being slightly superfluous, and Christine Ebersole and Ciarán Hinds as Alex’s parents lend the film some extra gravitas.

Is This Thing On? is a much different type of film from Cooper’s first two directorial efforts, A Star is Born and Maestro, and it’s nice to see the filmmaker offer something new. It has a relatable story for anyone who has ever been married while offering an element of uniqueness with someone discovering an undiscovered skill late in life.

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Is This Thing On? opens wide in theaters on January 9.

news/entertainment
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Good as gold

Dallas gymnast Skye Blakely wins gold at 2026 world championships

Associated Press
Oct 23, 2026 | 4:52 pm
Day 7 - Artistic Gymnastics World Championships Rotterdam 2026
Photo by Adam Pretty/Getty Images
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ROTTERDAM, Netherlands (AP) — American Skye Blakely soared to the women's all-around gold at the world gymnastics championships on Friday, putting together four stellar routines as other top competitors faltered.

The 21-year-old's total of 55.733 included a dazzling set on uneven bars and a stoic and steady performance on balance beam and no major form breaks or falls, giving the Dallas native a moment of redemption after bids to make the 2020 and 2024 U.S. Olympic teams ended due to injury.

Blakely was born in Dallas and lives and trains in Frisco, at the World Olympic Gymnastics Academy (WOGA); she's also a student-athlete at the University of Florida.

Blakely broke into tears when she walked off the podium at the end of her floor exercise in the final rotation, her long and painful journey with an unforgiving sport hitting a high note that seemed far away during lengthy rehabs that taxed both her mind and her body.

Liudmila Roschina earned silver at 55.199. Ke Qinqin of China took bronze at 55.032.

Algerian Kaylia Nemour's bid to become the first gymnast from Africa to win an all-around title at worlds ended with a fourth-place finish. The 19-year-old's finals got off to a rough start in her first rotation when her feet didn't land squarely on the springboard while vaulting, forcing her to do a simpler vault that cost her valuable points.

While Nemour recovered spectacularly thanks in large part to an uneven bars routine that is one of the hardest routines done on any apparatus by any gymnast — male or female — in the world, it wasn't quite enough to reach the podium.

American Claire Pease's hopes of joining Blakely on the medal stand ended when she hopped off beam on her way to a seventh-place finish. Pease, a Sunnyvale native, also trains at WOGA in Frisco.

Blakely and Pease were competing two days after the U.S. saw its long run of gold medals in the team finals at worlds end with a second-place finish to resurgent China. That up-and-down night included Blakely failing to get credit for a connection during her beam routine that cost the Americans nearly a point in a meet where they missed out on gold by a fraction of that.

There were no such issues this time around. Blakely headed to beam atop the leaderboard after an excellent start on vault followed by a bars routine that's pretty good in its own right.

Still, beam is something different. And this time there were no missed connections and barely a wobble. Her score of 14.200 kept her in front and turned her floor exercise largely into a victory lap.

The tears after she saluted the judges were real. So were the ones when her spot atop the sport became official about 15 minutes later.

Blakely then draped the American flag over her back while posing for the cameras becoming the ninth U.S. woman — and sixth this century — to win a world all-around crown.

While the picture figures to get considerably more crowded in the next two years ahead of the 2028 Olympics in Los Angeles, Blakely's perseverance and talent have thrust her back into the conversation.

gymnastics olympics sports
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